Danny Boyle | 103 mins | DVD | 15 / R
After branching out into the genres of horror (with 28 Days Later…) and ‘family’ (with Millions), Danny Boyle turns his hand to sci-fi with this effort, which tells the story of a spaceship in the apparently not-too-distant (but, clearly, distant enough) future transporting an improbably large nuclear bomb to restart our dying sun.
Sunshine is what some would call “grown-up science fiction”, often more concerned with the crew’s moral dilemmas than thrilling action set pieces or dazzling CGI. Luckily, though, the former aren’t too pretentious and both of the latter are still present. Similarly, the fact that it’s a British rather than American film is apparent early on: there’s an international crew (the Captain is even Foreign! Shocking!), there’s no time wasted on the melodrama of what life is like back on Earth, and the plot slow burns, carefully depicting the crew’s day-to-day relationships and tasks before, inevitably, It All Goes Wrong. The crew notice their failed predecessor floating nearby and have to decide whether to continue on their present course or divert to meet the other craft. I’m sure anyone can guess which option they choose. The ensuing slow slide from relatively minor problems to increasingly major ones fills most of the running time and, like every aspect of the film, is very well executed.
One stumbling block is that, in many ways, it’s territory that’s been trod before. Boyle and screenwriter Alex Garland mix in elements of Alien, 2001: A Space Odyssey, Armageddon, and no doubt several other spaceship-based movies. To their credit, it doesn’t feel like a total rip-off, but the influences are apparent. I was also reminded of the BBC miniseries Space Odyssey: Voyage to the Planets, though I doubt that was a huge influence! (It is quite good though, so you never know…)
Most reviews of Sunshine primarily criticise a shift in quality for the third act. It’s hard to disagree on this, as the film moves from a realistic(ish) Apollo 13-esque space mission movie into slasher horror territory. It almost works, though does feel a little like they were desperate for either a multiplex-pleasing round-off or anything that would carry the film through the last 30 minutes. The real let down is the final sequence, a logic-vacant confusingly-shot finale that consequently feels a tad disappointing.
Yet it’s not bad enough to make too large a dent in the film’s overall quality. The first hour may be better than the final half hour, but it’s all still good enough to pass. Ultimately, the weak ending’s only impact may be in knocking one star off the final score — though, without an alternate final act to compare it to (obviously), it’s hard to be certain it’s even that bad.
Sunshine placed 10th on my list of The Ten Best Films I Saw For the First Time in 2008, which can be read in full here.