The Hum in the Drum Monthly Update for June 2017

There was so much hummable music in this month’s movies that I considered a music-related category for the Arbies then dropped it because I didn’t want to have to decide.

So I’ll leave it up to you what track you choose to listen to (I’m going with Mike Relm’s Baby Driver remix) while we reflect on the month that was…


#76 Space Jam (1996)
#77 The Muppet Movie (1979)
#78 Gran Torino (2008)
#79 Contact (1997)
#80 That’s Entertainment! (1974)
#81 Wonder Woman (2017)
#82 The Mummy (2017)
#83 Moonlight (2016)
#84 The LEGO Batman Movie 3D (2017)
#85 Moana 3D (2016)
#86 John Wick: Chapter 2 (2017)
#87 The Great Muppet Caper (1981)
#88 District 9 (2009)
#89 Baby Driver (2017)
#90 Transformers: Age of Extinction 3D (2014)
Contact

Baby Driver

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  • I watched 15 new films this month, exceeding the rolling average of the last 12 months (previously 14.1, now 14.2) and equalling the average for 2017 to date (which was and is bang on 15).
  • At the halfway point of the year, I’ve reached #90, which suggests a final tally of 180. Of course (as I mentioned last month, actually), this time in 2015 I was also at #90 and eventually turned that into 200, while this time in 2016 I was way ahead at #115 but only turned that into 195. So… it’s basically meaningless, is what I’m saying.
  • At the risk of spoiling one of my year-end stats, The Mummy marked the most cinema trips I’ve made in a single year since 2008. And there’s half the year to go yet, with at least the same number of films again earmarked as must-sees.
  • This month’s Blindspot film: Neill Blomkamp’s Oscar-nominated allegorical sci-fi actioner, District 9, which came to Netflix UK this week, I believe for the first time, but I didn’t get round to reviewing it.
  • This month’s WDYMYHS film: Clint Eastwood’s retirement from acting (until it wasn’t) in Gran Torino, which I also haven’t reviewed yet.



The 25th Monthly Arbitrary Awards

Favourite Film of the Month
I haven’t got round to reviewing most of them yet so you wouldn’t know it, but there are a good number of favourite-able movies this month — at least five solid contenders for my year-end top ten, I’d say. But setting aside tales of alien instruction manuals, black boys looking blue, toy superheroes, and musical Polynesians (not to mention wonderful women and gun-toting boogeymen), for my favourite movie this month I have to pick Baby Driver.

Least Favourite Film of the Month
Conversely, this was easy. Several movies this month may have underwhelmed me, either in themselves or compared to the hype, but the only one I outright hated was Space Jam.

Best Serious Drama About First Contact with Aliens of the Month
It’s taken me 20 years to see Contact and I loved it. I’m not sure if I would’ve loved it as much 20 years ago, mind, so maybe now was the right time.

The Silicon Valley Producers’ Favourite Movie of the Month
I wonder if Transformers: Age of Extinction is popular in the Silicon Valley writers’ room right now, considering it features T.J. Miller (spoiler alert!) suffering a horrible demise.

The Audience Award for Most-Viewed New Post of the Month
For the third time this award goes to the latest edition of The Past Month on TV, which covered the start of the new Twin Peaks, the “Monk trilogy” on Doctor Who, and more.



It was another good month for my Rewatchathon. I’m still behind where I should be (we’re halfway through the year, so that’d be at #26), but across the last two months I’ve averaged six rewatches a month — if I keep that up, all will be fine.

#16 Mamma Mia! (2008)
#17 John Wick (2014)
#18 Transformers (2007)
#19 Transformers: Revenge of the Fallen Big Screen Edition (2009)
#20 Transformers: Dark of the Moon 3D (2011)

I didn’t intend to watch Mamma Mia, but the other half put it on and, while I still only half watched it, I paid more attention than I’d expected to. It’s a very daft movie, but it’s so deliberately silly and cheesy that I can’t help but find it amusing. I re-read my nine-year-old review and it pretty much still stands.

Rewatching the Bayformers films was interesting. I wrote a little about Transformers, Revenge of the Fallen, and Dark of the Moon on Letterboxd if you’re interested, but in summary: I liked the first less than I remembered, enjoyed the second a surprising amount, and completely changed my opinion of the third. I technically watched a different cut of the second one (it’s all of 30 seconds longer), so I’ll probably include a little bit about that in a future review roundup.


Spider-Man, Spider-Man, does whatever another Marvel Studios character can.

The Blue Rose Monthly Update for May 2017

What does it mean?

Twin Peaks' blue rose

What does it mean?!


#63 Nightcrawler (2014)
#64 Independence Day: Resurgence (2016)
#65 Four Lions (2010)
#66 Blair Witch (2016)
#67 Twin Peaks: Fire Walk with Me (1992)
#68 Twin Peaks: The Missing Pieces (2014)
#69 Alien: Covenant (2017)
#70 Twin Peaks (1990), aka Twin Peaks: Pilot (International Version)
#71 Pirates of the Caribbean: Salazar’s Revenge (2017), aka Pirates of the Caribbean: Dead Men Tell No Tales
#72 Underworld: Blood Wars 3D (2016)
#73 The Accountant (2016)
#74 A Matter of Life and Death (1946)
#75 New Tale of Zatoichi (1963), aka Shin Zatôichi monogatari
Nightcrawler

A Matter of Life and Death

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  • 13 new films watched this month. That’s the same as April, though slightly down on the 2017 average (15.5, now exactly 15).
  • This is the 36th consecutive month where I watched 10 or more new films — that’s three solid years since a month with nine or fewer.
  • By the end of May last year I’d reached #101, the earliest I’d ever passed 100. This year I’m on track to do it in July, which would equal 2015 for second-earliest.
  • Does that indicate anything for my final total? Well… no. The last two years prove that conclusively. Looking at the end of June (i.e. the halfway point), in 2016 I’d reached #115, but, rather than make it to #230, I ended the year at #195. However, in 2015 I finished June at just #90, but, rather than stop at #180, I got all the way to #200.
  • Back to the here and now, I had a bit of a franchise frenzy this month: including my rewatchathon (see below), I watched two Prometheuses, two Underworlds, five Pirates of the Caribbeans, and made five feature-length trips to the world of Twin Peaks (the three films above and the opening double-bills of the new series, of course).
  • This month’s Blindspot film: the fantastic British fantasy romance A Matter of Life and Death, a film which, if anything, is underrated. It’s certainly in need of a UK and/or US Blu-ray release.
  • This month’s WDYMYHS film: Jake Gyllenhaal gives an incredible performance in neo-noir thriller Nightcrawler, which UK readers still have a few days left to catch on iPlayer.



The 24th Monthly Arbitrary Awards

Favourite Film of the Month
Not a bad month, but my shortlist of favourites quickly came down to two (see the posters accompanying the viewing list). For me, the edge goes to the aforementioned neo-noir starring Jake Gyllenhaal, Nightcrawler. You can read my full review here.

