Ti West | 104 mins | download (HD) | 2.35:1 | USA / English | 15 / R
The spirit of the Spaghetti Western is alive and well in writer-director Ti West’s shoot ’em up; though where they once took inspiration from samurai movies, now Mr West has his sights set on modern-day gun-fu movies — specifically, here he retrofits John Wick into a familiar Old West narrative.
On his way to Mexico with just his horse and dog Abby for company, drifter Paul (Ethan Hawke) passes through an almost-deserted town, where he ends up in a fight with wannabe-tough-guy Gilly (James Ransone). It turns out Gilly is the son of the local Marshal (John Travolta), but he considers the matter settled and lets Paul move on, ordering his son to leave it be. A shamed Gilly has a different opinion, however, leading his gang of friends to assault Paul in the dead of night. But as is the way with halfwit villains, they leave our hero alive, ready for him to ride back into town and exact his vengeance.
If you come to movies looking for an original storyline, you’ll be disappointed here — as I say, it’s basically John Wick in the West (if you’ve seen that Keanu Reeves actioner, you’ll already know the outcome of Gilly’s revenge on Paul). The devil is in the details, however, and in that respect In a Valley of Violence is rather enjoyable. Perhaps the biggest mark in its favour is its sense of humour. It’s not a comedy by any means, but Gilly’s gang are borderline incompetent in a way that’s increasingly laughable.
Travolta gets in on the act as a man who seems very much in control of his own little kingdom, but when things truly kick off he’s somewhat caught in the middle. Thankfully he’s not just the bullying villainous type, instead getting a nicely balanced reaction to events: he knows Gilly’s done wrong, but stands by him because he’s his son; but when Paul’s pushing comes to shoving… well, familial loyalty only gets you so far.
As Paul, Hawke finds some degree of complexity in the (anti-)hero, but this isn’t exactly a movie built for psychological complexity. Taissa Farmiga is positioned as the love interest, but thankfully isn’t entirely reduced to such a thankless role. As her sister, Karen Gillan reminds us that, while she may be best known for brightly-coloured sci-fi on screens both big and small, her roots are in comedy. But the biggest star is, of course, the dog. You can’t help getting attached, even when you know you’re watching John Wick of the West.
The film offers many stylistic nods to remind us of its Spaghetti inspiration, like the starkly animated title sequence, or Jeff Grace’s Morricone-riffing score, which some criticise for its obviousness but I thought was fun. It even comes through in the film’s structure, with a slow-burn first half that reminded me of Leone’s attitude to action. Some complain of the pace there, or lack of it, but I rather liked that. It partly functions as a deliberate delaying of gratification: the main reason we’re here is for the bloody vengeance we know will eventually be coming, but West carefully sets the scene and gradually puts characters in place early on so that the second half can more fully concentrate on the violence. The wit is kept alive even then, with more than one of the deaths provoking at least some laughter.
The more I write about it, the more I wonder if this film is something of an acquired taste. It’s not out-and-out comical enough to be classed as a comedy, but action die-hards may feel the lighter elements undermine the violent thrills they seek. I thought it worked, but experience has taught me that I’m more accepting than most of such tonal mash-ups.
Despite the plot similarities, In a Valley of Violence isn’t going to challenge John Wick for ultra-choreographed action satisfaction, but it has many aspects to recommend it for those who like a chuckle alongside their bloodshed.
In a Valley of Violence is released direct to DVD & Blu-ray in the UK on 6th March.
John Wick: Chapter 2 is in UK cinemas from today.