The Man Who Killed the Monthly Review of September 2020

This month started off strong: reaching #200 (for only the third time ever); watching plenty of films; posting a lot of reviews… but then it tapered off on all fronts. Partly this is because I’ve found myself back in the employ of FilmBath Festival — yes, even in this crazy COVID world, we’re putting on a film festival. Plus an online offering that will be accessible nationwide… but shh, that’s not been officially announced yet! More details in the coming weeks.

For now, back to the last month on this blog…


#199 All Is True (2018)
#200 In the Mood for Love (2000), aka Fa yeung nin wah
#201 Anand (1971)
#202 Ikiru (1952)
#203 The Man Who Sleeps (1974), aka Un homme qui dort
#204 All About Eve (1950)
#205 A Shaun the Sheep Movie: Farmageddon (2019)
#206 Vice (2018)
#207 The 40 Year Old Virgin (2005)
#208 For the Love of Spock (2016)
#209 Guinevere (1994)
#210 Blind Fury (1989)
#211 Waking Ned (1998)
#212 Out of Africa (1985)
#213 The Hippopotamus (2017)
#214 Enola Holmes (2020)
#215 Fanny and Alexander (1982), aka Fanny och Alexander
#216 The Man Who Killed Don Quixote (2018)
#217 Lost in La Mancha (2002)
#218 He Dreams of Giants (2019)
Anand

Farmageddon

Fanny and Alexander

.


  • I watched 20 new feature films in September.
  • That makes it my 25th month with 20+ films, and my first 20+ September in five years.
  • It surpasses my September average (previously 11.9, now 12.5) and the rolling average of the last 12 months (previously 18.9, now 19.9), but falls short of 2020’s average to date (previously 24.75, now 24.2).
  • Early in the month I reached my 200th film for this year. I wrote about the history and stats of that achievement here.
  • Moving beyond #200 means 2020 is already my second biggest year ever, with three months still to go
  • #218 is the furthest I’ve reached by the end of September (my previous best was #206 in 2018), meaning a new all-time record is not impossible — but there are still 44 films to go to get there, more than double the number I watched in October-to-December last year.

As for the films themselves…

  • Back in July, I identified that Vice was the only film I needed to see to complete the last five years of Oscar Best Picture nominees (that’s 43 films). So, now I’ve done that, it’s on to the last decade of the same (which is 88 films), for which I still need to watch another ten. Let’s see how long that takes…
  • From last month’s “failures” I watched The Man Who Killed Don Quixote (see the Arbies for more about this).
  • This month I watched four Blindspot films. That makes it sound like I’m doing it very, very wrong, but allow me to explain.
  • Firstly, I needed to catch up for missing one last month — that was In the Mood for Love.
  • Then I needed to watch one for this month, of course — that was Ingmar Bergman’s magnum opus, Fanny and Alexander.
  • Then you may remember I had a list of eight ‘overflow’ films to also consider watching — this month, I watched two, Ikiru and All About Eve.
  • So, I’m now back on track for the main list and over halfway through the overflow. But I’ll still need to watch exactly one overflow film a month (in addition to a main list film) for the rest of the year if I want to finish all 20.



The 64th Monthly Arbitrary Awards

Favourite Film of the Month
Rather spoilt for choice this month, what with four Blindspot films that mostly lived up to expectations, plus several other great and/or very enjoyable movies too. Perhaps the most pleasant surprise was Fanny and Alexander — I’ve not always got on with Ingmar Bergman’s films before, so his over-three-hour magnum opus could’ve been horrific for me, but I actually thought it was fantastic.

Least Favourite Film of the Month
Un homme qui dort? More like Un homme qui t’endort.

Best Blind Swordsman of the Month
I had intended to save Blind Fury until after I’d finished the Zatoichi series (which I really should have done by now, but I’ve let various things get in the way). For those who don’t know, it’s a modern-day US-set remake of Zatoichi Challenged — a thoroughly bizarre idea, so it seemed best to leave it until I was done with the series proper. But then I noticed it was leaving Amazon Prime imminently, so I decided I’d better get on it. Such are the ways of the streaming era. It’s not as good as the real thing, but it was more fun than I expected.

Most Debatable Viewing Order of the Month
I’ve owned acclaimed (un)making-of documentary Lost in La Mancha on DVD but never got round to watching it — so long, in fact, that Terry Gilliam was finally able to actually make the film it’s about, The Man Who Killed Don Quixote, and it’s now streaming on Sky. The makers of La Mancha also documented that successful effort, in a new film called He Dreams of Giants, which I recently had access to a screener for. So the question became: which order to watch them in? I’m not sure the one I plumped for (see #216–218) was the right way to go about it, but then neither of the alternatives (La ManchaDon QuixoteGiants; or La ManchaGiantsDon Quixote) seemed perfect either, so this was as good as any. In fact, with hindsight, I think it might have been the best way — watching the docs before the resultant feature would’ve set too many unnecessary expectations.

