Rian Johnson | 114 mins | Blu-ray | 2.40:1 | USA / English | 12 / PG-13
“Crikey, time flies!” I thought when I compiled this listing and saw that The Brothers Bloom was released in 2008. Somehow it felt like it was only last year, not three (or, if at the start of 2008, closer to four) years ago.
Then I happened to spot the UK release date on IMDb: June 2010. That explains that then.
From the director of the acquired taste that was Brick, The Brothers Bloom looks like it might be a little more mainstream: it’s got a lead cast who are all Oscar nominees, and half of them winners too, and it has a con/heist plot — always popular — and a light tone — a very funny and enjoyable trailer, I thought. But while it’s not as specialised as Brick’s near-impenetrable dialogue and considered (over-considered?) tone, it’s certainly Quirky.
The capital Q may give a clue that I think it may be too forcibly quirky at times. Genuine quirkiness can be a lot of fun, though there’ll always be people who don’t get it, but if you force it then it comes across as weird; silliness for the sake of silliness; trying to be Cool. I don’t think Bloom goes quite that far, but I did feel those involved were trying too hard.
Despite that, it can be surprisingly dramatic in places, at least more so than the trailer suggested. It’s not quite as all-out-fun as it looked… but then the job of a trailer is to sell you a film, so if the end result doesn’t match it 100% is that a failing? How are you meant to summarise the entire tone of a film in a two-minute spoiler-free sales burst anyway? That dilemma is emphasised in this case because it’s the opening that feels least like the trailer. I mean, the pre-titles is kinda quirky-fun, but then it gets a little serious and slow, and later — perhaps half-an-hour or three-quarters of an hour in — you get to all the stuff the trailer was selling. And then the last act is back to something more unusually — or, if we’re to be unkind, unevenly — paced and toned. I can imagine the marketing meetings for this were a struggle…
Despite (or perhaps because of) all those shifts, it drags a bit at times, but it still has lots of amusing, quirky and fun moments to help make up for that.
I’d heard the last act was incredibly twisty; too twisty, according to some. Perhaps it was because I read that and was prepared, but I didn’t find it to be so. It has twists, sure, but this is a con movie — con movies have twists. That’s almost the point. They weren’t all the twists I was expecting either, which is probably a good thing.
Perhaps the problem for others was that the ending doesn’t quite spell everything out. I’m certain every question you might have is answered, more or less, but it doesn’t lead you by the hand back over the film pointing everything out, as many twist-ending-ed films do. Part of me appreciates this assumption of intelligence; part of me would like it all handily explained so I don’t sit here wondering it for myself. I don’t feel completely lump-headed not wanting to do that — there’s no Deeper Meaning or Philosophical Insight gained from sorting this out, I don’t believe; just an understanding of who was being conned and when, and who knew what and why.
I score most films right after watching them, even if I don’t post the review for many months. I thought I’d given The Brothers Bloom a three, but coming to write this I find it has a four. Make of that what you will.