Blindspot 2020: What do you mean you haven’t seen…?

The Blindspot challenge (for the benefit of those still unfamiliar with it) is where you pick 12 films you feel you should’ve seen but haven’t, then watch one a month throughout the year. I started doing this in 2013, calling it “What Do You Mean You Haven’t Seen…?” (WDYMYHS for short), but then someone else came up with the same notion independently and gave it a much snappier moniker, and that caught on.

My fortunes with the Blindspot / WDYMYHS challenge have been up and down over the years. I’ll spare you a full potted history, but last year I set myself two lists of 12 films each and didn’t complete either — although between them I did watch 17 movies. I braved 24 films because for two years before that I’d done 22 and completed it with relative ease. So maybe I should aim for 24 again this year…

…but I’m not going to. In the same way that the second half of 2019 was a bit unpredictable (leading to my failures), I’m not wholly sure what the future holds, so I’m going to rein it back to the original 12 and see how it goes. And besides, if I find 12 unchallenging then I’ve got the seven remaining films from last year I could move on to; plus one from 2015 that I never got round to. That’s a pretty big ‘buffer’ to work on.

Now, I’ll jump ahead to the main event: the 12 films I must watch, in alphabetical order. Afterwards, I’ll explain how they were chosen.


8½


All Quiet on
the Western Front
All Quiet on the Western Front


An American Werewolf
in London
An American Werewolf in London


Andrei Rublev
Andrei Rublev


The Battle of Algiers
The Battle of Algiers


Do the Right Thing
Do the Right Thing


Fanny and Alexander
Fanny and Alexander


The French Connection
The French Connection


In the Mood for Love
In the Mood for Love


Ordet
Ordet


Ugetsu Monogatari
Ugetsu Monogatari


Under the Skin
Under the Skin

So, some people just pick their 12 films. When I did two lists, that’s what I did for one of them. But the rest of the time I’ve let consensus decide, by compiling “great film” lists in various different combinations to suggest the films other people feel I should’ve seen. I quite like both methods, so for 2020 I’ve picked six with one and half-a-dozen with the other. That said, my ‘free choice’ six were influenced by some of the films that didn’t quite make it into the ‘preselected’ six. (Feel free to guess which films belong in which six. Fun and games! Answers in a mo.)

This year, the selection process involved the following lists:

  • Letterboxd’s Official Top 250 Narrative Feature Films
  • IMDb’s Top Rated Movies (aka the IMDb Top 250)
  • The 1,000 Greatest Films by They Shoot Pictures, Don’t They? (aka TSPDT)
  • the Reddit Top 250
  • Empire’s The 500 Greatest Movies of All Time (aka the Empire 500)
  • Sight & Sound’s The 100 Greatest Films of All Time (2012 edition)

    Because TSPDT takes Sight & Sound’s voter ballots as its foundation, I counted the Letterboxd scores twice as a way of evening it out a bit and not letting S&S be too dominant. It only worked up to a point. For example, Harakiri is ranked 4th on the Letterboxd list and 33rd on IMDb, but it’s a lowly 647th on TSPDT and nowhere on the other lists. So as I started adding the lists together (in the order I’ve credited them above), Harakiri was right at the top, then gradually fell right back. But that’s kinda the point of counting multiple lists: it’s getting a consensus of consensuses. Letterboxd users clearly think Harakiri is one of the very greatest films of all time; IMDb voters aren’t quite as enthusiastic, but it’s up there; everyone else… not so much.

    But it’s not just about the raw numbers of which films top the list: I have some rules. Chief among them, I’ve previously only selected films I already own on DVD/Blu-ray or have access to on Netflix/Prime/etc. This year, I let the door open to anything, though I did first make sure I could reasonably source a copy. So, top of the list was Andrei Rublev, followed by Federico Fellini’s . Next, in a somewhat ironic turn of events, my new “open door” policy actually led to some high-scoring films being eliminated. While sourcing copies of Come and See and Sátántangó, I discovered that both have recently been restored and are expected to get Blu-ray releases in 2020. You might think that’s perfect timing, but what if one or both slipped to 2021, or were insanely overpriced? So I decided to adopt a “wait and see” approach. Maybe they’ll be on 2021’s list.