Least Favourite Film of the Month
This also quickly came down to two options, both of them ’90s franchise revivals that disappointed. I feel like it’s “more fool me” for expecting anything good from ID4-2, but I felt like the early buzz and behind-the-scenes pedigree of Blair Witch should have delivered. I’m still a bit excited for Adam Wingard doing Godzilla vs. Kong, though.

Worst Retitling of the Month
Salazar’s Revenge may be less evocative than Dead Men Tell No Tales (though, arguably, more relevant to the actual movie… but only a bit — that film’s busy with plots), but don’t worry, Pirates 5, you’re safe when this clanger’s about: the beautiful A Matter of Life and Death was bluntly renamed Stairway to Heaven in the US thanks to its main special effect. And you thought US cinema’s monomaniacal focus on effects movies was a recent thing.

Biggest Unanswered Question of the Month
How is Annie?!

The Audience Award for Most-Viewed New Post of the Month
Guardians of the Galaxy Vol. 2 and the new Pirates of the Caribbean may have both walked all over it at the box office, but it seems people were much more interested in what I had to say about Alien: Covenant. Guardians 2 did come second, but it was with precisely 25% as many views.



May turned out to be my best Rewatchathon month so far, nearly doubling the number of films I’ve revisited this year. As you can see, a lot of that was actually thanks to new movies that were coming out…

#9 Back to the Future (1985)
#10 Prometheus 3D (2012)
#11 Pirates of the Caribbean: The Curse of the Black Pearl (2003)
#12 Pirates of the Caribbean: Dead Man’s Chest (2006)
#13 Pirates of the Caribbean: At World’s End (2007)
#14 Pirates of the Caribbean: On Stranger Tides 3D (2011)
#15 Underworld Awakening 3D (2011)

Well, whatever works.

Anyway, I’m still not on track for where I should be (an average rate of 4.3 films per month means I should be at #22 by now), but I’m a lot closer than I was.


Inevitable disappointment in the general election. (Rest of the world: we’re having an election, did you know? Apparently you’ve not noticed. Nor should you, really.)

As for cinema, well, the big new films include that Tom Cruise Mummy movie and the new Transformers.

I’ll pin my hopes on Blu-ray, then…

The General Unselfish Love for Everyone Monthly Update for April 2017

Chai-ai-ain, keep us together…

Any excuse to get some Fleetwood Mac on loop.


#50 Ferris Bueller’s Day Off (1986)
#51 The BFG (2016)
#52 War on Everyone (2016)
#53 Dazed and Confused (1993)
#54 Now You See Me 2 (2016)
#55 Nocturnal Animals (2016)
#56 The Legend of Tarzan (2016)
#57 The Magnificent Seven (2016)
#58 Sully (2016), aka Sully: Miracle on the Hudson
#59 Guardians of the Galaxy Vol. 2 (2017)
#60 The 39 Steps (1935)
#61 Silver Linings Playbook (2012)
#62 Split (2016)
Ferris Bueller's Day Off

Nocturnal Animals

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  • I watched 13 new films this April, making it the lowest month of 2017 so far (but only by one).
  • It falls short of the average for the last 12 months (previously 14.75, now 14.08), and of 2017’s average to date (previously 16.3, now 15.5), but it does drag the April average up from 9.67 to precisely 10. (That leaves just June, July, and November as months with averages below 10.)
  • This month’s Blindspot film: one of Hitchcock’s definitive early works, solving the mystery of The 39 Steps.
  • This month’s WDYMYHS film: underwhelming Oscar-winning rom-com Silver Linings Playbook.



The 23rd Monthly Arbitrary Awards

Favourite Film of the Month
A lot of films vie for my affection this month. I was charmed by a friendly giant, found Tom Ford’s latest to be pleasantly provocative, enjoyed some magnificent gunslinging, was thrilled by classic Hitchcock, and chilled by Shyamalan’s return to form. But, to slightly modify this award to “most surprisingly among my favourite films of the month”, one film caught me unawares more than any other: I confess that I half expected to hate Ferris Bueller’s Day Off, what with its lead character seeming like a dick ‘n’ all, but the skill of writer-director John Hughes is not to be underestimated.

Least Favourite Film of the Month
Richard Linklater set out to make an anti John Hughes movies with Dazed and Confused, and I guess he succeeded based on this neat little favourite/least favourite mirroring we’ve got here.

Best Pilot in the Galaxy
Star-Lord and Rocket can bicker about it all they want, but neither can hold a candle to Chesley ‘Sully’ Sullenberger.

End Credits Scene I’m Most Annoyed I Had Spoiled
Guardians of the Galaxy Vol. 2 may have five (five) scenes during its credits, but they’re all a bit something-and-nothing (I can’t even remember what was in them all now, and I only saw it three days ago). But that scene at the end of Split (it comes after the second title card, so I think we can argue it’s in the end credits)… damn, I wish that hadn’t been widely reported all over the shop and I’d instead been able to discover it in situ. That said, it’s so well constructed that it gave me a tingle of long-awaited excitement nonetheless.

The Audience Award for Most-Viewed New Post of the Month
Since I’ve started posting my content on IMDb my TV reviews have really taken off in the hits. It’s the latest one of these, The Past Month on TV #16 (in which I shared my thoughts on the likes of Doctor Who, Iron Fist, The Crown, and Twin Peaks), that takes this month’s gong. (My most-viewed new film review was Don’t Breathe.)



Back to just one rewatch this month, which I reviewed at the time:

#8 Guardians of the Galaxy 3D (2014)

This is not going to plan.


We’ll see if the new Pirates of the Caribbean film, Dead Men Tell No Tales Salazar’s Revenge, is the return to form that they’re claiming. And La La Land makes it to Blu-ray over here, so I’ll finally see it.

The Ghostly Monthly Update for March 2017

If there’s something strange in your neighbourhood, who ya gonna call?

How about Scarlett Johansson in a skintight bodysuit? I’m sure plenty of people wouldn’t need something strange going on to want to make that call…


#30 Logan (2017)
#31 Robin Hood: Men in Tights (1993)
#32 Demolition (2015)
#32a Deadpool: No Good Deed (2017)
#33 Long Way North (2015), aka Tout en haut du monde
#34 Florence Foster Jenkins (2016)
#34a Hotel Chevalier (2007)
#35 The Darjeeling Limited (2007)
#36 Money Monster (2016)
#37 Room (2015)
#38 Warcraft (2016), aka Warcraft: The Beginning
#39 Kong: Skull Island (2017)
#40 13 Hours: The Secret Soldiers of Benghazi (2016)
#41 Ghostbusters (2016), aka Ghostbusters: Answer the Call
#42 Babe: Pig in the City (1998)
#43 The Monster Squad (1987)
#44 Ghost in the Shell 2: Innocence (2004), aka Kôkaku Kidôtai Inosensu
#45 Big Game (2014)
#46 Young Frankenstein (1974)
#47 Black Dynamite (2009)
#48 Ghost in the Shell (2017)
#49 Jackie Brown (1997)
Long Way North

Kong: Skull Island

Black Dynamite

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  • I watched 20 new films this March, making it my largest month for nearly a year, since last April’s 21.
  • It’s far head of the March average (previously 12.3, now 13.1) and also passes the average of the last 12 months (previously 15, now 14.75).
  • In terms of my yearly goal, it’s behind where I was last year (two-thirds there at #67) but ahead of every other year (including 2015 — aka The Year of 200 Films — when March ended at #44).
  • This month’s Blindspot film: plugging one of the few gaps in my Tarantino viewing with Jackie Brown.
  • This month’s WDYMYHS film: Room. Normally I’d offer a brief comment, but I already reviewed it in full here.
  • I watched three films starring Samuel L. Jackson this month. Even for a fella as prolific as he is, that’s still quite a number.



