David Fincher | 151 mins | DVD | 15 / R
Context time: I’m a David Fincher fan. Se7en and Fight Club number among my favourite films of all time; I’ve always found The Game to be an immensely enjoyable thriller; much the same can be said of Panic Room, especially the famous slow motion sequence, which is one of my favourite action scenes ever; and I love The Hire series of short films, which Fincher produced but (sadly) never directed. I’ve never seen Alien³ (or Aliens, or any other entry in that series bar Ridley Scott’s first for that matter), but considering its troubled production history one might say it barely counts. All this considered, why’s it taken me so long to see Zodiac? Well, laziness, to be honest, but I’m here now. And unlike another recently-viewed highly-anticipated film (namely, Southland Tales), this was more than worth the wait.
As other reviews have pointed out, Zodiac is really a film about obsession, and it makes for as engrossing a tale as the case was for those investigating it. In following the story the film chooses to eschew normal structural niceties for fact-following, yet structure is never a problem. Yes, it jumps from character to character, and if you step back and analyse it that’s odd, but while watching it doesn’t matter one jot — this is more like real life than some shallow crime thriller dependent on a twist ending. That level of realism is key throughout, be it the period detail or the exemplary performances — both are excellent and accurate without being showy. Much like Fincher’s direction, in fact, which is appropriately more restrained than usual, though he can still display a suitable level of flair when warranted.
Some have called it slow, even dull, but I was totally engrossed throughout and never overwhelmed by the number of facts being thrown around — and I was watching it in the middle of the night when I should have been asleep. At 5AM, when it finally ended, I was even wishing there was more. (It seems a shame that the recently-released (in the UK) director’s cut adds barely five minutes.) It does exactly what it aims to: it’s not about the killer’s mind and it’s not a whodunnit; it’s about procedure, obsession, and how one deals with an unsolved mystery. The fact it isn’t definitively solved — and yet, for all the characters, there’s a way out or a solution that satisfies them — is possibly the most telling part of the whole film.
After the disappointment of the long-awaited Southland Tales, it’s especially pleasing that the long-awaited Zodiac is such a triumph. It’s easily up there with Fight Club and Se7en, and perhaps even surpasses them both. My most unreserved full marks since Dark City.
Zodiac placed 2nd on my list of The Ten Best Films I Saw For the First Time in 2008, which can be read in full here.
My more thorough review of the Zodiac: Director’s Cut can now be read here.