The Audience Award for Most-Viewed New Post of the Month
For only the third time this year (there have been other years where it happened most months), my most-viewed new post was my latest TV column. (The most-viewed film post was, as befits its status as a modern masterpiece, my review of Love on a Leash.)



The Basil Rathbone Sherlock Holmes movies have made up over a third of my Rewatchathon so far this year. With them finished, there’s now a hole where they used to be as a go-to choice, meaning my pace has slipped slightly… but I’m still currently on target for 50 by the end of the year, so that’s okay (for now).

#38 Jodorowsky’s Dune (2013)
#39 Mission: Impossible II (2000)

I wrote my review of Jodorowsky’s Dune after that rewatch, so my Letterboxd log adds little more than that I enjoyed it more second time round.

M:I-2 is a different kettle of fish: you can find my latest opinion of the film itself on Letterboxd (short version: I still really like it). As for its place in the Rewatchathon, it continues my rewatch of the Mission: Impossible movies in 4K that I started back in May. Then I mentioned that it’s the first two films that feature the biggest upgrades in PQ with their 4K transfers. M:I-1 is the more strikingly good-looking film, but this one looks great most of the time too. The downsides are that the overall improvement reveals how much softness there is in some of the original photography, and skin tones look too hot in a couple of scenes (though I couldn’t quite be sure if I needed to fiddle with my TV settings, or if it was the transfer’s fault, or just the way the film was shot). Still, a resounding improvement over the old Blu-ray.


The reopening of cinemas continues with Bill & Ted Face the Music making its UK debut on the big screen only, and… that’s probably it: Tenet’s underperformance at the US box office has the studios running scared again. Bond is still on schedule for November, but will that hold? Only time will tell.

Another film that got a cinema release in some territories was Disney’s live-action remake of Mulan. Of course, it went direct to streaming everywhere that Disney+ is available, and that includes the UK, even though our cinemas are open. £20 vs a £6 cinema ticket? Hmm… Anyway, I guess that didn’t do well either, given that Disney have moved the rest of their big titles into 2021 rather than send them to Disney+ too.

Also on streaming, Netflix had a couple of big originals in the shape of Charlie Kaufman’s I’m Thinking of Ending Things and The Devil All the Time. Both set Film Twitter and Letterboxd abuzzing, but I haven’t been in the mindset for their heaviness yet. There was also the hugely controversial Cuties, which is a debate I’m not interested in reigniting, and they ended the month with a new adaptation of gay play The Boys in the Band. Also catching my eye on Netflix were a string of titles I’ve bought on Blu-ray but not got round to watching: First Man, The Handmaiden, the new Halloween… Shame on me. (They’ve also added various things I have seen and reviewed, of course, but that’s not the point of this section.)

Over on Amazon, no brand-new films that I could see, but they did have the streaming premieres of Guy Ritchie’s The Gentlemen and acclaimed crime drama Queen & Slim. They’ve also now got Crazy Rich Asians, after it ended its time on Now TV / Sky Cinema. Talking of which, after having a subscription to that for most of the year — first for the Oscars, then via a series of free and heavily discounted months — I cancelled it at the start of this month because it was going to be full price, only for them to now offer me a free month. Additions there this month include The Good Liar, Motherless Brooklyn, and Judy.

BBC iPlayer’s also had a pretty strong slate of movies recently, including recent-ish titles moving in from other streamers (Molly’s Game, I, Tonya) and HD versions of classics (Doctor Zhivago, The Life and Death of Colonel Blimp, etc). Also, Christopher Nolan’s Memento, which I’ve not seen for a very long time indeed and ought to take the chance to rewatch in HD (that feels like the kind of film that’s due a 4K release from someone like Arrow, but who holds the rights I don’t know).

Finally, my disc purchases were a lot calmer than last month’s 54 films. It’s taken five years, but I finally completed my collection of the “Top 5 Films I Hadn’t Heard of Before Watching The Story of Film But Now Really Want to See” by importing the US release of Hyenas. I managed to find a copy of Doctor Sleep with the director’s cut included (if I’d realised they really meant it when they said it was “limited edition”, I’d’ve bought it sooner! After being out of stock on HMV’s website for months, they seem to have found some additional copies, so fortunately I only paid normal price for it). Rewatching Jodorowsky’s Dune inspired me to purchase Arrow’s new Jodorowsky box set, which I fear I may regret (his films aren’t half odd looking), but there we go (knowing me, I’ll not get round to them for years / ever anyway).

