Runtime: 119 minutes
Original Release: 29th September 2005 (Australia)
US Release: 30th September 2005
UK Release: 7th October 2005
First Seen: cinema, 7th October 2005
Firefly, a TV series created by Joss Whedon.
In the far future, a crew of renegades harbour a fugitive who knows a terrible secret about the totalitarian rulers. When a ruthless assassin comes for them, their only hope becomes to seek out the truth behind one of the regime’s darkest acts…
The crew of the Firefly-class spaceship Serenity. Led by Captain Mal Reynolds, they’re a gang of rogues and thieves, but are also honourable sorts (well, mostly) forced into that life by a harsh universe. They’ve recently taken onboard Dr Simon Tam and his mysterious sister, River, who has certain skills…
The Operative, an efficient and moral assassin sent by the Alliance, the universe’s ruling body, to retrieve River — at any cost. But if he’s the rock then there’s also a hard place: Reavers, bloodthirsty perverted cannibals who stalk the uncharted regions our heroes will need to venture into.
Best Supporting Character
Shepherd Book, a preacher and former member of Serenity’s crew, now living on the appropriately-named planet of Haven. Has some very insightful words of advice for Mal.
“I don’t care what you believe in, just believe in it.” — Shepherd Book
Quote Most Likely To Be Used in Everyday Conversation
“Shiny” — as a synonym of “great”.
Quote Most Likely To Be Found on a T-Shirt
“I am a leaf on the wind, watch how I soar.” — Wash
After the history-lesson-within-a-dream-within-a-hologram-within-a-scene pre-titles, Whedon introduces us to the crew and their titular ship with a four-and-a-half-minute unbroken tracking shot. I do love a long single take, and this one excels by introducing us to all the main heroes, their personalities, their situations, their relationships — all at the same time — while also establishing the geography of the ship; and, by extension, the incredible set, which featured the entire interior of the ship built across just two sections (there’s an invisible cut in the middle of the shot to transition between sets).
I created this category to highlight any elements of production that were especially striking — things like cinematography, editing, design, costumes… No offence to any of them (and considering the film was produced for a slight-for-a-sci-fi-blockbuster $40 million, they all do a super job), but the real star is Whedon’s screenplay. Packed to the gills with the literate, witty dialogue he’s famed for, it also manages to be emotionally affecting, make points about governments and their power, engage with themes of belief and the importance of freedom, and weave in a subtext that reflects the real-life story of Firefly’s death and rebirth — though Whedon claims that last one was an accident.
Letting the Side Down
The public. It didn’t gross enough; there weren’t any sequels. Damn you, mankind!
Talking of the impressive Serenity set (see: Memorable Scene), it was built in the same way for Firefly, but the blueprints were lost between Fox destroying the series’ sets and production on the movie beginning. When Nathan Fillion learnt this at a production meeting, he was able to supply the blueprints himself — he’d been so excited to be on the show, he’d taken photos of all the pre-production material he’d seen, including the set blueprints.
Serenity continues and, to an extent, concludes Joss Whedon’s criminally short-lived TV series Firefly. Mismarketed by US network Fox, the series wasn’t a success on original broadcast, leading to cancellation after just 11 episodes had aired. Thanks to word-of-mouth and availability on DVD, it has developed a massive following since.
Despite the distinct and disappointing dearth of sequels, the Firefly/Serenity franchise has continued on, mostly in the form of various comic books, which have plugged gaps in continuity, revealed long-awaited character histories, and even continued the story after the movie.
1 Saturn Award (Supporting Actress (Summer Glau))
1 Saturn nomination (Science Fiction Film)
Won the Hugo for Best Dramatic Presentation Long Form
What the Critics Said
“With its Hawksian attention to group dynamics and its skilful definition of character through action, this supremely entertaining hybrid-movie plays like Rio Bravo in space. The textured narrative is peopled by precisely delineated characters who employ a salty retro-future-speak, in which twenty-fifth century slang is morphed with frontier Western archaisms (‘take umbrage’, ‘confound these bungers’). The settings and tone are hyper-real, yet the human behaviour is grounded and credible, the moral conflicts complex and involving. Shiny, intelligent fun.” — Nick Funnell, Time Out London
What the Public Say
“We get a decent story, providing lots of action, a huge amount of wit and plenty of suspense. It’s extremely entertaining. It’s well written too, with information smartly hidden beneath breezy dialogue, and looks very cinematic. (The camerawork is often expressive and classy.) Maybe what’s most impressive is the economy. Many scenes are doing double-duty, servicing plot and character, action and exposition, drama and comedy… There’s just a sharpness to everything, which means the film rattles along and is never boring.” — Ian Farrington
Regular readers may have picked up that I don’t re-watch films much (I can’t identify at all with people who claim to have seen the same film dozens or hundreds of times). Despite that, I saw Serenity in the cinema four times, two of them back-to-back. Such is the genius of writer-director Joss Whedon, and the quality of the Firefly universe — it’s a situation where every element just clicked to make a perfect result. (Well, every element except the original TV network, anyway.) No doubt Serenity is best viewed as a capper to the fourteen-hour TV series — that extra investment in the characters and universe makes the film’s best bits sing — but it’s accessible to newcomers also, being so cleverly structured and packed with all the information you’d need.
It was named “Film of the Year” by the BBC’s Film programme; it topped an SFX poll for the best science-fiction film of all time; and its DVD is a permanent resident on the International Space Station to entertain the crews. Cào nǐ, Fox.
#83 will… get busy living or get busy dying.