edited by Tim Stiefler | 78 mins | download (HD) | 2.35:1 | UK & USA / English
At the tail end of last month, a story did the rounds on entertainment sites about a fan edit that took the eight-film, 20-hour Harry Potter series and reduced it into a single movie that ran just 78 minutes — a reduction of over 93%. You see stories about these kind of fan edits all the time (or you do if you read certain sites, anyway), but I usually don’t get round to watching them. I mean, who has time for a dozens-of-hours supercut that puts every piece of footage from every Marvel movie (and short) into chronological order, or whatever? But as I was off to Harry Potter Land — and as it’s less than an hour-and-a-half long — I did make time for Wizardhood (like Boyhood, see?)
(I did debate whether this merited a new number, because it’s a fan edit of other people’s movies; but it’s such a radical restructuring of that material, and (as I’ll come to in a moment) it’s designed to function as a film rather than as a long video summary, so I’ve decided it does count, as would any official major re-edit.)
So how exactly do you go about making such a huge reduction? Is it just a really, really long “previously on”-style montage? No, thank goodness, it isn’t. What editor Tim Stiefler (a 27-year-old New Yorker, if you’re interested) has produced is less an abridgement and more a complete retelling of the Potter story. His cut doesn’t even attempt to tell whole swathes of the story, instead ditching them entirely. Stiefler has clearly tried to make a film out of this material, not just a long précis of the story. That means we don’t just get a series of vital scenes that further the plot. Instead, moments are allowed to play out a bit to convey their emotional impact or their humour. He’s even selected a couple of the series’ many action sequences, presumably based on the points in his cut that benefit from that adrenaline boost — just as you would if you were pacing a ‘real’ film.
Wizardhood focuses in on the main narrative of Harry vs Voldemort, and the need to destroy the Horcruxes. In practice, that means there’s a chunk of Film 1 to establish the world, followed by cursory scenes from Films 2, 3, 4 and 5, mainly for texture and pace, before great chunks of Films 6, 7 and 8 are used to complete the narrative. In the process it also focuses on certain characters. It’s centred around Harry, Ron and Hermione, obviously. The latter two are only really there because they’re always around Harry, although Stiefler makes a decent subplot out of their relationship. Also retaining much of their storylines are Dumbledore and Snape, who both have primary roles in Harry’s story. Draco Malfoy and Neville Longbottom get subplots, again mainly because they have vital roles to play in the main tale. There are a couple of scenes featuring major players like McGonagall, Hagrid, Ginny, and Umbridge, but otherwise every major character is cut: the Dursleys and Sirius Black don’t even appear; the likes of Lupin and Mrs Weasley are in a shot or two without any dialogue; and so on (I’m not going to list everyone!)
It’s a little hard to say how Wizardhood works as a standalone movie, because if you’ve seen all eight films in full then your brain can fill in the gaps. The said, it does seem fairly smooth. It’s so efficiently and cleverly edited that there are barely any lines or moments that aren’t relevant to the version of the story it’s telling, and the excised stuff is so thoroughly removed that you kind of don’t miss it. It’s not the ideal way to view the Harry Potter saga — it loses so much of the texture, the plot, the characters — but as an exercise in telling the series’ primary conflict in a single-film-length way, it’s an impressive piece of work.
The full Harry Potter series is on ITV daily from Christmas Eve to New Year’s Eve, beginning with Philosopher’s Stone today at 1:30pm. If you want to see Wizardhood, you’ll have to go looking…