The Limiting and Emotionally Draining Monthly Review of February 2019

Critique, eh?


#11 Velvet Buzzsaw (2019)
#12 The Guernsey Literary and Potato Peel Pie Society (2018)
#13 First Reformed (2017)
#14 High Flying Bird (2019)
#15 Memories of Murder (2003), aka Salinui chueok
#16 Gods and Monsters (1998)
#17 Hacksaw Ridge (2016)
#18 Leave No Trace (2018)
#19 Hereditary (2018)
#20 Zatoichi and the Fugitives (1968), aka Zatôichi hatashijô
#20a Inception: The Cobol Job (2010)
#21 Fences (2016)
#22 Sherlock Gnomes (2018)
#23 Ocean’s Eight (2018)
#24 Rope (1948)
#25 Roma (2018)
#26 Green Book (2018)
#27 Serenity (2019)
#28 The Predator (2018)
Memories of Murder

Hereditary

Rope

.


  • So, I watched 18 new feature films in February.
  • That’s below the rolling average of the last 12 months (previously 21.3, now 21.1), but does beat the average for February (previously 12.4, now 12.8), as well as January’s tally of ten.
  • That puts me at #28 overall as the month ends, which is the lowest I’ve been at the end of February for five years, since February 2014 closed out at just #12. On the other hand, 2015 and 2017 were both only on #29 at this point, so there’s nothing to worry about (where I should be to reach my new official target of 120 new films in a year is, of course, #20).
  • This month’s Blindspot film: Alfred Hitchcock’s wannabe-one-shot real-time thriller, Rope.
  • This month’s WDYMYHS film: true-life Korean murder mystery Memories of Murder. It reminded me of Fincher’s Zodiac, which is high praise indeed.
  • From last month’s “failures” I watched Roma, First Reformed, Leave No Trace, and my first 4K Blu-ray (see Rewatchathon).



The 45th Monthly Arbitrary Awards

Favourite Film of the Month
There were several films this month that earned five-star reviews — not always a prerequisite for being a favourite; and, I have to say, in most cases that was thanks to rounding up (I don’t believe a film has to be wholly flawless to earn full marks on a ratings system that’s so inherently vague!) My pick of the bunch is probably Korean police procedural Memories of Murder. As I said above, it reminded me of Zodiac, one of my all-time favourite films.

Least Favourite Film of the Month
Various films disappointed, underwhelmed, or divided me this month, but lowest among them has to be the battiness of Serenity, which also gets bonus negative points for trying to use the same title as the Firefly film.

Most Meme-able Movie of the Month
In my Velvet Buzzsaw review I noted it was ripe for the picking by meme-makers, but I guess because it didn’t go down very well it hasn’t really caught on. Instead, a drama about a troubled priest from the writer of Taxi Driver might not seem like a meme-magnet… but then again, “are you looking at me?” was a meme before memes existed. Anyway, nothing else this month beats this all-purpose line from First Reformed

Well somebody has to do something

Oh, and thanks to the unpopular Oscar results, this gem has taken off too…

Will God forgive us?

Most Self-Consciously Whimsical Title of the Month
I can kind of see what they were going for with The Guernsey Literary and Potato Peel Pie Society, but they took it too far and now it’s a more horrible mouthful than the pie itself.

The Audience Award for Most-Viewed New Post of the Month
Oscar buzz and an Oscar win did little to boost the fates of Roma and Green Book here. Instead, the top two spots were taken by reviews of new Netflix releases (an ever-popular post category), with High Flying Bird coming a distant second to Velvet Buzzsaw.



After a strong start last month, my Rewatchathon falls behind pace a little this time, with just two films.

#6 Inception (2010)
#7 Florence Foster Jenkins (2016)

Of note here is that Inception becomes the first film I’ve watched on 4K UHD Blu-ray. It looked great, and sounded even better. It ‘only’ has a DTS-HD MA 5.1 mix, though (as opposed to audiophiles’ new infatuation, Dolby Atmos), so I guess the regular Blu-ray sounds just as good; unless it was remixed, because the 4K does make a point of being the “original theatrical mix”. Well, whatever — the 4K disc sounds immense.


