The Redefining Monthly Review of January 2019

Here I go again: the 13th year of 100 Films in a Year!

Ah, “100” films… Once upon a time that goal was a challenge: in my first six years, although I did surpass it twice, I also only just reached it twice, and twice fell short. But since then things have improved considerably: in the last six years I’ve doubled it twice (and then some, in last year’s case), and twice more ended up closer to 200 than 100. I’ve also been reaching #100 quicker and quicker — it’s less “100 films in a year”, more “100 films in five or six months”.

That said, I’ve had a particularly good run of it in terms of free time the past couple of years, and I don’t know if that’s going to continue, so I’m loathe to boldly establish a brand-new goal for myself. Maybe next year. For the time being, my official target has technically changed, in a couple of ways. For one thing, the titular “100 films” have only ever included films I’ve not seen before, and consequently I often rewatched very little. Nowadays, I’ve countered that with my Rewatchathon (2019 being its the third year), which adds 50 films to my viewing goal. Secondly, I’ve watched at least ten new films every month since June 2014, and I intend to keep that up — and as there are 12 months in a year (did you know?), that rounds up my aim to 120 new films.

So I guess my official minimum goal is 170 Films in a Year. Doesn’t have the same catchy ring, does it? Especially as it should technically be 120 Films I Haven’t Seen and 50 I Have in a Year. Eesh.

Anyway, enough of that — let’s get properly started on 2019. Here are all the films I watched in the first 12th of this 13th year…


#1 Happy New Year, Colin Burstead (2018)
#2 Cool Hand Luke (1967)
#3 Godzilla: The Planet Eater (2018), aka Gojira: Hoshi o Kuu Mono
#4 1941 (1979)
#5 Rambo (2008)
#6 The Stewardesses 3D (1969)
#6a Experiments in Love 3D (1977)
#6b La jetée (1962)
#7 Glass (2019)
#8 The Player (1992)
#9 The Happytime Murders (2018)
#10 Zatoichi Challenged (1967), aka Zatôichi chikemurikaidô
Rambo

The Player

.


  • So, I only watched ten new feature films in January.
  • That’s bang on my minimum goal, which is a good thing, but it also means January was my lowest month since September 2017, which is less good.
  • On a more positive note: since I started achieving a minimum of ten films per month year-round back in 2015, I’ve had no more than a single only-ten-films month each year (November in 2015, December in 2016, September in 2017, and none in 2018) — so maybe getting it out of the way in January bodes well for the rest of the year?
  • Also, while this may be the joint-lowest month of the past 4½ years, before then I regularly had sub-ten months. Indeed, pre-2014, 56% of months failed to reach double figures at all.
  • I didn’t watch a film on the 5th, one of the remaining dates on which I’ve ‘never’ watched a film. Two months in a row I’ve messed that up! I’ll have to be more attentive at the end of this year and the start of 2020…
  • In fact, I didn’t watch my first film until the 9th, which is the second latest start ever (in 2011 it was the 10th). That made the film in question — Happy New Year, Colin Burstead — feel somewhat ironic, what with it being, y’know, quite well past New Year by that point.
  • This month’s Blindspot film was Robert Altman’s Hollywood satire cum neo-noir thriller, The Player.
  • This month’s WDYMYHS film was Cool Hand Luke, which I had little choice about: no sooner had I included it in my 2019 selection because it was streaming on Amazon than I discovered it was to be removed a mere two days later! Just another reminder why relying on streaming services is a bad idea. Physical media 4eva!



The 44th Monthly Arbitrary Awards

Favourite Film of the Month
I found surprising depth in the fourth Rambo, and was one of the apparently-few people who didn’t walk away disappointed from Shyamalan’s trilogy-closing Glass, but this month’s winner has to be The Player. Mixing sharp Hollywood satire with a perverse respect for the wonders of Tinseltown, shaped into a neo-noir thriller storyline and delivered via bravura filmmaking, that includes a justifiably-famous opening oner, Robert Altman’s comeback film promised so much that I love in movies, and delivered on it all too.

Least Favourite Film of the Month
I may’ve watched several notoriously bad films this month (Spielberg’s 1941, R-rated puppet flop The Happytime Murders, gimmicky 3D sexploitation The Stewardesses), but I actually enjoyed all of them on some level. No, this choice was easy. Apparently while promoting his latest film Happy New Year, Colin Burstead, director Ben Wheatley talked about it being his first movie where no one dies. Sure, no one in the film dies, but while watching it I became concerned that I might die from boredom.