    Next in the running was In the Mood for Love, followed by Ordet. Then my only still-standing regular rule came into play: one film per director. That meant the next film — La Dolce Vita, which shares Fellini with — was cut. After that is actually where Sátántangó was ranked (keeping up? I don’t blame you if you’re not), followed by Mirror — but Mirror is directed by Andrei Tarkovsky, the same as Andrei Rublev, so out it went too. But now we do finally reach the end: the next two high-scorers were Fanny and Alexander and The Battle of Algiers, which (as you’ll know from their inclusion in the list above) were fine.

    And with those six settled upon, I turned to picking six more from my DVD/Blu-ray collection. There’s less to say about these: I made a long-list of 127 ‘maybe’s; narrowed it down to 38 ‘very possibly’s; and then picked six, based on a mix of intuition about what I ‘should’ have seen and things I’ve personally been wanting to see for a while. I did also try to keep some variety in terms of the films’ ages, genres, countries, and languages… but almost all the ones that made my short-list were in English, so, er, oops. It meant Ugetsu Monogatari was an easy choice, anyway; and I was sure to include some British films (or British co-productions, at least); and Do the Right Thing may be American, but it’s also the only one of the 12 from a black filmmaker. (No female directors, though, which is an unfortunate oversight.) Still, on balance there are more films not in English (seven vs five), and the B&W/colour split is exactly 50/50.

    Four of my six ‘free choices’ do appear further down the rankings I’d compiled. That’s coincidence rather than design, although I suppose seeing them on the list might’ve helped push them to the forefront of my mind. Those four were Do the Right Thing (18th), Ugetsu Monogatari (23rd), An American Werewolf in London (127th), and The French Connection (162nd). I don’t know about you, but I was a little surprised All Quiet on the Western Front didn’t make it. Well, of the lists I’ve used this year the only one it’s on is TSPDT, at a lowly 742nd. (I’m not surprised Under the Skin wasn’t on any, what with it being so recent. For one thing, it hadn’t even been released when the Empire and Sight & Sound polls were conducted.)

    And that’s all that thoroughly over-explained.

    (Did anyone read all this?) (Hello future-me, who surely will re-read all this at some point, sad egocentric that I am.)

    Finally, if I manage those 12 and want more, the eight left outstanding from 2015 and 2019 are…

  • All About Eve
  • All the President’s Men
  • The Breakfast Club
  • Ikiru
  • The Ipcress File
  • The Royal Tenenbaums
  • The Thin Red Line
  • To Kill a Mockingbird

    This is hardly a chore — there are some great-looking movies there — so hopefully I’ll find time for all 20. It would only be fitting, given the year…

  • Blindspot 2019

    I already waffled on a lot at the start of my 2019 WDYMYHS list, so if you’ve not read that then do check it out for a full introduction to what this is all about.

    The relevant part, though, is that this is a list of 12 films I should’ve seen but haven’t that I must watch this year — and, because I’m doing both WDYMYHS and Blindspot, that’s 24 films I must watch. Whereas the WDYMYHS selection contains 12 films chosen by consulting lists of great movies to find what the consensus feels I should’ve seen, these Blindspot choices are simply personally selected from my DVD/Blu-ray collection. Nonetheless, I do try to add a bit of variety to the mix, with different countries, genres, and eras represented.

    Anyway, here’s what I picked out this year, in alphabetical order…


    All the President’s Men
    All the President's Men


    The Breakfast Club
    The Breakfast Club


    Les diaboliques
    Les diaboliques


    Dr. Mabuse, der Spieler
    Dr. Mabuse, der Spieler


    Dracula
    Dracula


    The Ipcress File
    The Ipcress File


    The Killer
    The Killer


    The Player
    The Player


    Rififi
    Rififi


    Rope
    Rope


    Scott Pilgrim
    vs. the World
    Scott Pilgrim vs. the World


    Starship Troopers
    Starship Troopers

    Dr. Mabuse, der Spieler is actually a two-part film (why so many online sources insist on listing it only as one movie when it seems to have been originally released as two, I don’t know), so you could argue I’ve given myself 25 films to watch for these challenges this year. Have I bitten off more than I can chew? Only time will tell…

    What Do You Mean You Haven’t Seen…? 2019

    A new year, a new challenge… or, rather, an old challenge with new components.

    Yes, for a seventh year I’m setting myself the goal of watching 12 specific films I really should have seen but haven’t.

    And, because I’m a crazy madman, I’m doing it twice — i.e. 24 films.