The 22nd Monthly Arbitrary Awards

Favourite Film of the Month
A tough contest this month between a couple of films I enjoyed an awful lot, but however much I was entertained by a giant ape beating up other giant monsters, the beautiful artistry of Long Way North just edges it today.

Least Favourite Film of the Month
Not such a tricky choice here: easily the worst film I watched this month was the disappointing mess that was Warcraft.

Best Dialogue of the Month
You’d think any month with a Quentin Tarantino film in it would have this award sewn up, but not when in the presence of the genius that is Black Dynamite. I’d throw in a quote, but half of the magic is in the delivery.

Most Gratuitous Arse of the Month
Plenty of derrières on display this month, between Natalie Portman’s much-discussed bare behind in Hotel Chevalier, Scarlett Johansson’s extremely figure-hugging costumes in Ghost in the Shell, Bridget Fonda’s post-coital stroll in Jackie Brown, and Kong stomping around the place with nary a stitch on as well. But the fact someone bothered to draw the intimation of an arsehole on the dog in Ghost in the Shell 2: Innocence takes the biscuit.

The Audience Award for Most-Viewed New Post of the Month
Following a tip from Caz at Let’s Go to the Movies, I’ve been adding my reviews to IMDb of late. That paid dividends this month, with an extraordinary (for me) number of hits flowing towards Logan.



This blog’s 10th birthday celebrations continued (and concluded) this month by counting down my 100 favourite movies I’ve seen for the first time in the past ten years. If you missed it, you can read all about it here:


Things are beginning to look up for my Rewatchathon, as I actually rewatched more than one film this month…

#3 Gattaca (1997)
#4 The Nice Guys (2016)
#5 Mighty Morphin Power Rangers: The Movie (1995)
#6 Ghost in the Shell (1995)
#7 Hook (1991)

I think I was too young to properly appreciate Gattaca when I first saw it. Now, I think it’s a five-star sci-fi drama/thriller, and it would’ve contended for a place on my 100 Favourites if I’d got this rewatch in a couple of years ago.

Truth be told, I only watched the first 15 minutes of Power Rangers (then my NOW TV subscription ended and it cut me off), so I probably shouldn’t count it… but I would’ve found another way to finish it if those 15 minutes hadn’t been utterly terrible, so I say it still counts because I’d clearly seen enough.

This was the first time I’d watched Hook since childhood and, a few moments and images aside, I barely remembered it at all. It has things going for it (the sets are incredible and many of the special effects are fantastic), but it’s definitely the worst Spielberg movie I’ve seen (1941 still awaits…)


A big year for the MCU kicks off: I’ll be reviewing Iron Fist, and Guardians of the Galaxy Vol. 2 comes to the big screen (over here, at least).

100 Favourites II — Statistics

I couldn’t do a list like that without publishing some statistics at the end, could I? No, no I could not. By my standards this will be a relatively brisk post, though, because I didn’t thoroughly log everything I could have. Nonetheless, I had some observations…

One thing I was particularly interested to compare was the age of my picks. I know my tastes skew recent — I like “old films”, but I do watch more new(er) stuff and (as demonstrated in my 10th anniversary statistics) I tend to place newer films higher in my year-end lists too. My first 100 Favourites list certainly bore that out as well, as you can see on this graph. Have the last ten years changed that at all? Well, no. Not in the slightest. If anything, it’s worse.

That’s 49% of my selections — almost literally half — from the 2010s, a decade which at the time of writing only includes seven years. And if you add in the 2000s as well, the last 17 years account for 72%, just under three-quarters of the list. I guess if I tried this again in another ten years some of the more recent films would fall out while the older classics would endure. I must say, I’m not alone in this — it’s something I’ve observed on other public-voted great lists, like the IMDb Top 250 (well-liked new films are always jumping in and then slowly dropping out), or Empire magazine’s 500 Greatest and 300 Greatest polls. The opposite seems to happen with critics’ lists, like Sight & Sound’s famed poll, which Citizen Kane topped for, what, 50 or 60 years, and the rest of the top ten is pretty stable too. But maybe that also changes a lot further down, I don’t know.

Talking of top tens, precisely 70% of the films on this list were previously featured in one of my year-end top tens. The worst affected were 2007, 2009, and 2012, each of which lost six films. Luckiest was 2016, with all ten top-tenners making the list. 2013, 2014, and 2015 only lost one each. That’s partly thanks to a change of perspective, of course (as you may have noticed, many of the films have shifted around in their ranking), but it’s also simply the case that some years had more films I liked than others. In terms of total numbers in this 100, the worst hit were 2009 and 2012, which only feature four films each. If you want to rank them thoroughly, 2009 definitely fared worse: only one of its films is in the top 50, while 2012 has three in the top 50, including two in the top 20, and one of those in the top 10.

Conversely, the most successful years were the last four (the ones with the most top-tenners that made it, unsurprisingly). Highest of all was 2015 with 18. I suppose that’s helped by the fact I watched 200 films that year, though 2014 is second with 16 and I ‘only’ watched 136 then. Indeed, rendered as a percentage, 2014 fares best of all, with 11.76% of the films I watched that year making my top 100. Second is shared by 2011 and 2013, each with exactly 10%, while 2015 only comes fourth, with exactly 9%. At the bottom end, the fact 2009 and 2012 were my least successful years in numerical terms (the only two times I failed to make 100) doesn’t help them at all, coming out at 4.26% and 4.12% respectively.

Here’s a pair of graphs, comparing the years in flat numerical terms and as a percentage of their own year’s total.

Compared to their previous positions in my year-end top tens, the biggest riser was The Story of Film: An Odyssey, shooting up 13 places from being 2015’s 21st to its 8th now. (I know #21 is not in the top ten, but I did a top 20 that year and noted The Story of Film was 21st, so…) The biggest faller within the chart was Stoker, also from my 2015 viewing, which dropped seven places from 7th to 14th. The worst-affected film not on the list was 2010’s #3, Inception, which isn’t among the nine 2010 films on the list. The #3 films from 2007 (Mean Creek) and 2012 (Master and Commander) also aren’t here, but (as we’ve seen) their respective years don’t feature as many films on the list so they’ve theoretically dropped less far.

