David S.F. Wilson | 109 mins | digital (UHD) | 2.39:1 | USA & China / English |
12 / PG-13
If you only know about comic books from the movie universes they spawn, you’d be forgiven for thinking Marvel and DC are the be-all and end-all of that medium. Not so, of course. One of the other publishers with their own stable of superheroes just waiting to make the leap to the screen is Valiant, and (if you hadn’t already guessed) Bloodshot is one of theirs. Indeed, at one point it was intended that it would be an Iron Man-style jumping off point for another cinematic universe, but I can’t imagine that’s still on the cards.
Anyway, in this screen incarnation, Bloodshot stars Vin Diesel as Ray Garrison, a US Marine who is kidnapped and killed along with his wife… but then he wakes up, albeit with amnesia. An experimental scientific programme has seen nanite tech injected into his bloodstream, giving him increased strength and healing abilities. Increased strength? Speed healing? Amnesia? I guess he’s Cyber-Wolverine, only without the cool claws. Anyway, Ray begins to have flashbacks, and he heads off to kill the terrorists who killed him and his wife. But all is not as it seems…
I don’t know why I’m holding back — the trailer spoiled more of the plot than that. And I’m not trying to spare you so you can enjoy the story as the movie unfolds, because Bloodshot is not a film I particularly recommend; and what is enjoyable about it has nothing to do with its storyline. That said, the twist I’ve implied exists would’ve been quite good — certainly one of the film’s higher points — if they hadn’t blown it in the trailer. The only other thrills come from its action sequences, which are passable, albeit constructed with a prominent degree of sloppiness that indicates the filmmakers either weren’t skilled enough or weren’t attentive enough to truly get it right. For example, they didn’t even bother to put British number plates on any of the cars during a chase that supposedly takes place in London; not to mention that the streets they’re darting around look nothing like the UK.
Poor location scouting aside, there’s copious amounts of the computer-generated bombast that’s par for the course in a modern blockbuster. But underneath that digital set dressing, Bloodshot feels like a throwback to the comic book adaptations of 20 years ago; one of those superhero-movies-they’d-rather-weren’t-superhero-movies we got in the late ’90s or early ’00s, before X-Men and Spider-Man finally straightened everyone out. It even has the kind of plasticky CGI stunt doubles you haven’t seen in at least 15 years (Marvel & co use CGI stunt doubles all the time, of course, but they’re better done than these ones).
Like those half-arsed efforts of old, Bloodshot is, when taken as a brain-off sci-fi actioner, mostly adequate. That’s about the best that can be said for it. I was going to say that it’s probably bland enough to scrape a passing grade, but, the further I get from it, the more it lessens in my memory. My score sides with that hindsight.
Bloodshot is available on Sky Cinema and Now TV from today.