I also picked up… Bullitt (primarily for one of its special features, feature documentary The Cutting Edge: The Magic of Movie Editing) … the US 4K release of anime Ghost in the Shell (though I accidentally ended up with two copies, so I need to get that on eBay) … and re-bought all three Ghostbusters films (the original pair in a new-to-the-UK 4K box set, which duplicates the discs from last year’s limited and expensive US 35th anniversary set; and the 2016 reboot in 3D, which I got brand-new for £1.50. The fact most people have given up on 3D is a boon for those of us who haven’t).


October means one thing for some people: Halloween. I doubt I’ll be so singularly focused (I never have been before — why start now?), and I’m not even sure what I’ll do for the day itself (because it is just a day, not a season, or even a month — sorry, people). Between 2015 and 2019 I spent it covering the Twilight saga, but I finished that last year (thank God) so need a new notion. Although there’s always that Twilight spoof — which, according to IMDb voters, is the 46th worst film of all time, ranking lower than any real Twilight film. Dare I brave the horror?

200 Films in 2020

For only the third time in this blog’s 14-year history, I’ve reached 200 Films in a Year.

The film I chose for #200 was Wong Kar-Wai’s In the Mood for Love, perhaps the most acclaimed film of the 2000s that I was yet to see, and part of this year’s Blindspot list (I missed a Blindspot film in August, so this is catchup). I’ll write more about the film itself another day; for now, we’re concerned with the history and stats of reaching 200.

As I said, this is the third time I’ve got there. The two previous occasions were 2015, when a last-minute scramble saw me get there on December 30th (December 2015 is still my second-highest December ever, behind only 2008, which was a similar scramble to reach #100); and 2018, when I got there on September 22nd. This year, I got there today, September 3rd, thereby setting a new record.

It also means that I’ve reached #200 more times than I’ve failed to even reach #100 (the failures were 2009, which ended at #94, and 2012, which got to #97).

And, of course, there’s still almost four whole months of the year left. Let’s run some numbers and see what we can predict about them…

For starters, it’s a sort-of-logical deduction to conclude that, if it took (just over) two-thirds of the year to reach #200, surely the final third should get me to #300 more or less exactly. Is that possible? Well, yes. I’d have to achieve an average of 25 films per month (in fact, 25.5, because #199 and #200 count as part of September), but already this year I’ve had five months that passed 25 films, and the average for the whole year so far is 24.75, which is almost there. But is that likely? Well, I’ve only made it past 20 films in September and November once each (when I did, I got to 23 and 25, respectively), and I’ve never even got to 20 in December. So, the signs aren’t great.

What does history forecast as a more likely outcome, then? My all-time average viewing for September to December is 45.6 films, which this year would see me reach #244. If we narrow that to just the last five years (because a lot has changed in my viewing habits over the past decade-and-a-half), the average becomes 58.8, which would get me to #257 this year.

Switching from averages to specific examples, my worst September-to-December total came in 2011, when in that time I watched 23 films. At the other end of the scale, the best was in 2015, when I watched 82 films in those four months. If those extremes happened this year, I’d make it to either #221 or #280, respectively. If I managed to equal my best-ever totals for each individual month, I’d end on #296; but if I repeated my worst-ever individual month results, I’d only get to #215.

You’ll note that every one of these predictions falls short of #300.

Things don’t look good for reaching the big three-oh-oh, then. In fact, it’s questionable whether I can even beat my previous best (261 in 2018) — of the six history-based predictions I’ve run through, only two get me above that.

But the idea that I could reach #200 within one year used to seem totally impossible, so never say never…

The Climactic Monthly Update for December 2015

Happy New Year’s Day, dear readers!

The quest for 100 films has little regard for it being the first day of a new year, however — it’s still the start of a new month, which means it’s time to reflect on the last. And as it’s the last month of 2015, to reveal just what my final tally actually was…


#183 Shaun the Sheep Movie (2015)
#184 Mission: Impossible – Rogue Nation (2015)
#185 Terminator Genisys (2015)
#186 A Most Wanted Man (2014)
#187 Tomorrowland: A World Beyond (2015)
#188 Begin Again (2013)
#189 Escape from Tomorrow (2013)
#190 Le Mépris (1963), aka Contempt
#191 Star Wars: The Force Awakens (2015)
#192 About Time (2013)
#193 Happy Feet Two (2011)
#194 Morning Glory (2010)
#195 Dreamgirls (2006)
#196 Aladdin and the King of Thieves (1996)
#197 AfterDeath (2015)
#198 Heaven Can Wait (1943)
#199 Slow West (2015)
#200 Dressed to Kill (1946)


  • #200 is the final Basil Rathbone Sherlock Holmes film. It’s taken me almost eight years to get through that series — longer than they took to make — so it seemed an appropriate choice for such a momentous number.
  • With four WDYMYHS films left, I managed to watch… one. That was Le Mépris. On the one hand, not watching 25% of my list is a bit of a failure. On the other, watching 75% of it means I’ve watched nine films this year that I should’ve seen but hadn’t got round to, and almost certainly wouldn’t’ve got round to without WDYMYHS. So it shall continue next year, though I’ve not decided on the selection process yet.
  • Remember back in my October update, when I mentioned re-watching the Veronica Mars movie to get 2014 finished? Bloody well didn’t bloody happen, did it! I’ll do it in January.
  • Apropos of not very much, the version of Rawhide sung by the elephant seals in Happy Feet 2 is awesome.


