You don’t have to be an adult to like today’s reviewed movies, but… you do have to be a teenager. Still being a teenager would probably help you enjoy them, too.
In today’s roundup:
Ken Finkleman | 81 mins | DVD | 16:9 | USA / English | 15* / PG
Comedy sequels are a funny business. Generally the first film’s been a big enough hit that people want to cash in, but can lightning strike twice? Well, the number of comedy trilogies (or more) suggests the answer is “yes”… or at least that enough people liked the first one enough that they went to see the second one and, regardless of what they actually thought of it, that persuaded people there should be a third.
Airplane is widely regarded as one of the best comedies of all time. There is no Airplane III. Those two facts might suggest something about Airplane II — though it’s a film which even included a gag in its title, so it’s off to a good start.
Watched now, over 35 years after its release, Airplane II has a certain vein of humour that hasn’t aged well. Ha ha, those two men kissed like they were a couple! Ha ha, that priest was looking at Altar Boy magazine like it was Playboy! Ha ha, everyone has to slap an hysterical woman! At least one of those gags would probably get you fired from a directing job at Disney nowadays… But to focus on those is to pick on the film’s weak points. Another would be that it has a few too many rehashes of jokes from the first one. Well, what comedy sequel doesn’t? That aside, much of the rest is pretty darn funny.
* This was rated PG on its original theatrical release, but that was cut. The uncut version has consistently been rated 15 on video. ^
Steve Pink | 97 mins | streaming (HD) | 1.85:1 | USA / English | 15*
I don’t know why I felt the need to watch Hot Tub Time Machine. Maybe just because it found its way onto my 50 Unseen list back in 2010 (I guess people talked about it at the time. Has it lasted? I don’t think so). Maybe because it’s got “time machine” in the title and so the sci-fi implication draws me in, especially as a Doctor Who fan. I don’t know. Whatever, it’s been vaguely on my radar for the past eight years and, when I wanted something undemanding one Friday night, its time finally came.
As the title implies, it’s about a hot tub… that’s a time machine. Four dudes get in it and find themselves in the bodies of their ’80s selves. Except for one who wasn’t born at the time, who just finds himself in the past. Yeah, the logic of it is really shaky.
Nonetheless, it actually has a couple of solid thematic and plot ideas buried away, to do with fate and second chances and stuff, but those are mired in execution that’s both derivative (of both Back to the Future and stuff like The Hangover — and, I swear, I hadn’t seen the quote on the above poster when I wrote that) and often unfunny (unless you really like that lowest-common-denominator gross-out stuff). There are some genuine laughs, but they’re infrequent enough that they might just’ve been accidents. Another part of the problem is that for the eventual pay-offs to work you need to be invested in the characters. The film makes half an attempt to give us reasons to care about the guys, but they didn’t connect for me. Maybe if that worked better, the later stuff would land too.
I didn’t hate Hot Tub Time Machine — it was passably amusing for a time-filler — but it wasn’t great either. My score errs on the harsh side, because I definitely liked it less than other movies I’ve recently given 3 stars.
Greg Tiernan & Conrad Vernon | 85 mins | streaming (HD) | 1.85:1 | USA & Canada / English | 15 / R
A movie about sentient food that parodies the inherent stupidity of religion — I mean, what’s not to like? Well, it’s from the minds of Seth Rogen, Evan Goldberg, and co (Jonah Hill as a story co-credit), so if you don’t like their kind of humour…
Certainly, it’s incredibly rude and crude — even more so than they’d necessarily intended: they were so certain they’d get an NC-17 rating from the MPAA that the version they submitted included some extra extreme material, the hope being that would act as a distraction so that what they actually wanted in the film would pass as an R. However, the MPAA only insisted on one relatively minor change. I imagine that was to the massive, long, graphic orgy scene. There are no words for it. And yet, it only got a 15 over here — you really have to be very extreme to get an 18 these days, huh? Or maybe it’s just because it just involved food…
For all the eye-watering content, at least the film has the good grace to also be quite witty and clever at times. I guess some of the ‘satire’ is a bit on the nose, but it works for what it is. I mean, no one comes to a film like this expecting subtle social commentary, do they? And if the analogies for religious belief are a bit on the nose, well, maybe that’s what it takes to get through to those people…