    I’ve been doing two of these lists since 2017 (separated as “Blindspot”, which you may’ve seen on other blogs, and my own version, “What Do You Mean You Haven’t Seen…?” (aka WDYMYHS), which is the same thing by a different name), but previously only put ten films on the second list. Well, I got into such a rhythm of watching these films during 2018 that it felt weird in November and December after the WDYMYHS list had run out. So, I thought for 2019 I’d go all-in and do two full lists of 12.

    “Why do you have two lists of 12 rather than one list of 24?”, you may ask. Fortunately for you (or unfortunately, if you don’t care), I’m happy to answer. I started doing WDYMYHS as a 12-film challenge before Blindspot came along, but for my 10th anniversary in 2017 I decided to do ‘both’ — the regular 12-film challenge, plus a ten-film one, marking my blog’s 10th anniversary by selecting one film I really should’ve seen from each of the previous ten years. That went well, so I repeated it in 2018; and that went well too, so I’m making it that little bit trickier this year (9.09% trickier, to be precise).

    The exact difference between the lists is that Blindspot is a ‘free choice’ of 12 films I personally feel I should’ve seen, whereas WDYMYHS is selected by analysing lists of great and/or popular movies to try to determine a consensus view of what I’m a fool to have missed. I vary which lists I consult, and how much value I put in them, year by year (to some extent, anyway). This year, the formula to calculate these picks was based on the three Top 250 lists that are tracked on iCheckMovies — the ones from IMDb, Reddit, and FOK! — plus They Shoot Pictures, Don’t They?’s 1,000 Greatest Films. These lists were factored with various weightings to give the films a score. Then I applied a couple of rules: films had to appear on at least two of those lists, including at least one out of IMDb and TSPDT; I had to already have access to them (either on DVD, Blu-ray, or if they’re currently streaming on Netflix/Amazon/etc); and, as usual, no repeat directors. That led to a load of high-scoring films being passed over (I had to go as far down as #32 for my 12th pick).

    After all that, this is what I ended up with, in the order they finally scored (from highest to lowest)…


    Ikiru
    Ikiru


    Untouchable
    Untouchable


    The Gold Rush
    The Gold Rush


    Life is Beautiful
    Life is Beautiful


    All About Eve
    All About Eve


    Sherlock, Jr.
    Sherlock, Jr.


    The Thin Red Line
    The Thin Red Line


    Eyes Wide Shut
    Eyes Wide Shut


    The Red Shoes
    The Red Shoes


    Cool Hand Luke
    Cool Hand Luke


    The Royal Tenenbaums
    The Royal Tenenbaums


    Memories of Murder
    Memories of Murder

    Some noteworthy exclusions…

    • To Kill a Mockingbird actually made the list (in 6th), but it was on my list in 2015. I once had the rule that a film only had to sit out one year before being available for reinclusion, but, I dunno, I like mixing it up. But if I don’t watch it anyway during 2019, I might let it back in for 2020.
    • If I hadn’t ruled out films I don’t own, the “true top 12” (i.e. based on score alone) would’ve included In the Mood for Love, , Cinema Paradiso, Andrei Rublev, Come and See, and A Separation.
    • If I didn’t rule out repeat directors, Charlie Chaplin’s The Kid would’ve been in 8th place.
    • If I’d kept the “must own/have access to it” rule but allowed films that were only on one list, it would’ve included Dangal, Taare Zameen Par, Ordet, Ugetsu Monogatari, and Fanny & Alexander.
    • Finally, if I’d had to own it and have it on multiple lists, but it didn’t have to be on IMDb’s or TSPDT’s, then Scott Pilgrim vs. the World would’ve been the 12th film.

    Of course, just because something got cut out of my WDYMYHS, doesn’t mean I couldn’t choose to include it in my Blindspot picks…

    What Do You Mean You Haven’t Seen…? 2018

    In an emulation of last year, in 2018 I’m setting myself the goal of watching not only a dozen Blindspot films, but also a decad WDYMYHS movies. Last year there was a reason for this (marking my tenth blogiversary); this year, I’m doing it just because it worked before.

    In another similarity to last year, my Blindspot list is a ‘free choice’ selected from films I either already own or have ready access to (i.e. they’re available on Netflix / Amazon Prime / etc), while my WDYMYHS list is chosen by mixing together lists of must-see movies to find those that consensus says I should’ve seen.

