100 Films’ 100 Favourites #88
A long time ago
in a galaxy far, far away…
Also Known As: Star Wars: Episode IV – A New Hope
Runtime: 121 minutes | 125 minutes (special edition)
Original Release: 25th May 1977 (USA)
UK Release: 27th December 1977
First Seen: VHS, c.1990
Mark Hamill (Batman: Mask of the Phantasm, Star Wars: Episode VIII)
Harrison Ford (American Graffiti, The Fugitive)
Carrie Fisher (When Harry Met Sally…, Star Wars: The Force Awakens)
Alec Guinness (Kind Hearts and Coronets, The Bridge on the River Kwai)
James Earl Jones (Field of Dreams, The Lion King)
George Lucas (THX 1138, Star Wars: Episode I – The Phantom Menace)
George Lucas (American Graffiti, Star Wars: Episode II – Attack of the Clones)
When he discovers a distress call from a beautiful princess, a young farmhand joins forces with an old warrior, a roguish pilot, his bear-like first mate, and a pair of bickering robots to rescue her — which involves taking on the evil galactic Empire, and in particular their chief enforcer: Darth Vader.
Farm boy Luke Skywalker just wants to go off and join the rebellion, but little does he realise how much that path leads to his destiny. Helping him get there is smuggler Han Solo, who may come from a wretched hive of scum and villainy and is happy to shoot
first at the same time as his opponent, but has a heart of gold really. The object of their mission, and both their affections, is the strong-willed Princess Leia.
A man in a black suit with breathing problems might not sound like one of the most effective screen villains of all time, but that’s what you get when you come up with pithy descriptions like that. In fact, Darth Vader is so badass, he’s not above choking members of his own side, the evil Empire — and they’re evil.
Best Supporting Character
R2-D2 is the best supporting character in every Star Wars film, but in this one we are also introduced to Obi-Wan Kenobi. A mysterious old man who inducts Luke into the ways of the Force, Obi-Wan is played by veteran character actor Alec Guinness, meaning he is bestowed with instant awesomeness. Not as handy with a lightsaber as he used to be, mind.
Darth Vader: “Your powers are weak, old man.”
Obi-Wan Kenobi: “You can’t win, Darth. If you strike me down, I shall become more powerful than you could possibly imagine.”
Quote Most Likely To Be Used in Everyday Conversation
“I have a very bad feeling about this.” — Luke Skywalker
It’s fair to say Star Wars is loaded with memorable scenes, but for pure effectiveness you’d have to go a long way to beat the opening sequence: giant spaceships flying overhead, blasting laser beams at each other; walking, talking robots bickering; a gunfight between men and armoured soldiers; and then Darth Vader, stalking into the movie like a sci-fi vision of Death himself.
George Lucas wanted a score reminiscent of classic Hollywood movies to help inform audiences about what they were watching — that although it was set on alien worlds with giant spaceships and laser swords, it was a familiar kind of heroic adventure tale. Composer John Williams delivered exactly that, drawing on influences including classical composers, like Stravinsky and Holst, and film composers, like Erich Wolfgang Korngold (King’s Row) and Alfred Newman (How the West Was Won). He produced not only a great soundtrack all round, but arguably the most famous movie theme of all time.
Truly Special Effect
Star Wars did so much to break new ground in special effects, it’s difficult to know where to start. Some of it’s a little skwiffy (the lightsaber effects are notoriously problematic, their colours varying even in recent remastered versions), but the model work — the spaceships and their battles — is fantastic.
Letting the Side Down
Han shot first! *ahem* Yes, A New Hope is definitely the movie where Lucas’ unpopular Special Edition fiddling is it at its least liked, primarily for that bit where Han no longer shoots Greedo in cold blood. What do you have to do to get a merciless good guy these days, eh? Other changes have varying degrees of effectiveness: having extra X-Wings in the Death Star battle looks pretty neat, but the CGI Jabba the Hutt — complete with Han stepping jerkily over his tail — is terrible.
George Lucas screened an early cut of the film for a group of his director friends, most of whom agreed with him: it was going to be a flop. Brian De Palma even called it “the worst movie ever”. There was one dissenting voice: Steven Spielberg, who predicted it would be a huge hit. As if that man’s entire career wasn’t proof enough that he knows what he’s talking about…
Star Wars’ influences can be clearly traced back to the sci-fi cinema serials of the ’30s and ’40s, like Flash Gordon. In-universe, the saga begins with the Prequel Trilogy, and there’s shedloads of other spin-off media. Most pertinently, this December’s first live-action non-saga Star Wars film, Rogue One, should lead more-or-less directly into the start of A New Hope.
