Steven Knight | 106 mins | download (HD) | 2.40:1 | USA / English | 15 / R
Sorry, Browncoats — this has nothing to do with Joss Whedon’s sci-fi classic. But if you’re instead worried this might supplant that in the general consciousness, never fear: despite coming with the pedigree of a cast headlined by Oscar winners Matthew McConaughey and Anne Hathaway (plus Jason Clarke, Djimon Hounsou, and Diane Lane), and a quality writer-director in Steven Knight (the man behind Locke and Peaky Blinders), this Serenity is a dud of epic proportions. I mean, the fact that, even with those names involved, it’s being dumped in the UK as a Sky Cinema Original should tell you something…
On the remote tropical paradise of Plymouth Island, Baker Dill (McConaughey) is a fisherman mostly taking tourists out on his boat, but eager to catch that one tuna that eludes him (a tuna isn’t quite as romantic a nemesis as a white whale, but I guess we’ll have to go with it). One day, his ex (Hathaway) turns up on the island with a proposition: she’ll pay him $10 million to drop her abusive husband (Clarke) in the ocean for the sharks. She has extra leverage in that hubby is beginning to get abusive towards the son Baker left behind, but who he still cares about. If that wasn’t enough of a moral quandary, there’s more to Plymouth Island than meets the eye, including a fishing equipment company rep who’s desperate to meet with Baker, but keeps just missing him…
Serenity pitches itself as an island noir, and on the surface it ticks many of the right boxes, especially once Hathaway turns up, looking every inch the part of a classic femme fatale. You can tell she’s hamming it up a little too, playing into the role (with McConaughey, it’s harder to be sure…) It’s also beautifully lensed by DP Jess Hall, capturing both attractive sunny climes and a more overtly noir-ish vibe once a dramatic storm rolls in. But concurrent to that it’s clear some other mystery is going on, and here things get a bit more awkward, the film fumbling not to give too much away too soon. Personally, I think it fails — I guessed the twist pretty early, which I’m pretty sure was not intended, but if you don’t then it’s not cleverly built up to, it’s just muddled.
Once the twist is confirmed — and I say “confirmed” rather than “revealed” because, even though I guessed it, it seemed so loopy that I thought I must be wrong — the whole affair takes on a different light. But it’s not a well thought-through one. It’s the kind of twist that changes your perspective on everything you’ve seen, which is usually a neat development, but here it raises way more questions than it answers. To go into them would be spoilery… so, spoilers follow throughout the next paragraph.
So, we’re supposed to believe this kid has programmed a fishing game starring his dad — not wholly implausible. But it’s one where his dad frequently gets his kit off and shags around for money? I guess we could excuse this as the kid’s been playing too much stuff like Grand Theft Auto and thinks that’s what happens in games, if we’re being kind. But one day he decides to rewrite this game to make it about his dad committing murder, which the character in the game then objects to, and the game turns its own existing rules into an NPC to fight back? What, did this kid accidentally just program a full blown AI? Or several AIs? Or are we going with a Toy Story-esque notion where video game characters are actually sentient? And then somehow his dad actually doing it in-game encourages the kid to murder his real-life stepdad, which we learn thanks to some cheap news voiceover?
Serenity is such a ridiculous mess of a movie that it almost swings back round to being entertaining in its audacity. For me, though, it would need to be better constructed to pull that about-turn off. If it had fully considered the twist and its implications, thought it all through and played by all the necessary rules, some of the people who are laughing at it would still be laughing at it just for the basic concept, but I’d admire it at the very least for committing to its bit. Because it doesn’t, the only reason to consider watching is to marvel at its bizarre eccentricity.
Serenity will be available on Sky Cinema from midnight tonight, with a limited UK theatrical release from tomorrow.