Country: UK & France
Runtime: 98 minutes
MPAA: NC-17 (uncut) | R (cut)
Original Release: 4th September 2003 (Netherlands)
UK Release: 26th September 2003
First Seen: DVD, c.2005
Young Adam, a novel by Alexander Trocchi.
Joe is earning his keep helping transport coal on a barge between Glasgow and Edinburgh, spending his free time lusting after his employer’s wife, when he spots a woman’s dead body floating in the canal — something Joe knows more about than he lets on…
Joe is a young drifter, who’s wound up working on a barge with Les and Ella Gault and their son. He’s a horny bugger, sex obsessed to the point of distraction, which will have an effect on everyone’s lives.
It wouldn’t be quite accurate to say the film is a murder mystery — especially as it’s not clear if the woman was indeed murdered. But how did she die? How was Joe involved? He’s the main character, which makes him the hero, but is he actually a bad’un?
Best Supporting Character
Harried barge wife Ella is not anyone’s typical image of desirability, but nonetheless becomes the object of Joe’s own brand of affections, which brings her some happiness… for a while. Mainly, it’s a brilliant, layered performance by Tilda Swinton.
Joe: “Are you sorry?”
Ella: “Fat lot of good that would do me.”
Cathie, another of Joe’s lovers, comes home soaking wet. As she undresses, she berates him for doing nothing useful with his time. He informs he has made custard, which he throws over her, followed by various other condiments. Then there is, shall we say, an act with (at best) debatable consent. I believe this is a version of something called “sploshing” (thanks, internet).
David Byrne’s ambient score haunts the soundtrack, as essential to the film’s grey mood as the drizzly Scottish locations and overcast photography. My favourite part is the plaintive closing song, The Great Western Road.
4 BAFTA Scotland Awards (Film, Actor in a Scottish Film (Ewan McGregor), Actress in a Scottish Film (Tilda Swinton), Director)
4 British Independent Film Award nominations (British Independent Film, Actor (Ewan McGregor), Actress (Tilda Swinton), Director)
3 Empire Awards nominations (British Film, British Actor (Ewan McGregor), British Actress (Emily Mortimer))
What the Critics Said
“Joe is a hard case. Opaque. Not tender, not good with the small talk. Around women, he has a certain intensity that informs them he plans to have sex with them, and it is up to them to agree or go away. He is not a rapist, but he has only one purpose in his mind, and some women find that intensity of focus to be exciting. It’s as if, at the same time, he cares nothing for them and can think only of them. […] He is not a murderer but a man unwilling to intervene, a man so detached, so cold, so willing to sacrifice others to his own convenience, that perhaps in his mind it occurs that he would feel better about the young woman’s death if he had actually, actively, killed her. Then at least he would know what he had done and would not find such emptiness when he looks inside himself. This is an almost Dostoyevskian study of a man brooding upon evil until it paralyzes him. […] The death of the girl and the plot surrounding it are handled not as a crime or a mystery but as an event that jars characters out of their fixed orbits. When you have a policy of behavior, a pose toward the world, that has hardened like concrete into who you are, it takes more than guilt to break you loose.” — Roger Ebert, Chicago Sun-Times
What the Public Say
“McGregor, putting his meat and two veg on show once again, is really good as the conflicted and sex addict, Swinton does almost steal the show as the sex-craving barge woman, who also gets naked, and Mortimer in the flashbacks is very good, with her clothes off too. The film is just stuffed with sexual scenes, and with the dead body premise it combines film noir and melodrama, all adding up to a well crafted and most watchable period drama.” — Jackson Booth-Millard @ IMDb
Part murder mystery, part beat character study, part erotic drama, Young Adam is an enigmatic, moody, conflicted film — in a good way. It presents a grimily realistic view of life and sex, around which writhes a murder mystery that, as it turns out, doesn’t contain a murder and, relatively quickly, isn’t much of a mystery. Instead it’s something of an ethical dilemma, presented to a character who’s not exactly unethical but isn’t necessarily concerned about doing what’s right either, especially if it’s against his own interests. Not a cheery one, then, but a film of grey morals, grey imagery, and grey mood — in a good way.
Next time… looking back over my 100 favourites.