Rudolph Maté | 77 mins | TV | 4:3 | USA / English
Often noted merely for being filmed in Los Angeles’ busy train station, there are some spirited defences of Union Station to be found. For my money, that’s nearer the truth: this isn’t some noir-era single-location-thriller, but a kidnap procedural with a significant role for trains and their locales. The best sequence isn’t even in the station: cops tail a suspect, get noticed, and the ensuing chase reaches a memorably grisly end.
Also in the mix are morally grey cops (“make it look like an accident”), one-step-ahead villains, and a blind girl in peril. The concoction produces an undervalued classic noir.
In the interests of completing my ever-growing backlog, I decided to post ‘drabble reviews’ of some films. For those unfamiliar with the concept, a drabble is a complete piece of writing exactly 100 words long. You’ve just read one.