Runtime: 90 minutes
Original Release: 25th November 1992 (USA)
UK Release: 18th November 1993
First Seen: VHS, c.1993
Scott Weinger (Aladdin and the King of Thieves, Shredder)
Robin Williams (Good Will Hunting, Insomnia)
Linda Larkin (The Return of Jafar, Joshua)
Jonathan Freeman (The Return of Jafar, The Ice Storm)
Ron Clements (The Little Mermaid, The Princess and the Frog)
John Musker (Basil the Great Mouse Detective, Hercules)
Ted Elliott (The Mask of Zorro, Pirates of the Caribbean: The Curse of the Black Pearl)
Terry Rossio (Shrek, Pirates of the Caribbean: At World’s End)
Deep breath… Burny Mattinson and Roger Allers, Daan Jippes, Kevin Harkey, Sue Nichols, Francis Glebas, Darrell Rooney, Larry Leker, James Fujii, Kirk Hanson, Kevin Lima, Rebecca Rees, David S. Smith, Chris Sanders, Brian Pimental & Patrick A. Ventura.
The folktale of Aladdin and the magic lamp from One Thousand and One Nights, aka The Arabian Nights.
Street urchin Aladdin falls for bored Princess Jasmine when she sneaks out of her palace one day, leading him to the clutches of evil vizier Jafar, who needs Aladdin to retrieve a magic lamp as part of his scheme to rule the land. When Aladdin accidentally discovers the lamp’s inhabitant, a wish-granting Genie, he uses his wishes to set about wooing the princess. Jafar, of course, has other ideas…
One jump ahead of the bread line, one swing ahead of the sword, steals only what he can’t afford (that’s everything). Riffraff, street rat, scoundrel. It’s Aladdin, of course.
Grand Vizier Jafar, a plotting underling — the kind of role that has strong precedent in fiction, I’m sure, though Conrad Veidt as villainous Grand Vizier Jaffar in The Thief of Bagdad is rather clearly the direct inspiration.
Best Supporting Character
Oh, I don’t know, maybe… the Genie! Fantastically voiced by a heavily-improvising Robin Williams, praise is also deserved for Eric Goldberg’s character animation, which matches him every step of the way. In fact, it was an animation Goldberg created using one of Williams’ stand-up routines that convinced the comic to take the part.
Aladdin: “You’re a prisoner?”
Genie: “It’s all part and parcel, the whole genie gig. Phenomenal cosmic powers! Itty bitty living space.”
Trapped in a desert cave, Aladdin accidentally rubs a lamp and unleashes the Genie — and with it, Robin Williams’ all-time-great hilarious performance.
For me, it’s Prince Ali, the huge Genie-led number as a disguised Aladdin arrives back in town in grandiose style. The Genie’s big solo number, Friend Like Me, is an incredibly close second. Soppy A Whole New World won all the awards, because of course it did.
Truly Special Effect
Only the second time Disney used CGI with 2D character animation. In Beauty and the Beast, it built a room for the characters to dance in; here, there’s a character (the entrance to the cave) and a whole action sequence (the flying carpet escape from said cave). It earnt the team a BAFTA nomination. There’s no shame in what they lost to: Jurassic Park.
Robin Williams ad-libbed so much of his role as the Genie — generating almost 16 hours worth of material, in fact — that the film was rejected for a Best Adapted Screenplay Oscar nomination.
Aladdin is Disney’s 31st Animated Classic, their official canon of animated movies. It’s the fourth film in the “Disney Renaissance”, the decade-long period (starting with The Little Mermaid and ending with Tarzan) when they had a run of films that were critically and financially successful (unlike those before and after said period).
Two direct-to-video sequels, the second of which is quite good; in between those, a TV series ran for 86 episodes(!); a Broadway adaptation debuted in 2014 (it’s coming to the West End in May); not to mention numerous video games and appearances in other works, almost all still voiced by the less-starry names among the original cast. The go-to new voice for the Genie? Dan “Homer Simpson” Castellaneta.
2 Oscars (Original Song (A Whole New World), Original Score)
3 Oscar nominations (Sound, Sound Effects Editing, Original Song (Friend Like Me))
2 BAFTA nominations (Score, Special Effects)
1 Annie Award (Animated Feature)
3 Saturn Awards (Fantasy Film, Supporting Actor (Robin Williams), Younger Actor (Scott Weinger))
1 Saturn nomination (Music)
Nominated for the Hugo for Best Dramatic Presentation.
What the Critics Said
“What will children make of a film whose main attraction — the Genie himself — has such obvious parent appeal? They needn’t know precisely what Mr. Williams is evoking to understand how funny he is. […] What will come through clearly to audiences of any age is the breathless euphoria of Mr. Williams’s free associations, in which no subject is off-limits, not even Disney itself.” — Janet Maslin, The New York Times
What the Public Say
“the perfect Disney film, one that cleverly combines the sensibilities of classic and modern audiences, one that matches toe to toe with many of the studio’s greatest films. You may prefer the emotional heart-ache of The Lion King or the romantic magic from Beauty and the Beast, but I would always prefer the witty and charming Aladdin.” — feedingbrett @ Letterboxd
Hailing from slap-bang in the middle of the Disney Renaissance, Aladdin may not be quite as strong as the films either side of it (Beauty and the Beast and The Lion King), but it’s the next best thing. Buoyed by Robin Williams’ top-drawer performance (have I mentioned that yet?), multiple toe-tapping musical numbers, and a dastardly villain who’s among Disney’s best — and is just one of several great supporting characters here, actually — Aladdin is an A-grade animated Arabian adventure.
In #2… no one can hear you scream.