Batman Begins (2005)

100 Films’ 100 Favourites #8

Evil fears the knight.

Country: USA & UK
Language: English, Urdu & Mandarin
Runtime: 140 minutes
BBFC: 12A
MPAA: PG-13

Original Release: 10th June 2005 (Russia)
US Release: 15th June 2005
UK Release: 16th June 2005
First Seen: cinema, June 2005

Stars
Christian Bale (American Psycho, The Fighter)
Michael Caine (Alfie, Harry Brown)
Liam Neeson (Schindler’s List, Taken)
Katie Holmes (Go, Woman in Gold)
Gary Oldman (Léon, Tinker Tailor Soldier Spy)

Director
Christopher Nolan (Memento, Interstellar)

Screenwriters
David S. Goyer (Blade, Man of Steel)
Christopher Nolan (The Prestige, Inception)

Based on
Batman, a comic book superhero created by Bob Kane and Bill Finger. In part inspired by Batman: Year One by Frank Miller and David Mazzucchelli.

The Story
After Bruce Wayne’s philanthropic millionaire parents are murdered when he’s a kid, he dedicates his life to fighting crime, travelling the world to learn combat skills, then deciding the best way to scare the Mafia-esque scum of his home city is to dress as a bat. As you do.

Our Hero
Nana-nana-nana-nana nana-nana-nana-nana Batman! But, y’know, serious. Important crimefighting jobs include getting hold of cool gadgets your company developed, messing around in restaurant fountains with models, and perfecting a ludicrously gruff voice to use when in costume.

Our Villains
Batman really has his work cut out for him this time: there’s crime boss Carmine Falcone (Tom Wilkinson), mad scientist Dr Jonathan Crane, aka Scarecrow (Cillian Murphy), commander of a league of assassins Ra’s al Ghul (Ken Watanabe), his subordinate — and Bruce’s one-time mentor — Ducard (Liam Neeson). That’s not to mention the bloke doing something dodgy with his family company (Rutger Hauer).

Best Supporting Character
It’s a toss up between two British thesps: there’s Michael Caine as the most involved and caring version of the Waynes’ butler Alfred that we’ve yet seen, and the ever-excellent Gary Oldman as Gotham’s only honourable cop, Jim Gordon. Both are a world away from previous screen incarnations of their characters.

Memorable Quote
“Well, a guy who dresses up like a bat clearly has issues.” — Bruce Wayne

Memorable Scene
Trapped in Arkham Asylum, surrounded by police and with SWAT officers storming the building, Batman activates a device on his boot for “backup”. Moments later, hundreds of bats flood the building, allowing him to make a dramatic escape.

Technical Wizardry
Previously, the Batmobile was a sleek and desirable supercar-type vehicle. Taking inspiration from some of the comics, Begins reinvents the vehicle entirely, rendering it essentially a road-ready tank. A massive change in the very concept, but one that now seems only natural.

Letting the Side Down
Hardly a major point for the viewer, but the design of the Bat-costume meant the actor in it couldn’t turn his neck — a problem also in the previous post-’89 Bat-films. Christian Bale’s frustration with this led to it being redesigned for the sequels (and explicitly referenced on screen, too).

Making of
According to some trivia on IMDb, before shooting began Nolan treated the crew to a private screening of Blade Runner, after which he told them, “this is how we’re going to make Batman.” For more on how exactly Ridley Scott’s seminal sci-fi thriller influenced Begins, check out these interview excerpts.

Previously on…
Batman’s big-screen popularity was kicked off by Tim Burton’s 1989 Batman, but that goodwill was gradually squandered, ending with 1997’s Batman & Robin, which many regard as one of the worst films ever made. It killed a once-profitable franchise, therefore paving the way for an eventual reboot.

Next time…
The Bat-world shaped by Nolan and co reached its apotheosis in the first sequel, The Dark Knight. The trilogy-forming second sequel, The Dark Knight Rises, did that rarest of things: it gave a superhero a definitive, final ending.

Awards
1 Oscar nomination (Cinematography)
3 BAFTA nominations (Production Design, Sound, Visual Effects)
1 Razzie nomination (Worst Supporting Actress (Katie Holmes))
3 Saturn Awards (Fantasy Film, Actor (Christian Bale), Writing)
4 Saturn nominations (Supporting Actor (Liam Neeson), Supporting Actress (Katie Holmes), Director, Music, Costume, Special Effects)
Nominated for the Hugo for Best Dramatic Presentation, Long Form.

