Casino Royale (2006)

100 Films’ 100 Favourites #18

Everyone has a past.
Every legend has its beginning.

Country: UK, USA, Czech Republic & Germany
Language: English
Runtime: 144 minutes
BBFC: 12A (cut, 2006) | 15 (uncut, 2012)
MPAA: PG-13 (cut)

Original Release: 14th November 2006 (Kuwait)
UK Release: 16th November 2006
US Release: 17th November 2006
First Seen: cinema, 16th November 2006

Stars
Daniel Craig (Layer Cake, The Girl with the Dragon Tattoo)
Eva Green (The Dreamers, Sin City: A Dame to Kill For)
Mads Mikkelsen (Valhalla Rising, The Hunt)
Judi Dench (Iris, Philomena)
Jeffrey Wright (Shaft, The Hunger Games: Catching Fire)

Director
Martin Campbell (GoldenEye, Green Lantern)

Screenwriters
Paul Haggis (Crash, The Next Three Days)
Neal Purvis (Die Another Day, Johnny English)
Robert Wade (Stoned, Skyfall)

Based on
Casino Royale, the first James Bond novel by Ian Fleming.

The Story
British agent James Bond, newly promoted to exclusive double-oh status, investigates a terrorist plot that leads him to Le Chiffre. Banker to the world’s terrorists, Le Chiffre has managed to lose a lot of his clients’ money, and intends to win it back in a high-stakes poker game at the eponymous establishment. Bond is charged with joining the game and bankrupting the banker, with treasury employee Vesper Lynd along to keep an eye on the money and off Bond’s perfectly-formed arse.

Our Hero
“James before he was Bond,” as the awful US tagline went. Daniel Craig instantly disproved the not-that-numerous-but-certainly-vocal critics (remember all the “Bond isn’t blond” rubbish?) by being perhaps the most convincing actually-is-a-highly-trained-agent Bond since Connery.

Our Villain
Le Chiffre, a total banker. Fond of poker, bleeds from his eye, brilliantly played by Mads Mikkelsen, who has deservedly gone on to many other things, no doubt some wholly due to this.

Best Supporting Character
Eva Green is Vesper Lynd, a woman so remarkable that Bond names his personal Martini recipe after her. He also falls in love with her. Considering the rest of the Bond canon, that’s not likely to end well.

Memorable Quote
“I’m afraid your friend Mathis is really… my friend Mathis.” — Le Chiffre

Memorable Scene
At dinner on the train to Montenegro, Bond meets Vesper for the first time. They verbally size each other up. She wins. “How was your lamb?” “Skewered. One sympathises.”

Write the Theme Tune…
Easily the best Bond theme of the Craig era (though I like the QoS one more than most, and my main objection to Adele’s is that it’s about a flying baby horse and its receptacle for bread waste), You Know My Name was co-written by the series’ regular composer since the mid ’90s, David Arnold. That meant he could integrate the tune into his score, which was a Good Thing.

Sing the Theme Tune…
Far removed from Bond’s Bassey-imitating default style, the slightly gravelly sound of Soundgarden’s Chris Cornell (the first male vocalist on a Bond theme for nearly 20 years) helped indicate the series’ harder, manlier new direction.

Technical Wizardry
After four films of honing the Maurice Binder “naked silhouettes” style, title designer Daniel Kleinman cuts loose with an array of inventive playing card-based imagery. The most original Bond title sequence since at least Thunderball and, by being so atypical, the most unique of them all.

Truly Special Effect
Chasing after a kidnapped Vesper in the middle of the night, Bond suddenly sees her in his headlights, tied up in the middle of the road. He swerves, his Aston Martin crashes, and barrel rolls… seven times. The stunt team set a world record with that, which (despite Fury Road’s best efforts) is still unbeaten a decade later.

Making of
James Ferguson, a doctor from Aberdeen, came up with the idea for the scene in which Bond is poisoned and then remotely diagnosed by experts at MI6 HQ in London. Ferguson, a Bond fan, was retained as medical adviser for future Bond films.

Previously on…
Casino Royale was adapted for TV in 1954, starring the great Peter Lorre as Le Chiffre, and its title (and little else) was used for the awful 1967 Bond spoof. This version is the 21st in the canonical James Bond film series, and the first time that series has performed a reboot: the film opens with Bond attaining his famed double-oh status, something we’ve never seen before.

Next time…
Daniel Craig’s second outing, the somewhat misunderstood and underrated Quantum of Solace, was the first direct sequel in the Bond canon, picking up on various plot threads from Casino Royale and even resolving a few of them. After Craig’s third, Skyfall, went off on its own, last year’s Spectre tried to tie together the entirety of Craig’s era, with mixed success. Beyond that, James Bond will return indefinitely, though Craig may not.