The headline news here is, of course, that this year I reached #200.

That’s my highest final tally ever, by 64 films — 47% higher than the next best year! You could add together my two poorest years (2009 and 2012) and you’d still be nine films short of 2015’s solo total. Anyway, more whole-year stats in my next post — for now, let’s just look at December.

This month I watched 18 new films. Most importantly, that exceeds this year’s ten-per-month goal, making 2015 the first time I’ve done it for a whole calendar year. (It’s also the 19th consecutive month.) It’s only the second-highest December ever, just behind 2008’s 19, but it does pass the December average (10.86; now 11.75) and beats December 2014’s total of 15, the 11th month this year to beat its previous equivalent (only November let the side down). In terms of 2015, it beats the monthly average of 16.67, and is actually the third highest month of the year, settling in behind the record-breaking feats of September and October.

I always end these analyses with a look ahead to the rest of the year… which is now over. So what for 2016? Having reached 200 films in a year, will I be seeking to equal it next year? Perhaps even to better it? I can confirm that…

No. No I won’t.

There are so very, very many films that I want to see — and they keep making more of the darn things! So many that even watching 200 new films isn’t enough to make a serious dent in the “to see” list. But there are also TV series I want to watch, books I want to read, audio dramas I want to listen to — not to mention movies I want to re-watch — and the film fixation engendered by a goal as vast as 200 new films in a year is counterproductive to doing anything but watching new films. So of course 100 Films will continue, and maintaining my ten-per-month streak would be nice, but if this time next year I’ve watched 200 new films and not watched many TV series, or read books, or listened to audio dramas, then I won’t be dancing a victory dance. Quite the opposite. Whatever the opposite of “dancing a victory dance” is.

In conclusion, my personal goal for next year is… well, 100 films — that’s why it’s the name of the blog. But I’ll be aiming to maintain my ten-per-month run, making the target 120+ Films in a Year. Plus lots of TV and books and audio drama and films I’ve seen before and special features and goodness knows what else. There still won’t be nearly enough time, anyway.


Thanks to the advent calendar, 44 films were reviewed this month(!) Here’s a full alphabetical account:



The 7th Monthly Arbitrary Awards

Favourite Film of the Month
It’s not been a bad month, but there aren’t a great many stand-out options here. Although I hugely enjoyed the new Star Wars, and some other 2015 blockbusters I caught up on weren’t as bad as expected, the winner is easily best-of-year contender Mission: Impossible – Rogue Nation.

Least Favourite Film of the Month
It’s not been a bad month, but there are still a few three-star-level contenders here. In the end, I decided to pick the film I felt I was most likely to never bother to watch again, and while there are a few I’m not likely to ever revisit, the least likely was AfterDeath.

Best Use of Time Travel
Was it to visit a wondrous future city of joyous technological advancement? Or to spend more precious time with your dying father? Or to send a cyborg to protect your mother from your robot enemy before your best mate arrives to stop that enemy murdering her before you’re born then trying to disable said robot enemy before it’s ‘born’? Or to get Emilia Clarke naked? How about using it to make Rachel McAdams fall in love with you in About Time. That and the dad thing.

Best Theme Tune
Oh sure, there’s John Williams on Star Wars… but of course there was. And I’ve already said how much I liked Rawhide in Happy Feet 2, but it’s not functioning as theme tune there. So the winner is composer Joe Kraemer finally giving Lalo Schifrin’s Mission: Impossible theme a suitable big-screen rendition not once but twice in Rogue Nation.

The Audience Award for Most-Viewed New Post of the Month
When you think about it, this should come as no surprise. In a month that featured 47 new posts (it sounds a little insane when you put it like that), the most-read is one that was a hive of activity for 25 days: the 100 Films Advent Calendar 2015.


…will be 31 days into 2016. Before all that, though, I’ll thoroughly look back and dissect 2015 — the largest year of 100 Films ever!

(Dog-loving regular readers will be pleased to know that (further to September’s update) Millie is still with us, and coping admirably with there already being a new Irish Wolfhound puppy in the family.)