Blake Edwards | 110 mins | TV (HD) | PG
Breakfast at Tiffany’s is a stonkingly famous film — it’s the one most of the famous images in the cult of Audrey Hepburn come from — this despite the fact that, as one IMDb review puts it, the plot makes it sound like “a gritty, vulgar film”.
It originates from a Truman Capote novel. That makes “gritty” and “vulgar” less startling adjectives. This was the early ’60s, though, so George Axelrod’s adaptation sanitises things for a mainstream US cinema audience. You can’t help but wonder if there’s a more faithful remake to be done, but how would that sit with those who idolise Hepburn’s take on Holly Golightly? Not well, I suspect. But faithfulness aside, in the hands of director Blake Edwards any grittiness disappears in a wave of pastel-coloured humour and frivolity.
And a happy ending. Not that the novel’s ending is unhappy per se, but this version is certainly more Hollywoodised. Some hate it, and I can see their point, but as the whole film has been appropriately smoothed in parts from the original, the modified finale doesn’t sit too badly. Casting Mickey Rooney as an OTT Japanese character really was a bad idea though. Another strike against the film could be that it originated the song Moon River, which I hate; but it works here, especially when sung plainly by Hepburn.
Breakfast at Tiffany’s isn’t Capote’s novel, but it is fun, and it’s plain to see why men and women alike have fallen for Hepburn’s Golightly. A more sordid adaptation of the book might be interesting, but that doesn’t negate the unique qualities of the film.
Breakfast at Tiffany’s is on Film4 tomorrow, Tuesday 28th October 2014, at 11am.