Big Hero 6 (2014)

2015 #28
Don Hall & Chris Williams | 102 mins | Blu-ray | 2.39:1 | USA / English | PG / PG

Big Hero 6 UK posterThis year’s Best Animated Film Oscar winner is not this year’s best animated film. Not by a long stroke. What it is is one great character, one great emotional plot/subplot, and a lot of stuff that feels like every other big-budget action-orientated CGI animation of the past few years. Most succinctly, this is little more than (as a reviewer on Letterboxd dubbed it) “How to Train Your Baymax”.

Set in a world where teenage kids seem to be constantly inventing groundbreaking robotic tech that multinationals spending billions on R&D haven’t come up with, the plot sees 14-year-old genius Hiro (Ryan Potter) bonding with his brother’s invention, a medical diagnosis/treatment robot called Baymax (Scott Adsit), while they investigate the theft and abuse of Hiro’s own invention. After stumbling across a mysterious masked supervillain, they team up with a gaggle of equally-skilled college friends to transform themselves into a superhero team.

Adapted from a Marvel comic book — albeit so loosely that Marvel didn’t even feel they could justify issuing a tie-in edition of the original — this is “Disney does superheroes”. Unfortunately, that’s not what Disney does best. The real meat and fun of the film comes in earlier sections, where Hiro and Baymax bond, where the emotional storyline is explored. I’m working hard not to spoil the latter plot — other reviews merrily do, because it’s kicked off in act one, but I went into the film blind and think it worked better for that. Based on interviews, some of the filmmakers seem to be under the impression that part of the film is up there with the infamous “Bambi’s mother” narrative. I don’t think it’s that striking, nor that universal, but it’s a bolder move than you normally see in kid-focused US animations.

Cuddly robotThe element that is an unequivocal success is Baymax. A soft robot — made of inflated vinyl so as to be genuinely huggable — he’s sweet, funny, and always entertaining. Memorable moments abound, in particular a sequence where his batteries run low, and his interpretation of a fist-bump (a recording booth improvisation by Adsit that was worked into the film). The movie truly comes alive whenever he’s on screen, but conversely loses some magic whenever he’s pushed into the background.

Otherwise, there’s some nice animation and design. It’s set in the city of San Fransokyo, which is imagined as what San Francisco would be if Japanese immigrants had rebuilt it following the 1906 earthquake. The design work is top-notch and the amount of world they built incredible, but it then goes underused, only glimpsed as background detail during one flying sequence. Worse, much of the movie’s story is sadly derivative, especially towards the end. It’s a bit hole-y too, and uncomfortably pushes at the boundaries of plausibility — I know it sounds silly to say that about a future-set superhero movie for kids, but c’mon, the way our young heroes can just merrily invent all kinds of super-advanced stuff just doesn’t make sense.

Implausibly clever kidsBig Hero 6 is by no means a bad film. It will certainly entertain its target age group, especially if they haven’t seen the other CG spectacles it nabs from. That aside, the entire thing is worth a look purely for Baymax and a few stand out moments — all of them involving the aforementioned vinyl robot, of course. Otherwise, it’s pretty by-the-book. The five-star-level praise it’s attracted in some quarters is completely unwarranted.

3 out of 5

Big Hero 6 is released on US DVD and Blu-ray this week, and is still in UK cinemas.

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4 thoughts on “Big Hero 6 (2014)

  1. I haven’t seen this, but it seems to be sadly typical of so many recent animated movies. Is it just me that thinks they all look so very alike? The character designs, the computer animation… they all look very much of the same source. Its distressing to me that there seems so little variety, and even the voice actors all sound the same. The stories all seem to follow a Pixar pattern too. I don’t know. Its the character designs that depress me the most.. the big eyes, oval faces, generic expressions. An endless parade of ‘me too’ animated movies.

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    • (I thought I’d replied to this the other day! Anyway…)

      Disney are some of the worst culprits now, I think — Frozen could be a sequel to Tangled, the design work is so similar; and those Tinkerbell movies they churn out all look like that too (based on the trailers!) The characters in Big Hero 6 wouldn’t be so out of place, either. I suppose they might argue it’s a house style, but it seems to cross companies.

      It’s a shame this won the Oscar, when something more genuinely imaginative like The LEGO Movie didn’t even get nominated. At least there were some more original (unsurprisingly, non-American) movies in there, but based on what I’ve read of Academy voters, many ignore “that Japanese stuff” out of hand (even when it’s actually “Irish-European co-production stuff”).

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