Lastly, directors. There were 82 of them across the 100 films, of which 13 had two or more entries on the list. Top of the pile with four was, of all people, Matthew Vaughn. His films ranged from Kick-Ass in 8th up to Kingsman in 83rd, via X-Men: First Class at #16 and Stardust at #41. Sharing second place, each with three films, were David Fincher (Zodiac at #3, The Social Network at #11, Gone Girl at #66), George A. Romero (Night of the Living Dead at #62, Dawn of the Dead at #63, Land of the Dead at #89), and Steven Spielberg (The Adventures of Tintin at #9, War Horse at #86, Lincoln at #95). Finally, the remaining nine directors with two films apiece were Wes Anderson, Alfred Hitchcock, Akira Kurosawa, George Miller, Hayao Miyazaki, Chan-wook Park, Zack Snyder, Quentin Tarantino, and Denis Villeneuve.

And now I’m done.

Should you wish to revisit the excitement, all 200 of my 100 favourites can be found linked from their dedicated page here.

100 Favourites II — The Top 10

And so I reach the pinnacle of my list — my most favourite films I’ve seen for the first time in the past ten years. (Well, if we’re being precise, in the past ten years and three months, but not counting anything from the last three months. But that’s less snappy.)

Over three previous posts I’ve counted down #100 to #11, but here’s the perfectly rounded number everyone loves for a list: the top ten.

#10
Dark City


4th from 2008
(previously 3rd | original review)

Before The Matrix there was Dark City, which tackles some of the same philosophical issues as the Wachowskis’ trilogy, only in a less opaque and verbose fashion — and, as I said, did so first. Of course, it lacks the groundbreaking action sequences that made The Matrix such a hit, but as a thoughtful piece of stylish sci-fi noir it probably bests its better-known thematic cousins. I also reckon it’s still a bit underrated… including by me, really, because it’s nine years since I first watched it and I still haven’t got round to seeing the Director’s Cut. (Note to self: fix that.)

#9
The Adventures of Tintin: The Secret of the Unicorn


1st from 2014
(previously 2nd | original review)

Calling on the same skill set that produced the Indiana Jones movies, Steven Spielberg created an adventure movie that perfectly balances plot, action, and humour. Despite the freedom afforded by crafting the entire thing in CGI (rendered with stunning realism by Weta), Spielberg knows when to hold back and maintain a level of realism, only to cut loose when warranted. The top end of this list definitely skews blockbustery-y — well, it is “favourite” rather than some kind of “objective best” (not that that’d be strictly possible anyway) — but, nonetheless, I think Tintin is a very fine and underrated example of the form.

#8
Kick-Ass


1st from 2010
(previously 1st | original review)

As Watchmen was to superhero comics, so Kick-Ass is to superhero films: taking familiar building blocks from other films and TV series, it deconstructs the genre through a “what if someone tried to be a superhero for real” storyline, asking questions about the glorification of violence and the sexualisation of its characters — all while being a funny and exciting action-comedy. Perhaps it’s having its cake and eating it, and that leads some people to miss the point (some by enjoying it a bit too much, some by thinking it has nothing to say), but I don’t think that stops it being one of the best and most thoughtful superhero movies yet made.

#7
Let the Right One In


1st from 2011
(previously 3rd | original review)

It’s felt like you can’t escape vampires in film and TV for the last couple of decades, but trust a European movie to give them a unique spin, right? So it’s both a coming-of-age-y arthouse-y movie about two 12-year-olds and first love, and a scary horror movie about violent supernatural creatures. It works by not shortchanging either aspect, instead combining them to transcend genre boundaries. So it’s a genuinely touching, emotional and relatable drama, as well as a creepy and horrific fantasy thriller.

#6
Mission: Impossible – Rogue Nation


1st from 2015
(previously 1st | original review)

There’s always been a bit of a ‘wannabe’ air to the Mission: Impossible films, like maybe someone thought it could fill the void left by Bond disappearing post-Dalton, only it took so long to make it to the screen that Bond himself got there first in the shape of Pierce Brosnan. Nonetheless, the series has trundled along… though I don’t want to sound like I’m doing it down too much because I’ve always enjoyed it — the second one made my first 100 Favourites list, even. But Rogue Nation is where M:I finally out-Bonds Bond. Mixing action thrills and a genuine sense of jeopardy with just-ahead-of-reality gadgets, a knowing sense of humour, and a cast full of likeable characters, it’s superb blockbuster entertainment.

#5
Seven Samurai


1st from 2013
(previously 1st | original review)

A phrase like “three-and-a-half-hour subtitled black-and-white movie” is going to conjure up a certain experience in the minds of most viewers. That experience is most probably nothing like Seven Samurai — although it is, of course, a three-and-a-half-hour subtitled black-and-white movie. On the surface it’s about a bunch of warriors protecting a small impoverished village that can’t defend itself, and it has a lengthy action-packed climax to deliver on such promise, but it rises above that thanks to its reflective attitude towards its characters and their very existence. No, wait, I said it’s not your typical three-and-a-half-hour subtitled black-and-white movie!

#4
Rashomon


3rd from 2008
(previously 5th | original review)

I’d wager most would rank Seven Samurai higher in the Akira Kurosawa canon, but I give Rashomon the edge because the form of its storytelling appeals to me. It retells the events surrounding a murder from the subjective viewpoint of each of the characters who were there, and of course their accounts differ. Its title has become a byword for such narratives, but there’s more here than just trendsetting plot construction — it’s a fantastically made film, exquisitely shot and magnificently performed.

#3
Zodiac


2nd from 2008
(previously 2nd | original review)

David Fincher’s meticulous true crime thriller may be his best movie — and when we’re talking about the man who made Se7en and Fight Club, that’s certainly saying a lot. It may look like it’s a murder thriller — it is about the hunt for a serial killer, after all — but in many respects it’s more about obsession and addiction, and how such things can come to take over your life. But if you don’t want to ponder that kind of thing, there’s always chills like the basement scene to keep you viscerally engaged. (The slightly-different Director’s Cut is the better version of the film and, if we’re being specific, would be my pick here; but I watched that a couple of years later, so it was the theatrical cut that figured in 2008’s top ten.)

#2
Skyfall


1st from 2012
(previously 1st | original review)

The James Bond films have always been action blockbusters, and more often than not immensely popular and successful ones. Skyfall changed the game though: by hiring Oscar-winning director Sam Mendes it was instantly booted into Prestige Picture territory — and still managed to deliver the most financially successful film in the series’ long history, the first billion-dollar Bond. But box office success is not why Skyfall is #2 on my list. It’s the beautiful cinematography; the way it adds thematic weight to the character without breaking the formula; the sense of Bond’s history without over-explicit reverence — and the way those aspects makes it both familiar and fresh at the same time. Plus it delivers on the action, larger-than-life villain, and one-liners just like a Bond film should. Its artistic success may be a case of the stars aligning and lightning striking (the lacking-by-comparison follow-up Spectre proved that), but Bond has rarely been better.