I once again have an extensive list of films I was meaning to get round to this month and, well, didn’t.

No trips to the cinema this month, so I haven’t seen How to Train Your Dragon: The Hidden World, Alita: Battle Angel, or The Kid Who Would Be King. I was going to rewatch How to Train Your Dragon 1 and 2 in 3D before that cinema trip, too, but didn’t get round to those either. I guess I’ll go through the whole trilogy in 3D when the third one hits disc in a few months’ time.

As for stuff that’s already coming out at home, I bought First Man, Venom, and imported the new Suspiria and the 1929 Der Hund von Baskerville, but didn’t manage to get round to any of them (obviously, otherwise they wouldn’t be mentioned here). I’ve also got BlacKkKlansman and Upgrade waiting as digital rentals. The Predator was another rental that nearly earned a mention here too, but then I watched it last night. I actually tried to watch it earlier in the month, but it turned out it wasn’t in 4K (despite that being what I’d paid for) and was cropped to the wrong aspect ratio (I do not recommend Chili!) In the end I acquired it via *ahem* other means.

I also bought a bunch more 4K UHD Blu-rays this month, thanks to various sales and offers. I gotta say, though, 4K is not solving all the world’s problems (or, at least, being the ultimate final physical media format) like it should. By which I mean: although I’ve now bought The Matrix trilogy on 4K, I’ve still got to keep my Ultimate Matrix Collection DVD set for four whole discs of stuff not in the 4K set. And although I’ve now bought The Dark Knight trilogy on 4K, I’ve still got to keep my Ultimate Collector’s Edition Blu-ray set for the bonus disc which has a couple of feature-length extras. And although I’ve now bought the Mission: Impossible 1-5 4K box set, I’ve still got to keep all the individual films’ Blu-rays for their various bonus discs. And although I’ve not bought the X-Men trilogy on 4K yet, I know it’ll be the same story, because that stupidly doesn’t include any special features discs at all (at least The Matrix and Dark Knight sets managed the film-specific ones). The only 4K box set I’ve bought that’s done it right is the Jurassic Park one, and I think that’s probably by accident (because none of those films had additional special features discs in the first place). I guess having to keep old editions isn’t the end of the world (selling second-hand DVDs/Blu-rays nets so little money nowadays that you’re not even close to covering the cost of rebuying), but it’s the principle — and wasted shelf space — that gets on my wick. Not to mention the looming possibility that one day they’ll do a re-release that does it properly and I’ll feel compelled to buy my favourites again

Finally, I’ve currently got my annual one-month subscription to Sky Cinema (via Now TV) to watch the Oscars, and there’s a whole host of films I want to get round to currently available on there, including (but not limited to) recent releases like A Wrinkle in Time, Isle of Dogs, Lady Bird, and Love, Simon.


2019 is Marching on already.

(D’you see what I did there? Do you? Do you? Do you?)

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2 thoughts on “The Limiting and Emotionally Draining Monthly Review of February 2019

  1. I can’t understand how Suspira hasn’t turned up on Amazon Prime in 4K yet. While I suppose I should be grateful it’s even getting a disc release at all, it hasn’t over here and, frankly, if it was financed by Netflix, that sucker would be on there by now (and I would have seen it).

    Liked by 1 person

    • I never know what’s going on with Amazon Studios films — previous stuff they’ve coproduced has turned up on Prime US months before it reached the UK site. Is Suspiria definitely going to be on there, though? MUBI handled the UK theatrical release, but I don’t know if that came with streaming rights. (This confusion is exactly why I just went ahead and imported it, but it’s region A locked and they didn’t do a 4K release, unfortunately.)

      Liked by 1 person

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