Roar Uthaug | 118 mins | download (HD+3D) | 2.39:1 | UK & USA / English & Cantonese | 12 / PG-13
In this gritty(-ish) reboot of the videogame-turned-movie franchise (inspired by a similar reboot they did in the games), Lara Croft loses her most famous twin assets — her dual pistols (also, her giant boobs) — instead replacing them with a bow & arrow (and muscles, respectively) for an adventure that sees her travelling to a secret island where her father disappeared seven years earlier while in search of an ancient curse surrounding a long-lost tomb. Well, natch — clue’s in the title.
“Movie based on a game” used to be synonymous with “shit”, and to an extent that reputation persists — it takes time to turn such widespread prejudices around — but there have been a few in recent years to buck the trend, like trashy-but-fun Rampage and (apparently) Angry Birds 2. For my money, Tomb Raider is part of that movement. For one thing, it manages to actually feel like the games (or, at least, what I presume the games are like — I’ve never really played any of them), which is a noteworthy point for a genre that sometimes spectacularly failed to understand its source material. Tomb Raider successfully recreates the running, jumping, shooting, puzzle-solving action of its inspiration without too overtly abandoning real-life logic for video game logic. Well, I say “real-life logic” — it’s actually “action/adventure movie logic”, but I think that’s allowed in an action/adventure movie.
As an entry in that genre, it’s fun enough. It’s not going to compete for greatest-of-all-time status with its urtext, the Indiana Jones films, nor does it quite challenge the heights of more-overt homages like The Mummy, but it’s not a bad couple of hours’ entertainment in their mould. On the downside, the amount of preamble the plot goes through before taking us to the island is a tad unnecessary, mainly because there are a couple of early set pieces that feel forced to make sure there’s some action in the first act. I can understand having one or two (as much as anything, it establishes that Lara isn’t completely unskilled in combat and physical endurance), but it feels like padding. Besides, we’ve come for an Indiana Jones-esque affair — a bicycle race around grey London isn’t quite the right tone.
Alicia Vikander is more than capable in the lead role, both as an actress and a physical performer — she’s clearly developed the physique for the part, and apparently did her own stunts. Unfortunately, her accent is a little all over the place, a blend of English and Swedish (rather similar to Rebecca Ferguson’s) with occasional flecks of Irish. It’s kind of charming in itself, and I guess it just passes as “English” to Americans, but it’s too distractingly ‘off’ to truly pass as the upper-crust English girl Lara is meant to be. She’s surrounded by a supporting cast of reliable performers — Walton Goggins (surprisingly understated as the villain), Dominic West, Kristin Scott Thomas, Derek Jacobi, Nick Frost (just a cameo) — but none leave a particularly large mark.
A quick word on the 3D, which is fairly enjoyable. I’d heard bad things, but it’s not awful, just unexceptionally adequate — a bit like the film itself, I guess. It adds somewhat to the “hanging over a chasm” shots (of which there are more than a handful), if nothing else.
The film ends with a massive sequel tease, which I thought was fairly well handled. I’ve often criticised movies that exist purely to setup sequels/trilogies/franchises, and there are clearly parts of Tomb Raider that have been designed to do that, but it’s managed well enough to not really intrude until the final scenes. That said, it’s an odd kind of tease, suggesting more “corporate espionage” than “tomb raiding”. Unlike so many sequel teases nowadays, this one will actually be acted upon: after some umming and ahhing (the film wasn’t a huge box office hit, but did respectably outside the US, particularly in lucrative markets like China and the UK), it’s going ahead… with Ben Wheatley directing! Colour me surprised. (It was scheduled for release in March 2021, but the shoot was meant to begin in April 2020 and, surprise surprise, got cancelled, so who knows.)
A lot of this review has wound up couched in disclaimers but, fundamentally, I enjoyed Tomb Raider. It may not have a surfeit of original ideas, but once it gets going it offers up solid levels of excitement — highlights include a protracted boat crash in a storm, Lara negotiating a plane teetering on a cliff edge, and the titular raiding of a tomb, which occupies the third act. If Wheatley can supplement that with a dash of his trademark oddness, the sequel might well be worth looking forward to.
The UK TV premiere of Tomb Raider is on ITV tonight at 7:50pm.