#1
The Dark Knight


1st from 2008
(previously 1st | original review)

Eight years and three months ago, when I named The Dark Knight my #1 film of 2008, I wrote that “I’m unashamedly one of those who believe The Dark Knight isn’t just one of the best films of 2008, it’s one of the best films ever.” It’s nice to be able to stand by such a brazen assertion. And, having thought long and hard about what I would declare as my most favouritest movie from the 1,283 new ones that I’ve seen in the last decade, I clearly do stand by it. I love superhero movies, I love crime thrillers, and I love epics, so it’s no surprise that a movie which combines all three — and does them all well — would top a list of my favourite movies.

Now: what’s a good list without some statistics?

100 Favourites II — The Penultimate 20

Week 3 of this list (the first two parts are here and here) sees us hurtling towards the top of the chart — the films that are among my very most favouritest that I’ve seen in the last decade.

I will say, there are more superhero movies than I expected…

#30
Deadpool

2nd from 2016 (previously 8th)
I feel like I should’ve matured out of finding Deadpool so entertaining, but it definitely appealed to my inner adolescent. It’s a riot. More…
#29
Super

5th from 2011 (previously 5th)
More superhero comedy, but Super’s low-budget grittiness and James Gunn-imbued barminess gives it an edge, even as its action climax is viscerally satisfying. More…
#28
Before Sunrise

4th from 2007 (previously unranked)
Richard Linklater distills the essence of twentysomething life and relationships into one night in the first (and best) of his decades-spanning Before trilogy. More…
#27
Citizen Kane

3rd from 2007 (previously 7th)
A film now overshadowed by its reputation, if you try to shed the baggage then Orson Welles’ debut still stands up very well in its own right. More…
#26
Watchmen: Director’s Cut

1st from 2009 (previously 3rd)
The most acclaimed superhero narrative ever penned became a film that is equally as complex and flawed, but also brilliant. More…
#25
Gravity

4th from 2014 (previously 1st)
Sandra Bullock is stranded in space and we’re right there alongside her in Alfonso Cuarón’s gripping and technically astonishing survival thriller. More…
#24
Sherlock Holmes

4th from 2010 (previously 8th)
Exciting, funny, with exceptional evocations of how it would feel to be the Great Detective. Not a traditional depiction, but surprisingly faithful. Plus: a proper mystery with a proper solution. More…
#23
Toy Story 3

3rd from 2010 (previously 2nd)
Lightning strikes thrice for Pixar’s studio-defining trilogy. Funny and moving, it tackles big emotional themes while still providing a kid-friendly adventure-comedy. More…
#22
United 93

2nd from 2007 (previously 1st)
Paul Greengrass’ 9/11 film almost feels like a documentary, with its naturalistic performances and handheld camerawork. That it was endorsed by the families is another stamp of approval. More…
#21
12 Angry Men

3rd from 2014 (previously 5th)
Twelve men talk to each other for an hour-and-a-half in this tense, gripping courtroom (without the courtroom) thriller. A directing masterclass from a debuting Sidney Lumet. More…
#20
Supermen of Malegaon

3rd from 2015 (previously 4th)
This little-seen documentary is an inspirational film about living your dreams even when the world won’t let you. Genuinely, I think it’s an absolute must-see for any lover of film. More…
#19
Requiem for a Dream

2nd from 2014 (previously 8th)
Darren Aronofsky’s addiction drama may ultimately be grim and without hope, but the verve of the filmmaking transcends expectations. More…
#18
Anatomy of a Murder

2nd from 2010 (previously 4th)
A precision-engineered procedural crime drama that refuses to deviate from the methodology of the case, but still finds room to deepen its array of characters. More…
#17
Batman: Mask of the Phantasm

2nd from 2012 (previously 4th)
Boasting an original variation on Batman’s backstory, plus a fine turn from Mark Hamill’s arguably-definitive Joker, this animation is among the very best Bat-films. More…
#16
X-Men: First Class

4th from 2011 (previously 2nd)
The X-Men begin in this origin story that shows us another side to familiar characters, with a unique feel thanks to its ’60s setting and plot that riffs off Cold War spy-fi. More…
#15
The Raid 2

1st from 2016 (previously 2nd)
Bigger and grander than its predecessor, this is a sprawling crime epic that still has time for huge, elaborate fight sequences. One of the greatest action movies ever made. More…
#14
My Neighbour Totoro

3rd from 2011 (previously 7th)
Gorgeously animated with a beautiful soundtrack, Hayao Miyazaki lures you in to a world and tells you a thoroughly nice story with no enforced peril. Refreshingly lovely. More…
#13
The Guest

2nd from 2015 (previously 3rd)
This ’80s-inspired thriller (with a horror-influenced edge) offers a witty screenplay, engaging characters, stylish visuals, and a fab score. Dan Stevens can definitely be my guest. More…
#12
Brief Encounter

1st from 2007 (previously 6th)
A romantic affair of cups of tea, discussions of the weather, tea, trips to the cinema, tea, guilt, indecision, and more tea. All the repressed emotions make it truly British. That and the tea. More…
#11
The Social Network

2nd from 2011 (previously 1st)
Unlikeable brats sit at computers, writing websites and arguing, but with dialogue by Aaron Sorkin and direction from David Fincher that becomes engrossing and exciting. More…

Next Sunday: the top 10.

100 Favourites II — The Next 30

Last week, my ranking of 100 favourite movies I’ve seen in the last decade began with 40 films that ranged from screwball comedies to spectacle-fuelled blockbusters, from gritty crime thrillers to artistic animations, from gory horrors to melodramatic epics…

This week, my typically eclectic selection continues with the next 30 picks.

#60
The Nice Guys

8th from 2016 (previously 11th)
Convoluted criminality is rendered hilarious in Shane Black’s spiritual sequel to Kiss Kiss Bang Bang. More…
#59
Arrival

7th from 2016 (previously 6th)
An intelligent, adult drama about humanity, which also happens to be a science-fiction mystery.