What the Critics Said
“If there is one Batman film anyone should see, this is it. It’s a superhero film with a dark tone that’s very well-written with nothing but incredible actors involved. In a world where most movies these days are usually either remakes or films that are made as quickly as possible to cash in on the latest trend in Hollywood, a reboot that is not only worthy of your time but tends to make you forget about every other version that came before it says quite a bit.” — Chris Sawin, examiner.com

Score: 85%

What the Public Say
“One of the best things about Nolan’s Batman is that he grasps the idea of the three personas of Bruce Wayne. There’s Bruce when he’s playing the billionaire playboy, Bruce when he’s alone in the cave or with Alfred, and Bruce when he’s wearing the cowl. This movie truly delved into this in a way that no Batman movie had before it and was performed flawlessly by Christian Bale — whether you like the voice or hate it, Bale did a great job at playing three distinct personas.” — Blue Fish Comics

Elsewhere on 100 Films
Just before the release of The Dark Knight Rises I went back over all the live-action Bat-films of the ‘modern era’, i.e. since Tim Burton’s Batman. Of Begins, I wrote that “Nolan’s first foray into Bat-world really is a stunning piece of work… The monumental achievement of The Dark Knight has come to overshadow Begins, which is now rendered as a functionary prequel to the next film’s majesty. Don’t let that reputation fool you: on its own merits, this is very much a film at the forefront of the action-adventure, blockbuster and superhero genres.”

Verdict

If there was one thing the Burton and Schumacher Batman films were collectively notorious for, it was focusing on their villains more than their hero (not least because they cast bigger name actors in the villain roles). Personally, I don’t think that’s wholly true, but there’s no doubting that Christopher Nolan’s much-needed reboot of the franchise focuses on Bruce Wayne, his reasoning and his psychology, more than ever before. In the process, Nolan and co made us believe a man might reasonably choose to fight crime and corruption by dressing up as a bat. No small feat, that.

For #9 Burton’s Bat’s back.

Becoming Jane (2007)

2008 #91
Julian Jarrold | 115 mins | DVD | PG / PG

Becoming JaneDirector Julian Jarrold seems to have found his cinematic niche in “coming a bit late”. His Kinky Boots, while entertaining, was reminiscent of films like The Full Monty… except 8 years later; Becoming Jane rides the Pride & Prejudice bandwagon… except 18 months later; and his latest, the new Brideshead Revisited, had something of the Atonements about it… except 6 months later. At least his lead times have got shorter.

Perhaps Jarrold’s other inspiration here was Batman Begins. No, bear with me, for this is Austen Begins: Jane’s literary career has yet to start, but as the film progresses we see something of her personality taking shape — and plenty of the inspiration for her novels. Lord alone knows how factual any of it is, but I’m sure it must be a lot of fun for certain Austenites. On the other hand, purists might be less pleased with their idol being constantly lovelorn and indulging in (whisper it, children) snogging. For those with only the most cursory knowledge of Austen’s work, these might be the only things that stop them believing this is an adaptation of one of her novels; though, in truth, they’re probably not even that intrusive.

The big advantage to this being a somewhat Hollywoodised version of the story is the slew of English acting talent on display. Julie Walters, Maggie Smith and Ian Richardson are all present, in roles of varying sizes, plus the younger Anna Maxwell Martin (Bleak House) and Laurence Fox (son of Edward); not to mention James McAvoy, busy appearing in everything under the sun at the time. In the lead role, Anne Hathaway does a fine job, though there’s the inevitable question of “why not cast a Brit?” (to which one must assume the answer is, “for the sake of the US box office”). At least her accent is good.

Becoming Jane is a Jane Austen biopic treated as if it were a Jane Austen novel. In fact, so much is it embedded in the writing of Pride & Prejudice — and the notion that most of that was inspired by her own life — that it occasionally feels like another adaptation of it. This approach is a little uncomfortable in places, though probably makes sense considering the target market; and, by being so relatively lightweight, the resultant films seems to have faced less criticism from some Austenites than the similarly-timed TV biopic, Miss Austen Regrets. It’s for precisely this reason that the latter was a superior product, however: it may be darker and less uplifting — it ends with Austen’s death, rather than the start of her literary career — but it has a level of reflection that makes it more than Austen-Lite. Unlike this.

3 out of 5

Becoming Jane is on BBC Two today, Wednesday 31st December 2014, at 1:20pm.

(Originally posted on 27th January 2009.)