Colm McCarthy | 111 mins | streaming (HD) | 2.00:1 | UK & USA / English | 15 / R
When George A. Romero invented the zombie subgenre in the ’60s, he was more concerned with allegory than blood ‘n’ guts. The latter has come to dominate, as it has with so much of the broader horror genre, but from time to time there’s still room for thoughtful contributions more befitting Romero’s legacy. This low-budget British film, adapted from a young adult novel, is one such effort.
As the film opens we’re introduced to Melanie (Sennia Nanua), a young girl who sits in a concrete bedroom treasuring her photo of a kitten. Then soldiers enter and, at gunpoint, strap her to a chair, before wheeling her to a classroom with similarly restrained children. It’s just the beginning of a fantastic first act, full of atmosphere and intrigue as this world is rolled out before us. The less you know the better, though the chances of going in so cold that it’s a total mystery are sadly slim. If you’re intrigued enough already to check out the movie on my recommendation alone, stop reading now! Go watch it! If not…
So, as it turns out, we’re in the near future and a fungal disease has turned most of humanity into zombie-like creatures known as ‘hungries’. They spend most of their time in a dormant trance, but the smell of uninfected blood sends them wild and chompy. Melanie and her classmates are children who are infected but ‘normal’ — unless provoked, when they too turn into ravenous fiends — and they may hold the key to a cure. They live on an army base, but, when it’s overrun by hungries, Melanie and a ragtag group of survivors — including Paddy Considine’s sergeant, teacher Gemma Arterton, and scientist Glenn Close, who’s obsessed with finding a cure at any cost — hit the road in search of safe haven.
In the A.V. Club’s review, Katie Rife asserts that “once this initial premise is revealed and The Girl With All The Gifts leaves the base… this intriguing twist on zombie lore becomes subsumed by postapocalyptic road-trip cliché.” Well, yes and no. There are certainly some familiar beats, but I felt like those just gave a narrative shape to contain otherwise interesting ideas. I haven’t seen enough zombie movies to vouch for The Girl With All The Gifts being 100% original, but I’d certainly not come across some of its ideas before. That goes for both the way it handles the zombie action (though, of course, there are only so many ways you can depict the monstrous undead) and the social commentary, which, as much as anything, tackles the way children and adults interrelate.
The eponymous girl is fantastic — Melanie is an interesting character, and an interesting type of character too. She’s fantastically played by Sennia Nanua, who may be a talent to watch out for in future (I say ‘may’ because, per IMDb, she’s not got anything else coming up). The more familiar supporting cast are as superb as you’d expect. Glenn Close brings plausibility to what could’ve just been an Evil Scientist role, while Gemma Arterton provides the film’s heart as a motherly teacher. Paddy Considine’s role is best appreciated once all is said and done — he seems to be just the gruff soldier type, but snippets of his backstory are revealed right up until the end, revealing new layers to his character.
Director Colm McCarthy, a veteran of copious amounts of British TV (Spooks, Doctor Who, Sherlock, Ripper Street, Peaky Blinders, and much, much more), keeps the focus on the characters while also giving their world a fantastic sense of scale. The film was made for a pittance (for comparison, it cost about half as much as a single episode of Game of Thrones) but looks incredible. There may be some blurry edges on green screen shots and things like that, but I’ve seen less convincing effects work in movies that cost 50 times as much. Some of the footage was captured by flying over the remains of a town left to rot after Chernobyl, which lends a veracity to the post-apocalyptic vistas (and presumably saved a tonne on CGI). In terms of places you can actually take actors, it was partly filmed in Birmingham, which seems to be becoming a go-to location for dystopian / post-apocalyptic cityscapes (Spielberg’s forthcoming Ready Player One also shot there last year).
The zombie genre is an overcrowded one nowadays, even if you exclude the innumerable direct-to-DVD knock-offs, but there’s still space for well-made movies that can put the familiar tropes to greater use. The Girl with All the Gifts is an impressively mounted and performed production, and is worth watching if just for that horror-thriller kick. However, it also has something to say. I imagine Romero would be pleased.
The Girl with All the Gifts is available on Sky Cinema from today.