#58
His Girl Friday

6th from 2010 (previously 7th)
Sharp, fast, intelligent, hilariously funny — they don’t make films like this anymore. More…
#57
The Story of Film: An Odyssey

8th from 2015 (previously 21st)
Mark Cousins’ history of the movies wasn’t to all tastes, but I found all 15 hours to be fascinating and enlightening. More…
#56
The Night of the Hunter

7th from 2013 (previously 7th)
Charles Laughton’s only film as director is a masterpiece of dread, fear, cruelty, and near-peerless beauty. More…
#55
M

5th from 2010 (previously unranked)
Fritz Lang’s proto-noir serial killer procedural still has the power to thrill and chill. More…
#54
Inglourious Basterds

3rd from 2009 (previously 1st)
Killin’ Natzis, Tarantino style. History re-rendered in terms of pure cinema. More…
#53
In Bruges

2nd from 2009 (previously 2nd)
“There’s never been a classic movie made in Bruges, until now.” More…
#52
Byzantium

7th from 2015 (previously 5th)
These vampires aren’t glamorous or sparkly, but damaged and discarded in a seedy seaside town of tarnished charms. More…
#51
How to Train Your Dragon

8th from 2011 (previously unranked)
Glorious animation, with soaring flight sequences and an emotive connection to its characters, both human and dragon. More…
#50
Dredd

6th from 2013 (previously 6th)
Sharp, efficient sci-fi action with impressive gun battles, dry humour, and Karl Urban nailing the title character. More…
#49
Steve Jobs

6th from 2016 (previously 3rd)
A gripping character drama with a surprising corporate thriller vibe, magnificently written by Aaron Sorkin. More…
#48
Lupin the Third: The Castle of Cagliostro

7th from 2011 (previously 4th)
Described by no less than Steven Spielberg as “one of the greatest adventure movies of all time”. More…
#47
The Shining

8th from 2014 (previously 3rd)
Eliciting dread and almost-primal fear, it’s the most excruciatingly and exquisitely unsettling film I’ve ever seen. More…
#46
X-Men: Days of Future Past

7th from 2014 (previously 9th)
Surprisingly deep characterisation rubs shoulders with witty and inventive action in this all-eras X-Men team-up. More…
#45
Predestination

5th from 2016 (previously 5th)
Thought-provoking science-fiction in this time travel mystery that tackles issues of gender and identity — how timely. More…
#44
The Revenant

4th from 2016 (previously 4th)
Starring Emmanuel Lubezki’s cinematography, this gruelling survival Western is primarily told with visuals and so becomes a work of pure cinema. More…
#43
Oldboy

6th from 2014 (previously 7th)
Mixing a straightforward revenge thriller with weird, almost surrealistic touches, Oldboy is kinda crazy, kinda disturbed, but kinda brilliant because of it. More…
#42
Hanna

5th from 2013 (previously 5th)
A teen coming-of-age movie… with hard-hitting action sequences, surreal imagery, long single takes, beautiful cinematography, and a pulsating Chemical Brothers soundtrack. More…
#41
Stardust

5th from 2008 (previously 4th)
A truly magical film, packed with wit, action, delicious villains, a star-studded cast, a stirring score, and genuinely special effects. More…
#40
North by Northwest

4th from 2013 (previously 4th)
Almost everything you could want from a movie: pure tension, action, humour; a mystery, a thriller; a dash of romance. Unadulterated entertainment. More…
#39
The Three Musketeers

6th from 2011 (previously unranked)
Sword fights galore in this riot of swashbuckling fun, with a lightness of touch that makes for pure entertainment. More…
#38
The Grand Budapest Hotel

6th from 2015 (previously 10th)
A film full of delights, from the hilarious performances, to the clever dialogue, to the inventive design, to the controlled camerawork. More…
#37
Mad Max 2

5th from 2015 (previously 2nd)
Post-apocalyptic Australian Western that climaxes with a balls-to-the-wall multi-vehicle chase, one of the greatest action sequences ever filmed. More…
#36
Sicario

3rd from 2016 (previously 1st)
A dark and morally questionable thriller, incredibly shot by Roger Deakins, artfully helmed by perhaps the best director currently working, Denis Villeneuve. More…
#35
Rise of the Planet of the Apes

3rd from 2012 (previously 7th)
An intelligent science-inspired drama that just happens to link up to a big studio sci-fi/action series. More…
#34
Dawn of the Planet of the Apes

5th from 2014 (previously 4th)
The sequel to the prequel to the Planet of the Apes presents a fully-realised ape society and a story of interspecies relations that reflects our own times. More…
#33
Django Unchained

3rd from 2013 (previously 2nd)
Tarantino’s Spaghetti Western homage is an entertaining, occasionally thought-provoking, rewarding, and thoroughly cinematic experience. More…
#32
The Assassination of Jesse James by the Coward Robert Ford
2nd from 2013 (previously 3rd)
One of the most underrated films of the ’00s, Andrew Dominik’s historically accurate movie is a considered, immersive, complex, intimate, epic Western. More…
#31
Mad Max: Fury Road

4th from 2015 (previously 6th)
Action filmmaking elevated to a genuine art form, but alongside the mind-boggling stunts there’s a surprising richness of theme and character. More…

Next Sunday: the penultimate 20.

100 Favourites II — The First 40

Regular readers will remember that I spent last year listing my 100 favourite films, but with one key stipulation: they were all films I’d seen before 100 Films began. Now, the somewhat inevitable sequel, in which I list my favourites from 100 Films.

Last time I listed the 100 alphabetically, but this time I’ve attempted to rank them. In many respects the result is pretty arbitrary — I mean, how are you meant to compare the relative merits of, say, The Passion of Joan of Arc, Notorious, Enchanted, and Jurassic World? I love them all, but in very different ways. So it’s a bit rough in places, though things should get more precise in later posts, as we reach the top end — you’ve gotta be more sure to say stuff is the “best of the best”, haven’t you? I think I could’ve fiddled with the ranking endlessly, one merit or another boosting films up and down whole chunks of the list, but at some point you have to let it go (fundamentally it doesn’t matter, does it?), and this is how it was when I let it go.

However, one thing I definitely did was select and rank this list from scratch, with minimal reference to my existing year-end top tens. That means films from the same year now appear in a different order, and stuff that didn’t even make my top ten at the time is now present. Even the films I ranked less than two months ago have been rearranged with the change of perspective. Nonetheless, on each entry I’ve noted where it now ranks relative to other films from its year, as well as where it used to rank (if it even did). Of course, as I was just saying, if I recompiled this list next month I might rank them completely differently again.

There are also plenty of films I liked a lot that didn’t quite make it in, but I’m not going to list them because that would be cheating. Some films probably benefit from being fresher in my memory, but that seems to be a common affliction of many a list such as this.

