James Gunn | 136 mins | cinema | 2.35:1 | USA / English | 12A / PG-13
The franchise that some thought might kill the Marvel Cinematic Universe, but which actually turned out to be one of its most popular successes, is back for the difficult second album. And difficult it is, because Guardians 2 takes a lot of what made that first movie work and ramps it up to 11, consequently slipping over into bouts of self-indulgence.
The story picks up on a thread left conspicuously hanging at the end of the first movie: who is Peter’s father, and why did he have the Ravagers kidnap Peter from Earth? Vol. 2 digs into those answers pretty quickly, because it has somewhere else to go with them… but that would be spoiler territory. So while Peter (Chris Pratt), Gamora (Zoe Saldana), and the ever-hilarious Drax (Dave Bautista) toddle off to learn about daddy-o, the rest of the gang — Rocket (motion capture of Sean Gunn, voice of Bradley Cooper) and Baby Groot (still voiced by Vin Diesel, allegedly) — get caught up in a mutiny involving Yondu (Michael Rooker) and Nebula (Karen Gillan). All while the lot of them are being chased by a race of gold-skinned perfectionists led by the priestess Ayesha (Elizabeth Debicki) who the Guardians conned.
Returning writer-director James Gunn gets things off to a strong start, diving straight into answers, humour, an entertaining title sequence, a couple of action scenes, more humour, and more answers. But after this strong and pacy opening salvo, the film seems to flounder a little. Not fatally so, but it gradually becomes apparent that the middle is going on far too long. Your mileage will vary on how draggy this is — some people seem to have absolutely hated it; I thought much of it was amiable enough, but it goes nowhere fast and that eventually becomes wearing.
Part of the problem lies in splitting our heroes up into two groups with two stories. It may have been inspired by The Empire Strikes Back (or that may just have been a parallel some critics have spotted, I’m not sure), and it’s not a fundamentally flawed structural choice, but here it doesn’t really work. Part of the problem is that the gang works best when sparking off each other. Heck, the film even goes to pains to set up a joshing rivalry between Peter and Rocket, then splits them up! Story-wise, the issue is twofold: the A plot is a slow one that spins its wheels because it has too little story-fuel to drive the whole movie; but the B plot feels grafted on to give half the cast something to do, as well as provide a little action and humour while the other plot is tackling the emotional heft.
That said, uncommonly for a modern blockbuster, it’s the emotional side the film gets most right. While the plot dawdles, the action is adequate, and the comedy is hit and miss (more the former than the latter, to be fair, but there’s a definite case of “throw everything and see what sticks”), there are several characters who get strong, believable, rounded emotional arcs. The obvious one is Peter finding out about his parentage, but my favourite was where the film goes with Nebula and the relationship with her adopted sister, Gamora. There’s also a comparatively meaty subplot for Yondu, meaning it’s mostly the supporting characters who fare best with the material rather than the heroes — aside from Peter and (to a lesser extent) Gamora, the primary function of Drax, Rocket, and Baby Groot is to be humour generators. They are funny, though.
In the director’s chair, Gunn continues to dole out even more of what people praised about the first movie. You liked the retro-cool soundtrack? OK, how about a new track every time there’s a lull in the action! The use of the music feels sloppy, often just plonked there to cover a gap, with no discernible thematic relevance. It’s doubling down on something people latched onto the first time, but it feels slapdash. The one instance that almost works is Fleetwood Mac’s The Chain, which has a setup and a pay-off, but they’re not quite properly connected.
Also overdone is the slow motion walking. Remember that shot in the first film of the Guardians walking into battle in slow-mo looking badass, that was then humorously undercut when they started, like, yawning and stuff? James Gunn does, and he liked it so much that he uses it again several times here. Apart from he seems to have forgotten the second part of the scene that made it funny rather than cheesy. Cool people walking in slow motion seems to be one of those cinematic devices that doesn’t really date, especially when used sparingly, so I could let it go once, but here it reaches the point of “oh my God, another slow-mo walking shot?!”
This indulgence in everything people liked before extends right to the very end of the movie — literally. The end credits are a lively affair in and of themselves, but they’re further interrupted by a total of five additional scenes. Five. They’re mostly inconsequential (don’t go expecting any hints towards Infinity War), but they’re worth sticking around for because a couple are quite amusing.
Guardians of the Galaxy Vol. 2 is an uneven film, which manages to be entertaining as a whole thanks to its likeable and funny characters — even if the best gags have all been played in the trailers (and some of them played better in trailers, too), it’s trying so hard (so, so hard) to be a good time that much of it works. It’s strongest at the beginning and the end, which almost makes you overlook that it gets a bit thumb-twiddly in the middle, with one plot more of a short story than a movie and the other feeling a little like a waste of time. However, the surprising focus on and awareness of the characters’ psychological lives makes up for that somewhat — oddly, Marvel’s most comedy-driven and alien-starring movie may also feature their most effective understanding and representation of characters’ emotions.
But don’t worry, there are still jokes about poo and penises.
Guardians of the Galaxy Vol. 2 is in cinemas pretty much everywhere now. Except Japan. Sorry, Japan.