Favourite Short Film of the Month
La jetée may be an innovative and influential arthouse sci-fi classic, but does it have full frontal nudity displayed in genuine 3D? No, no it does not. As I wrote on Letterboxd, “whether you want a little knowingly irreverent comedy, a cornucopia of 3D tricks, or some relatively explicit softcore porn, Experiments in Love has you covered.” It’s way more fun than it should be.

Most Explosive Orgasm by an Inanimate Object of the Month
I’m sorry to subject you to such crudeness, my dear, gentle readers, but here’s the thing: The Happytime Murders’ trailers made a fairly big deal of its puppet’s silly-string-spraying climax, but it was already beat by (once again) Experiments in Love. The latter features a huge retro computer, which for some reason speaks with a dodgy Japanese accent, and for even less reason has a grabby protuberance that tries to grope the film’s female characters, and which eventually gets very excited and, well, shall we say shoots off… directly at the camera lens, of course, because this is 3D. Take that, Gaspar Noé.

The Audience Award for Most-Viewed New Post of the Month
I don’t always watch my stats closely, but sometimes something catches my eye. This month, my Christmas TV review soared to an early lead — TV posts are always popular, and this one went up on the 2nd, so it had almost the whole month to rack up hits. By the halfway point, it already looked unassailable. Then Glass came along, and while it didn’t do spectacular short-term numbers, a strong day-by-day count saw it creep up the chart — could it challenge, even surpass Christmas TV? Well, no — those numbers actually tailed off pretty sharpish, leaving the Past Christmas on TV this month’s clear victor. (Glass did come a respectable second though, far outstripping this month’s other TV post.)


Real life got in the way a bit this month, so it’s been a rather quiet one (this is my first post for 11 days!) Nonetheless, there’s still a chunk of stuff to recap. For starters, January began (as always) with my review of the previous year…

And then regular business brought this little lot…


While my main goal only just scraped to its minimum monthly target, my Rewatchathon began by exceeding it by 25%…

#1 Twelve Monkeys (1995)
#2 Unbreakable (2000)
#3 Ghostbusters (1984)
#4 Split (2016)
#5 Les Misérables (2012)

…of course, when your target is “four”, 25% is “one”. Sounds less grand like that, though.

At this point I’d normally share a thought or two about some or all of the above listed films, but instead I’m going to mention my Letterboxd account. My stats on the site inform me that I ‘review’ films on there about 50% of the time. Those aren’t proper reviews, mind — usually I’m aiming for a ‘witty’ comment, but sometimes it’s a quick initial impression, especially if a film really made me feel something (for good or ill). Sometimes those comments end up getting mixed into the full reviews I later post here; other times they don’t.

This month, I wrote something about each of my rewatches (hence why I’m mentioning this now), which you can locate quickly as follows: Twelve Monkeys, Unbreakable, Ghostbusters, Split, and Les Misérables.


Here’s a new regular section for 2019. (Assuming I always have something to say in it. If I don’t, I guess it’ll disappear again.) These are films I’d been specifically meaning to watch (or rewatch) this month, but for whatever reason didn’t get round to — my failures.

For January, this includes a tonne of stuff — I’m about to name 19 different titles, enough to almost triple the number I actually watched. (If that’s the kind of level I’m operating at, there probably will be something to say here every month!) Those include some much-discussed recent streaming releases (Roma, Bird Box); some Amazon rentals I got on the cheap (First Reformed, Leave No Trace, Mandy); some films I’ve been meaning to see for yonks that recently popped up on streaming services (Gods and Monsters, The Purge: Anarchy); recent Blu-ray purchases (One Cut of the Dead, Waterworld, Crimson Peak); at least one film I recorded off TV (The Eyes of Orson Welles); some new Blu-ray/rental releases that I haven’t actually purchased yet (Dave Made a Maze, The Predator); and anything at all on 4K Blu-ray — I got a player for Christmas, and I’ve set it up and watched a few bits and pieces as tests, but not a whole film. Top contenders for that honour include Escape from New York, Mission: Impossible I, II or Fallout, Blade Runner, and Blade Runner 2049.

One thing I can say: some of those will definitely be amongst next month’s viewing. I mean, if they’re not, I wasted money on those rentals…


It’s the shortest month of the year! Better pick up my average weekly viewing, then, or I won’t even make it to ten…

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