Anyway, that’s plenty of ado. So, we begin today with numbers 100 to 61…

#100
The Lego Movie

16th from 2014 (previously unranked)
Everything is awesome in this surprisingly clever and witty animation. More…
#99
Gambit

10th from 2011 (previously 10th)
“Go ahead, tell the end… but please don’t tell the beginning!” More…
#98
After the Thin Man

15th from 2014 (previously unranked)
Murder, screwball comedy, and a romantic subplot involving the dog. More…
#97
Fantastic Mr. Fox

14th from 2014 (previously unranked)
Roald Dahl, Wes Anderson style. More…
#96
Monsters

9th from 2011 (previously 6th)
What’s that coming over the hill? Is it an exciting new director? More…
#95
Lincoln

14th from 2016 (previously 13th)
Abraham Lincoln pretends to be Daniel Day-Lewis playing Abraham Lincoln. More…
#94
Cold in July

13th from 2016 (previously 9th)
Regularly surprising neo-noir thriller. More…
#93
The Limey

12th from 2016 (previously 7th)
Revenge as flashback… or flash-forward… or a dream… or a fantasy… or…? More…
#92
Shutter Island

18th from 2015 (previously 16th)
Gothic psychological mystery thriller. More…
#91
The Green Hornet

13th from 2014 (previously unranked)
A superhero movie made by Seth Rogen and Michel Gondry, which sums it up pretty well. More…
#90
In Your Eyes

12th from 2014 (previously unranked)
Gently fantastical romantic drama. More…
#89
Land of the Dead

11th from 2013 (previously unranked)
Zombies switch eating brains for developing them. More…
#88
Mission: Impossible – Ghost Protocol

17th from 2015 (previously 19th)
Spy action of the highest calibre. More…
#87
Zootropolis

11th from 2016 (previously 15th)
A neo-noir crime thriller about racism featuring nudism and drug abuse… from Disney! More…
#86
War Horse

4th from 2012 (previously 2nd)
A beautifully old-fashioned melodramatic war epic. More…
#85
Batman: The Dark Knight Returns – Deluxe Edition

10th from 2013 (previously 9th)
Batman vs. Superman, Mk.I More…
#84
The New World

6th from 2007 (previously unranked)
When I get round to watching the extended cut I have a suspicion this may find itself even higher. More…
#83
Kingsman: The Secret Service

16th from 2015 (previously 13th)
Irreverent spy-fi in this classic-Bond-inspired action comedy. More…
#82
Star Wars: The Force Awakens

15th from 2015 (previously 9th)
The cinematic equivalent of a greatest-hits cover album, but the hits are great. More…
#81
The Secret of Kells

11th from 2014 (previously unranked)
A magical story with gorgeous animation. More…
#80
Hot Fuzz

5th from 2007 (previously 2nd)
They’re bad boys. They’re die hards. They’re lethal weapons. More…
#79
Stoker

14th from 2015 (previously 7th)
A beguiling, sensuous, classically Gothic thriller. More…
#78
Road Games

10th from 2016 (previously 12th)
Rear Windscreen meets Duel Down Under in a superb Ozploitation thriller. More…
#77
Enchanted

8th from 2008 (previously unranked)
Disney spoofs Disney in this brilliant live-action fairytale/real-world mash-up. More…
#76
Jurassic World

13th from 2015 (previously 12th)
The plot may be familiar, but genuine Spielbergian awe and wonder goes a long way. More…
#75
The Hunger Games: Catching Fire

10th from 2014 (previously unranked)
An entertaining and intelligent blockbuster, with a fantastic use of IMAX. More…
#74
The Babadook

12th from 2015 (previously unranked)
If it’s in a word, or it’s in a look, you can’t get rid of the Babadook. More…
#73
Chronicle

9th from 2014 (previously 6th)
Combining found-footage and superheroes was inevitable, but the result being so good was not. More…
#72
Hairspray

7th from 2008 (previously 6th)
You can’t stop the beat. More…
#71
Batman v Superman: Dawn of Justice – Ultimate Edition

9th from 2016 (previously 10th)
Clearly not the movie a lot of people think they need, but maybe it’s the one they deserve right now. More…
#70
Coraline

9th from 2010 (previously 6th)
Dark and scary children’s animation. More…
#69
Son of Rambow

4th from 2009 (previously 4th)
Beautifully written, directed and performed, amusing and moving in equal measure. More…
#68
Speed Racer

8th from 2010 (previously unranked)
A candy-coloured masterpiece. More…
#67
The Spiral Staircase

7th from 2010 (previously unranked)
The perfect filmic evocation of a dark and stormy night. More…
#66
Gone Girl

11th from 2015 (previously unranked)
A twist-laden dramatic thriller that deconstructs modern relationships. More…
#65
Ghost Dog: The Way of the Samurai

10th from 2015 (previously 17th)
Idiosyncratic thriller perfectly balanced between indie drama and crime actioner. More…
#64
The Passion of Joan of Arc

9th from 2015 (previously 14th)
Surprisingly accessible to modern eyes. An exceptionally affecting experience. More…
#63
Dawn of the Dead

9th from 2013 (previously unranked)
Zombie gore, yes, but more important are the humour, characterisation, and social critique. More…
#62
Night of the Living Dead

8th from 2013 (previously 8th)
The film that created the zombie genre has endured remarkably well. More…
#61
Notorious

6th from 2008 (previously 7th)
Hitchcock’s romantic spy thriller. More…

Next Sunday: the next 30.

All Your Film Are Belong To Blog: 1,337 Films in a Decade

Today is 100 Films in a Year’s 10th birthday.

Back when this started it was just a challenge to myself, inspired by “50 books in a year” efforts that other people were doing. I covered it on my DeviantArt blog because that’s where I’d seen the idea (look, it’s still there!) After that first year went rather well I decided to continue the challenge, but moved my coverage to a dedicated blog on Blogger (look, it’s still there!) That didn’t last long: less than two months later I moved on to the film blogging community at FilmJournal (look, it’s still there!) After several happy years, the FilmJournal community began to die off as the site fell into a kind of disrepair (if you follow that link you can see what a mess the formatting became), prompting a final move to WordPress in 2012 (look, I’m still here!)

When I started this whole shebang the world was a different place: Tony Blair was still Prime Minister and George W. Bush was still President. Apple had only just announced the iPhone; the iPad and the tablet revolution were still several years away. Facebook had only been open to everyone for five months. The hashtag hadn’t been invented yet. The final Harry Potter book hadn’t been published, most people hadn’t heard of Twilight, and Fifty Shades of Grey didn’t even exist. Britain’s Got Talent hadn’t aired, never mind spawned the ubiquitous Got Talent franchise. The format war between Blu-ray and HD DVD was still raging.

I suspect the “all your base are belong to us” meme had already had its day by then too, but I’m using it now nonetheless.

On a personal level, I was still an undergraduate, had never owned a dog (it was a couple of years before we’d meet Rory at a rescue — I wonder what he was up to then?), and still had all those dreams and ambitions of youth that end up going unrealised. But hey, at least I’ve still got my blog!

During the past decade said blog has certainly grown, from writing a couple of sentences about each film in updates posted every few weeks, to the almost-daily and often-far-too-long dedicated reviews I post nowadays, along with my monthly updates and TV reviews. The number of people reading my ramblings seems to have continually increased as well, which is rewarding in its way — I guess I’m doing something right; have something interesting to say.


Two months in, 2017 is already over halfway to 2013’s total.

