FilmBath + AMPLIFY!

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In a mirror of this post from last year, I’m here again to blame my recent blogging quietness on FilmBath Festival. Yes, even in these Covid-struck days, we are putting on a film festival. It’s different — smaller, for one thing, with just nine films over five days (last year we screened dozens of features over 11 days). But, as if to make up for that, we have a New Thing…

AMPLIFY! is an online virtual film festival — which, in short, means you can enjoy it if you live anywhere in the UK. I won’t go into the full marketing spiel, but instead point you in the direction of the website. Here’s a fun bonus, though: if you want to order tickets (or, for best value, a festival pass), use the code “LoveBath” and you’ll get 10% off. (So we’re clear: I don’t get any bonus or benefit of kickback for plugging either festival. I’m just letting you know what I’m up to, and clueing you in to a cool thing.)

AMPLIFY!’s lineup features a bunch of UK premieres (including Viggo Mortensen’s directorial debut, Falling); previews (like thriller Rose Plays Julie, which screened at last year’s LFF but hasn’t yet had a wide release); timely documentaries (including The Mole Agent, about an octogenarian spy — yes, I said documentary); other special treats (including the new restoration of silent classic Waxworks ahead of its Masters of Cinema Blu-ray release); and stuff that you might not get a chance to see otherwise (like a strand of Catalan films). I’ve had a chance to see a couple of the films, and I’d recommend Patrick — a dark comedy mystery about a nudist camp handyman who’s lost his hammer. I rather loved it.

And if you are in the Bath region, the FilmBath schedule is online here (top tip: Nomadland is close to selling out already). It’s going to be a bit different to normal, so there’s information about all that in the FAQs.

Putting on two festivals has meant more work, of course, and the fact that AMPLIFY! is a collaboration between four festivals has introduced new challenges –– primarily to do with it being online, which none of us have done before (who had, before this year?) But we’re getting there. And when we do, normal blogging service will resume.

All quiet on the 100 Films front

If you thought last month was a slow’un for reviews, hoo boy, look how this one’s going!

The main reason is I’ve been keeping myself busy working at FilmBath Festival, spending my days editing other people’s writing about films (amongst other things). One of the main tasks has been editing all the text for the brochure, which is officially out today — if you live in or around Bath, look out for a physical copy; everyone else, you can read it online here. (If you spot any mistakes, they were all deliberate. That’s my story and I’m sticking to it.)

The 2019 festival has a genuinely exciting lineup — a mix of previews for high-profile movies you’ve heard of and smaller gems that have primarily been on the festival circuit. (If you’re the kind of person who attends film festivals, especially big-name ones, there’s a fair chance there’s nothing new here. Some of the stuff on show has even been on general UK release, it just hasn’t played in Bath.) And there’s at least one advance preview of a film tipped to be an awards season frontrunner, so that’s particularly exciting. Even if on an initial flick through only a couple of movies jump out, I’ve found when you start to read about these films they almost all get really interesting. I figure most of my readership is outside the Bath area (heck, stats say most of my hits come from the US nowadays), but, nonetheless, I’ll also mention that tickets are on sale to the general public from today. (FYI, I don’t get anything for promoting this, I’m just mentioning it because it’s what I’ve been up to.)

As for 100 Films, hopefully I’ll get back on its case soon. Though I’ve been meaning to post a review of Teen Titans Go! vs Teen Titans all week and haven’t got it together, so…