    To select this year’s ten, I noted films from IMDb’s Top 250 (or whatever they want to call it nowadays) that I already owned or had ready access to, then saw which were also on They Shoot Pictures, Don’t They?’s 1,000 Greatest Films. Then I narrowed that long-list to films that also helped complete a list on iCheckMovies. After ruling out Princess Mononoke under my old “no duplicate directors” rule (because I really wanted to include Nausicaä on my Blindspot list; and also because I’d already had a shot at Mononoke during 2015’s list), these were my final ten — listed here in whatever order they ended up ranked.


    Das Boot


    The Lives of Others


    Full Metal Jacket


    Stalker


    Amadeus


    Scarface


    Ran


    Casino


    The Elephant Man


    Rocky

    Exciting observation: six of them are from the ’80s. No idea how or why that came about.

    Blindspot 2018

    In an emulation of last year, in 2018 I’m setting myself the goal of watching not only a dozen Blindspot films, but also a decad WDYMYHS movies. Last year there was a reason for this (marking my tenth blogiversary); this year, I’m doing it just because it worked before.

    In another similarity to last year, my Blindspot list is a ‘free choice’ selected from films I either already own or have ready access to (i.e. they’re available on Netflix / Amazon Prime / etc), while my WDYMYHS list is chosen by mixing together lists of must-see movies to find those that consensus says I should’ve seen.

    Although this is a ‘free choice’ list, I did get a helping hand: I determined I wanted to include films directed by Alfred Hitchcock and Ingmar Bergman, but how to choose which from their lengthy and acclaimed filmographies? So I turned to iCheckMovies to see which were on the most lists, had the most favourites, that kind of thing. That produced clear frontrunners for each director, and they’re the ones I went with.

    Below are all 12 of my selections, in alphabetical order.


    The 400 Blows


    Attack the Block


    Big Fish


    Black Narcissus


    The Hunt


    Nausicaä of the
    Valley of the Wind


    Snowpiercer


    Strangers on a Train


    Suspiria


    True Romance


    The Wild Bunch


    Wild Strawberries

    Exciting observation: eight of them (aka two-thirds) are non-US productions. How cultured of me.

    What Do You Mean You Haven’t Seen…? 2017

    As you’ll know from reading my Blindspot post, this year I’ve separated these very similar film-watching goals into two separate projects.

    So what differentiates my WDYMYHS selection? Well, to mark my 10th blogiversary (did I do that “did I mention this already” joke already?)* I’ve attempted to identify the films from the last ten years that I really should have seen. Rather than my usual loopy array of repurposed lists, however, I just popped on Letterboxd and dug out the “most popular” film I’d not seen from each of the last ten years. I was interested to discover I already own half of them on Blu-ray, have another downloaded and another recorded, and can find the rest on Netflix, Amazon Prime, and Now TV — one on each, in fact. I mean, I couldn’t’ve planned that more neatly.

    Anyway, these ten films — in chronological order — are:


    2007

    Into the Wild


    2008

    Gran Torino


    2009

    Moon


    2010

    Black Swan


    2011

    Drive


    2012

    Silver Linings Playbook


    2013

    Her


    2014

    Nightcrawler


    2015

    Room


    2016

    Hail, Caesar!

    So that’s 22 films I must watch among this year’s 100. Okay.

    Oh, but, one more thing…

    * Yes — twice. So far. ^

    Blindspot 2017

    In case you’re unfamiliar with the concept of Blindspot, it’s where you pick 12 films you’ve never seen but feel you should have and resolve to watch one per month over the course of the year. Some people review them every month too, but I’m far too disorganised in my posting schedule for such things (I still have pieces on four of my 2016 picks in draft stage).

    It’s also what I used to call “What Do You Mean You Haven’t Seen…?” (aka WDYMYHS), but in a foolhardy move to mark my 10th blogiversary (did I mention that yet?) I’ve decided to make these two goals. I mean, when you’re already trying to watch 100+ films in a year, why not specify what almost a quarter of them will be? Okay, I don’t have a 100% track record with even trying to watch 12 a year, but I have hit 91.7%, so…

    In the past I’ve developed a complicated system using multiple “greatest films” lists to dictate what my picks should be, but I’ve used a variation on that for WDYMYHS this year, so instead I’ve just chosen these 12 myself. The criteria? I went through every unwatched DVD and Blu-ray I own and tried to pluck out films that it shocked me I haven’t seen — and I am me, so I dread to think what you all think (probably “why does he think we care about what films he has or hasn’t seen?”) I’ve tried to keep some variety in era, genre, country, etc, though there’s a slight bent towards sci-fi because, as an avowed SF fan, those gaps glowered at me the most.