Commensurately, the blog has taken up an increasing amount of my time: it feels like when I’m not watching films and TV I’m writing about them; especially last year, when adding my 100 Favourites series into the mix took up far more time than I’d anticipated. Sometimes it feels like I’m making a rod for my own back, doing all this, but at the end of the day it’s enjoyable — why else keep doing it? But after the monomaniacal focus I’ve given this thing for the past couple of years, I do need to find more time to broaden my activities.

Not just yet, though! For two reasons: starting on Thursday (after tomorrow’s February monthly update) I’ll be diving into 100 Favourites II! No, not another 52-week marathon project — it’ll all be over by Sunday. More on that then.

For now, the thing everyone loves (right?): statistics!

As the title of this post reveals, in the past decade I’ve watched 1,337 films expressly for this blog — which, as anyone familiar with internet-y slang will know, is code for “elite”, as in “very good”. Probably a bit old fashioned to use nowadays (or it should be), which is connected to why I revived the whole “all your base” thing. See, there’s method to my madness.

Those 1,337 films include all the alternate cuts and other films I reviewed. The actual total of brand-new films I’ve seen is 1,283 (which is a less entertaining number, hence why it’s not inspired the theme of this post). The total running time of that many movies was 136,154 minutes, and if you factor in everything else I’ve watched and reviewed it comes to 144,118 minutes — back to back, that’s 3 months, 2 weeks, 2 days, 1 hour, and 58 minutes of solid viewing. Phew!

Regular readers of my annual statistics posts may have noticed that the graph of each year’s running time always shows “no data” for 2007. That’s because when I first posted my 2007 reviews I didn’t include that information, so I couldn’t tally them up for my stats that year either. However, when I re-posted all those reviews to one of my new blogs I added the times… but still didn’t bother to total them up — it is a lot of films, after all. But this is a special occasion, so I’ve finally gone back over the lot and done it. So here, for the first time, is a complete running time graph:

If you’re curious, that makes the average running time of a film 106 minutes. I don’t think that really signifies anything, but there it is.

Down the years I’ve regularly noted my predilection for newer films — more recent decades always come out on top year-by-year, and my 100 Favourites showed a definite bias towards the past couple of decades (there are stats on that here). Naturally, that’s borne out when I look back at the last ten years in totality. The only possible element of ‘tension’ is: what will come out on top between the 2000s and the 2010s? On the one hand, about 70% of my blog’s life has been in the latter decade; on the other, that means there are more years (and therefore more films) for the former. Drama!

As it is, things go as you might expect: the 2010s come out on top with 458 films, which is 34.3% of the 1,337; and then of course the 2000s are second, with 388 (29%). The only other decade to make triple figures was the ’90s, its total of 114 representing a mere 8.5%. In order of size, the next decade is the ’80s with 91 (6.8%), followed by the ’40s with 79 (5.9%) — all those classic detective series add up. The countdown continues as follows: the ’60s with 57 (4.3%), the ’50s right behind with 56 (4.2%), the ’70s with 50 (3.7%), the ’30s with 21 (1.6%), the 1920s with 15 (1.1%), and finally the 1910s with 8 (0.6%). And the 1900s are actually represented too, by a single short.

As we’re talking about my tastes skewing newer, I thought I’d take a look at something I’ve never considered before. Every year I post a list of my top ten films selected from my personal viewing that year, meaning that films from any time period are eligible. Despite that, I’m aware I still have a tendency to declare newer stuff my #1 of the year. Just how new? Well, this graph shows the ages (in years) of my #1 picks at the time I picked them…

The average age of a #1 (ignoring the outlier) is just over 9 months old. Sticking out is, of course, Seven Samurai, which was 716 months old when it became 2013’s #1. The second oldest was United 93 at a piddling 18 months, while the youngest of all was Skyfall at just 2 months. So, yeah, pretty new.

Similar to running times, I’ve not kept track of all my stats for all ten years — I can’t list languages, or countries of production, or a couple of other things I cover at the end of each year nowadays. It would’ve been interesting, but there you go. There are a couple more things I can pick out, though.

Firstly, the formats I’ve watched all these movies on. This is an interesting one (well, it is to me) because these have regularly fluctuated down the years. Back in 2007 DVD was at the height of its dominance and was the clear frontrunner, but since then it’s slipped far back. Blu-ray has taken its place to an extent (maybe not in the wider population, but in the hearts of people like me), but in terms of my own viewing I know that watching films on TV topped the pile for a number of years. Recently, however, streaming has taken charge, with Now TV making Sky Movies Cinema more affordable and the increasing rise of Netflix, not to mention Amazon’s wannabe-competition. But what comes out best from the decade as a whole?

A little to my surprise, the winner is television, with 367 films (27.4%). I know it was once the #1 format for my viewing, but it’s been slipping for four years now. I guess it’s because it’s been a constant, whereas DVD has faded, streaming has only recently risen, and I’ve never watched as many of my Blu-rays as I should. That said, Blu-ray is second, gradually amassing 318 films (23.8%) over the past nine of the ten years. DVD has clung on in third, with 291 (21.8%). I guess that’s a slow accumulation — it’s one of only three formats to be represented in all ten years (along with television and another that we’ll come to in a bit). New champion streaming (it’s been #1 the past two years) ends up fourth with 243 (18.2%). Considering its numbers over the last couple of years, if I re-ran this all-time chart this time next year it’d likely be second, with the number one spot in its sights not long after. Unless I finally buck up my ideas and get better stuck in to my DVD and Blu-ray collection, anyway.

There’s a big drop to the rest of the figures, which are rounded out by the third and final format to crop up in all ten years, downloads, on 68 (5.1%); my poor record of trips to the cinema on 42 (3.14% — so it’s both the answer to life, the universe and everything and pi); good old VHS on 7 (0.5%); and a lonely little film watched in-flight, that 1 being just 0.07%. Sadly, it wasn’t a Bond film. Even more sadly, it was the risible Superhero Movie.

Finally, as always, a word on quality, or at least my perception thereof. In the past ten years I’ve handed out 223 5-star ratings. That’s 16.7% of the films I’ve watched, which also happens to be one-sixth. I guess that’d sound neater if it was one-fifth, but then I’d be an even more generous marker than I already am. This is definitely borne out by the 615 4-star ratings, which at 46% is not that far off half. (Well, I’d have to have given out 53½ more of them to make it actually half, but still.) Sitting between those two in quantity were the 350 3-stars, which at 26.2% is only a little over a quarter (certainly closer to a quarter than 46% was to half). That leaves the two ‘bad’ ratings to share just 11.1% of films between them — which is just over a tenth, of course. That splits as 130 2-star ratings (9.7%), leaving just 19 films (1.4%) in the highly exclusive 1-star club.

From all that, we can deduce that the average rating earnt by these 1,337 films is 3.6679, which as a percentage would be 73.358%.

And that, I’m afraid, is the end of that.

Tomorrow: putting my birthday celebrations aside for a moment, the February update.

On Wednesday… 100 Favourites II: Eclectic Boogaloo.