Awards
1 BAFTA (Sound)
8 BAFTA nominations (British Film, Actor (Daniel Craig), Adapted Screenplay, Music, Cinematography, Editing, Production Design, Visual Effects)
1 Saturn Award (Action/Adventure/Thriller Film)
4 Saturn nominations (Actor (Daniel Craig), Supporting Actress (Eva Green), Writing, Music)
2 World Stunt Awards (Best High Work, Best Stunt Coordination and/or 2nd Unit Director)
1 World Stunt Awards nomination (Best Fight)

What the Critics Said
“I never thought I would see a Bond movie where I cared, actually cared, about the people. But I care about Bond, and about Vesper Lynd, even though I know that (here it comes) a Martini Vesper is shaken, not stirred. Vesper Lynd, however, is definitely stirring, as she was in Bertolucci’s wonderful The Dreamers. Sometimes shaken, too. Vesper and James have a shower scene that answers, at last, why nobody in a Bond movie ever seems to have any real emotions.” — Roger Ebert

Score: 95%

What the Public Say
“While there is very much a dramatic and sensitive undercurrent to this Bond film, Casino Royale doesn’t shortchange the audience on action. From Bond chasing a skilled free runner enemy to a brutal staircase battle, Casino Royale delivers a harsher and bleaker sense of violence that had been missing from some of the predecessors and not seen since Timothy Dalton’s dark turn in Licence to Kill.” — vinnieh

Elsewhere on 100 Films
Just before Quantum of Solace was released in 2008, I wrote that Casino Royale was “a damn fine Bond film, returning to Fleming and resetting the character without losing anything truly essential about the franchise. […] this one’s up there with the very best, not just of Bond but of action-spy-thrillers in general.”

Verdict

In the early ’00s, it didn’t feel like the Bond series was in need of a reboot. Die Another Day had been a huge hit at the box office and gone down pretty well with critics (no, really, it did), and Brosnan was all set to do a fifth (though, considering his age, likely final) film as Britain’s top secret agent. Then Bourne happened, shifting the playing field of the spy-action genre, at the same time as Bond’s producers finally regained the rights to Fleming’s very first Bond novel. For the first time in the series’ 40-year history, they decided to reboot.

What Casino Royale does skilfully is acknowledge the changes brought by Bourne, but adapt them to Bond’s slightly more classical style (something Quantum of Solace fumbled). At the same time, it acknowledges and frequently subverts that Bond formula (“Shaken or stirred?” “Do I look like I give a damn.”), the antithesis of DAD’s uber-referentiality. In itself, it took Fleming’s relatively slight novel, with its lack of action by modern blockbuster standards, and expanded and modernised it effectively to fit current tastes. The result is arguably the best Bond movie ever made.

#19 will be… the last days of the human race.

My Quantum of Solace Film Season

In case you’ve somehow failed to notice, Quantum of Solace, the 22nd official James Bond film, hits UK cinemas this Friday. I’m more than a tad excited (and considerably annoyed that I won’t be able to make it to the first screening in my area thanks to a seminar), and to celebrate I’m having myself a sort-of mini-ish film season-thing. Which I have dubbed My Quantum of Solace Film Season. You might’ve guessed that from the post’s title.

The selection process is quite simple: one film a day, each representing a different key member of QoS’s cast, plus one for director Marc Forster; and, to comply with this blog’s normal rules, all films I’ve never seen before. Well, that was the idea, but as with any good plan some changes have had to be made — there’s no film for Judi Dench, for example (well, other than a certain already-seen previous entry in the franchise), and I initially forgot Daniel Craig. Ha! Luckily I could switch him in for Jeffrey Wright by virtue of the fact they both appeared in The Invasion. Then there’s a double bill to try to get (almost) everyone in, and a film I’ve seen before too. “Oops.” (It was also entirely unintentional that all but the first and last films are from 2007.) Naturally, things come to a close with QoS itself on Friday, so thanks to only having thought of this plan yesterday my time to watch things is rather limited.

Anyway, you don’t really care about all that. Here’s the schedule:

  • Sunday 26th October: The Director
    Marc Forster’s Stay.

  • Monday 27th October: The Villain
    Mathieu Amalric (‘Dominic Greene’) stars in The Diving Bell and the Butterfly.

  • Tuesday 28th October: The Girls
    A double bill for Bond’s two new women. Gemma Arterton (‘Agent Fields’) stars in St. Trinian’s, followed by Olga Kurylenko (‘Camille’) in Hitman.

  • Wednesday 29th October: The Spies
    Daniel Craig (‘James Bond’, donchaknow) stars — with support from Jeffrey Wright (‘Felix Leiter’) — in The Invasion.

  • Thursday 30th October: The First Part
    As has been (very) widely reported, QoS is the first Bond-sequel, starting within an hour of Casino Royale’s climax. As such, it seems only appropriate to watch the preceding film the night before. (I’ve seen CR several times but will be reviewing it anyway, in light of having seen QoS, if that makes any difference.)

  • Friday 31st October: The Point
    Ba-da, dum… ba-da, dum… ba-da ba-da-da! Phonetic renderings of iconic theme tunes aside, Bond is back! Hurray!
  • The exact order is subject to change depending on how readily I can get hold of the films (I only own two of the six), but that’s the plan. Last time I tried to watch a film a day I failed miserably, so we’ll see how this goes. (Incidentally, reviews won’t appear on the said days, or even follow shortly behind — check out my ‘coming soon’ page to see how backed up I am with reviews.)