    Anyway, that’s enough ado. Here are the 12, in alphabetical order:


    The 39 Steps


    The Cabinet
    of Dr. Caligari


    The Conversation


    Dances with Wolves


    District 9


    The Exorcist


    Forbidden Planet


    Jackie Brown


    A Matter of
    Life and Death


    Nashville


    Planet of the Apes


    Yojimbo

    Now, on to my WDYMYHS picks…

    Blindspot: What Do You Mean You Haven’t Seen…? 2016

    If you read enough blogs, you’ve probably seen Blind Spot lists/projects/whatever manifesting on them over the last week. For readers who don’t know what this Blindspot* thing is, it’s essentially “What Do You Mean You Haven’t Seen” by another name. For readers who don’t know what “What Do You Mean You Haven’t Seen” is, it’s essentially Blindspot with a more idiosyncratic name.

    And if you have no idea what any of these words mean, I shall explain: you pick 12 films you’ve never seen but really want to / feel you should have / etc, then spend the next year watching one per month.

    First: my 12 picks, in order of must-see-ness. Then, a few interesting (maybe) facts about them. After that, I’ll tell you how I picked them.


    One Flew Over the Cuckoo’s Nest




    Grave of the Fireflies





    The Pianist





    12 Years a Slave





    Barry Lyndon





    Ben-Hur





    The Maltese Falcon





    Snatch.





    The Sting





    The Iron Giant





    The Deer Hunter





    Howl’s Moving Castle




    A few facts about this year’s 12:

    • There’s a spread of 72 years between the oldest (The Maltese Falcon, 1941) and newest (12 Years a Slave, 2013). The latter is the most recent film I’ve yet included on WDYMYHS.
    • The 1970s make up 33% of the list. The 2000s are next with 25%. There’s one film apiece from the 1940s, 1950s, 1980s, 1990s, and 2010s.
    • The total listed running time is 27 hours and 3 minutes, making the average length of a film 2 hours and 15 minutes.
    • 58% of the list are over 2 hours long; 25% are over 3 hours! Only two are under 90 minutes.
    • The shortest is The Iron Giant (86 minutes), the longest is Ben-Hur (212 minutes).
    • Just one film this year is in black & white (it was 50/50 last year).
    • Just two aren’t originally in English… but as they’re anime, there’s a 50/50 chance I’ll watch them with the English dub anyhow.
    • This year features only the third animated film to make it in to WDYMYHS… and the fourth… and the fifth. Previously animation has made up 5.6% of WDYMYHS titles. This year it’s 25%.

    Whereas other people just seem to choose their films, I have to turn it into A System. (I’m the guy who posts 3,000 words of statistics about his own viewing every year — what did you expect?) I must admit that I was feeling a bit uninspired this year though, so my system is nothing like as complicated as the last two years (which you can read about here and here, if you like).

    Essentially, I decided I fancied achieving some more awards on iCheckMovies. So I looked at all the lists I was getting close on — “close” in this case being any with 12 or fewer films to the next award (because of the 12 films on this list, y’see). That came to 43 lists. 43! Going through them, I noted down any unseen films that I own or have ready access to. That came to 209 films, of which 110 were on more than one list. Even with 43 lists, the most prolific film (One Flew Over the Cuckoo’s Nest) was on just 9, which I guess is testament to the randomness and wide-ranging spread of lists I was using.

    Such low ‘scores’ meant the films were all ranked quite close together, so I also threw in that grand arbiter of film quality popularity, the IMDb Top 250, to see if it shook out a top 12. And, with the implementation of some familiar WDYMYHS rules, it did. Said rules were: no repeat directors (ta-ra, Amadeus and Nausicaä of the Valley of the Wind!), and that a WDYMYHS film I failed to see isn’t allowed on the next year’s list (cheerio, Princess Mononoke and City of God!)

    At first I wasn’t quite sure about these selections, but having sat with them for a bit I feel better about them. As a whole group, they’re perhaps a bit more… mainstream (for want of a better word), and less quirky (for want of a better word), than my systems have generated in the past few years. Maybe that’s just a matter of perspective, though: there are two anime movies on there, and, though they’re both Studio Ghibli, I don’t know that we can call anime “mainstream” even now.

    Anyway, there they are. Hopefully I’ll do better than 75% this year. Even if I don’t, getting round to seeing some of these is better than not getting round to any.


    * No one can seem to agree if it’s one word or two. Regular readers will know how much this bugs me. ^