A pause from celebrating great things today to look at the flipside of movie watching: the crap.
However hard we may try, we’re always going to watch stuff we don’t like (and some of us don’t try that hard, let’s be honest — I swear the world is full of people who flock to all the new blockbusters even though they probably couldn’t remember the last time they actually enjoyed one). Whether it’s something that was recommended that we don’t like, or a poor entry in a franchise we used to enjoy, or by a director we once admired, or just morbid curiosity, the chances of going a significant period of time without seeing something bad are slim.
So in the “significant period of time” that was the last ten years, here are the worst films I saw.
Hannah Montana/Miley Cyrus: Best of Both Worlds Concert
I only watched this because it was part of Channel 4’s 3D Week (back when people thought home 3D was going to be a big thing), during which they only showed three films and this was one of them. Frankly, I don’t really remember it, other than that the 3D worked well because it was a modern production. I’m pretty sure I’ve blanked it from my memory for a reason. (Review.)
The Baskerville Curse
It feels almost cruel to pick on a made-for-TV kids’ animation from the ’80s when there are so many big-budget movies I could name here. The reason I’ve included it nonetheless is because of its thorough misunderstanding of the tone of Sherlock Holmes’ most famous adventure. I know you can’t properly do Gothic horror in a kids’ cartoon, but the bright and sunny colours, plus stretches devoted to telegram writing and train journeys, really take things to the opposite extreme. (Review.)
As computer animated kids’ movies took off in the wake of Pixar’s arrival, Disney’s traditional 2D animations began to falter at the box office. They clearly put this down to the visual style, resulting in this being their first 3D computer animated movie… and it’s bloody terrible, proving their failure was nothing to do with the animation method and everything to do with their godawful content. This is the real nadir of Disney’s so-called Animated Classics. (Review.)
Cynical in the extreme, Sharknado is not a movie that’s so bad it’s good, it’s a movie that’s been made deliberately badly so people will think it’s so bad it’s good. But it’s not — it’s so bad it’s bad. But it worked, as they’re now up to four sequels, I believe. Ugh. (Review.)
The Final Destination
The best thing about the fourth movie in the Final Destination series is its title: it was to be the last movie, so they added a definitive article. Then they went and made a fifth one and ruined even that. It’s a shallow gore-fest with very little entertainment value. (Review.)
AVPR – Aliens vs Predator: Requiem
Alien vs. Predator wasn’t a very good movie; a weak PG-13 blockbuster that… didn’t really ruin either franchise, let’s be honest, because Alien had already done it to itself and Predator was never classy in the first place. Nonetheless, this sequel tried to put more nails in the coffin. It’s so bad, it actually makes the first AVP look good. Conversely, AVPR doesn’t look like much at all — it’s so dark you can’t see most of it. (Review.)
The Last Airbender
As M. Night Shyamalan’s popularity continued to sink, he turned his hand to director-for-hire style work, adapting the popular animated series Avatar (with a name change forced by a certain big-budget 3D movie). Unfortunately this wasn’t any better, with bizarrely forced storytelling (the result of a studio after a quick 3D conversion, to the extent they couldn’t afford to have the whole film done) and poor performances by controversially miscast actors. It’s definitely Shyamalan’s worst work. I mean, at least The Happening had some comedy value. (Review.)
Alone in the Dark
Remember Uwe Boll? I don’t know what he’s up to these days. I don’t care. Neither does the industry, fortunately, having seemed to finally realise that the best way to make his terrible movies go away was to stop talking about them. This is the only one I’ve ever seen and I don’t imagine I’ll waste time on another. Though I am a little curious about seeing Jason Statham in a fantasy movie… (Review.)
I summarised this as well as I can think in my review, so I’ll just quote myself: “Alfred Hitchcock once said that ‘movies are real life with the boring parts cut out.’ Valenta Rinner’s movie is the opposite of this in every respect: it isn’t real life, which is fine, but he only left the boring parts in, which isn’t.” (Review.)
It’s been ten years since I watched this so it’s entirely possible I’ve hyped up its terribleness in my memory, but I have no desire to revisit it to find out. So, I remember it as being an offensively bad treatment of events from 9/11, its awfulness thrown into sharp relief by how well Paul Greengrass’ United 93 handled the same story. (Review.)
Tomorrow: it’s the Oscars!