Star Wars essentially inspired the next 39 years (and counting) of effects-driven summer blockbusters. It also started a mini-industry all of its own — well, quite a large industry, actually: films, TV series, novels, comic books, computer games, board games, role playing games, toys, clothes, lunch boxes… anything you can imagine, I’d wager. Primarily, the story is directly continued in The Empire Strikes Back and Return of the Jedi, and resumed in The Force Awakens, with more to come in 2017 and 2019.
7 Oscars (Editing, Score, Sound, Art Direction-Set Decoration, Costume Design, Visual Effects, Special Achievement Award for Sound Effects)
4 Oscar nominations (Picture, Supporting Actor, Director, Original Screenplay)
2 BAFTAs (Music, Sound)
4 BAFTA nominations (Film, Editing, Costume Design, Production Design/Art Direction)
13 Saturn Awards (Science Fiction Film, Supporting Actor (Alec Guinness), Director (tied with Spielberg for Close Encounters), Writing, Music (John Williams tied with himself for Close Encounters), Costumes, Make-Up, Special Effects, Editing, Sound, Art Direction, Set Decoration, Special Award for Outstanding Cinematographer)
4 Saturn nominations (Actor (both Harrison Ford and Mark Hamill), Actress (Carrie Fisher), Supporting Actor (Peter Cushing))
Won the Hugo for Best Dramatic Presentation.
What the Critics Said
“The battles, the duels, the special effects — and what special effects! Swords made of light, blasters shooting laser beams, exploding planets — it goes on and on. All the aging acid-heads who tripped out to Stanley Kubrick’s overrated 2001: A Space Odyssey, will go bananas over Star Wars. Not to mention comic-book freaks, science fiction and fantasy fans, lovers of old westerns, romances, mysteries and movies about the Crusades. In addition to being a slickly produced and highly entertaining adventure suitable for the whole family, Star Wars is richly evocative of a whole range of old film forms and I predict that entire books will be written on the sources, the religious symbolism, the mythological and historical allusions, and so on and so forth that Lucas has incorporated” — Robert Martin, The Globe and Mail (This review from the original release, before it was called Episode IV, also notes that it “opens like Episode 6 of a serial”. Good call, sir.)
What the Public Say
“To this day, A New Hope is used as a primary example of storytelling. It perfectly establishes a world and introduces audiences to a protagonist that goes on his hero’s journey. There’s a reason that so much pop culture parodies and pays tribute to this film and it’s because of how near perfect it is. You have the Princess in peril still holding her own against what will always be one of the greatest movie villains of all time in Darth Vader. That is also one thing the prequels do that take away from this movie and the two that come after: They soften Vader. Vader is cold, ruthless, robotic, and menacing. Not someone who cries about his girlfriend. […] A New Hope just does everything the right way. When it wants you to be excited, you are. When it wants you to be sad, you are. John Williams contributed to this a great deal with his score; and Lucas’ use of practical effects to tell his story make it a masterpiece.” — Reed, We’re Not Sorry
Elsewhere on 100 Films…
I’ve written about the original Star Wars trilogy twice before, both times back in 2007. Of A New Hope’s modified DVD version, I said that “there are a few extremely minor changes from the ’97 version… sadly, though, not to the CGI: Jabba still looks dire, not even as good as the Episode I version — CGI that was five years old by the time of this release.” Then, treating the film as the fourth part of the saga, I wrote that “the biggest change [from the prequel trilogy] is in tone: I to III present an epic fantasy story, full of wizard-like Jedi, intricate galactic politics, and ancient prophecies; by contrast, A New Hope is straight-up action/adventure, far more concerned with gunfights, tricky situations, exciting dogfights, and amusing banter than with whether the President has been granted too much executive power.”
In my post on The Empire Strikes Back, I said it wasn’t actually my favourite Star Wars film. For all the popularity the series has as a whole, there’s only really one other possible contender for that crown: the first one. By which I mean this one, not Phantom Menace. Here, Lucas almost instantly conjures up a universe that feels wholly-imagined and genuinely lived-in (which is part of the reason people ended up so disappointed by the made-up-as-they-went-along, fill-in-the-blanks prequel trilogy). Throw in an array of likeable and entertaining characters, plus groundbreaking special effects, and you’re on to a winner. The plot may just be a classical hero narrative, but it’s in space and has laser swords — that counts for a lot.
Next: #89 ! Fuck yeah!