I have returned, dear readers! (If you’re thinking “returned from where?”, the last section of this post may be enlightening.)
I left dear old Blighty behind to travel halfway around the world to visit…
But it’s not like the real London, oh no! Partly because its sense of our capital’s geography is entirely fictional, partly because that frontage hides…
Also because apparently Scotland is both covered with snow and warm enough for shorts…
If you’ve enjoyed these few holiday snaps, that’s fantastic, because I’ll be sharing 372 more in a series of posts beginning next week!
Anyway, I’m relatively freshly back, so have a whole pile of comments and posts to catch up on, not to mention actually writing some of my own backlog of reviews. And getting on with wrapping up 100 Favourites — indeed, #100 is tomorrow.
Randy Moore | 90 mins | streaming (HD) | 16:9 | USA / English | 15
Disney meets David Lynch in this arthouse-y psychological thriller, best known for being shot on the QT (i.e. illegally) in DisneyWorld.
The high-contrast black-and-white cinematography is stunning, quite apart from the marvel of how it was captured. It depicts a “not for everyone” experience: a freshly unemployed dad starts to ignore his family, stalk two jailbait teens, get into bizarre scrapes, and possibly lose his mind.
Some find it aimless. Perhaps. The end certainly sinks to gross-out-comedy-level depravity. Others say it’s poorly made. I disagree. It’s at least a strong technical achievement… even if it’s a slightly-too-long, thoroughly peculiar one.
This drabble review is part of the 100 Films Advent Calendar 2015. Read more here.