Review Roundup

Hello, dear readers! I’ve been away for most of the past week, hence the shortage of posts, but I’m back now, so here’s a random ragtag roundup of reviews to kick things off again.

In today’s roundup:

  • That’s Entertainment! (1974)
  • ’71 (2014)
  • Guardians (2017)


    That’s Entertainment!
    (1974)

    2017 #80
    Jack Haley Jr. | 124 mins | TV | 1.33:1 + 1.78:1 + 2.35:1 + 2.55:1 | USA / English | U / G

    That's Entertainment!

    Greatest hits compilations always seem to be a popular product in the music biz, and that’s essentially what this is, but for movies. An array of famous faces appear on screen to help provide a scattershot history of the MGM musical, but really it’s an excuse to play some fantastic clips from old hits. This may be the kind of programming that TV has taken on and made its own in the decades since, but when the quality of the material is this high, it feels like more than just schedule filler.

    Thanks to many eras being covered it has more aspect ratio changes than a Christopher Nolan movie, though that’s actually quite effective at demarcating the old-school spectacle from the linking chatter. There’s also some “you wouldn’t get that today” commentary, like Frank Sinatra talking about a line of chubby chorus girls (who don’t even look that large!), or various bits and pieces criticising the studio’s history, like how all the films had the same plot.

    It was originally promoted with the tagline “boy, do we need it now”, a reaction to the gritty style of filmmaking that was popular in Hollywood at the time, as well as all the real-life problems of the era (it was released the same year as Nixon resigned because of Watergate). MGM needed it too: the studio was in decline, releasing just five films in 1974. The whole thing carries a somewhat bittersweet air, as ageing stars reflect on past glories from the decrepit environs of MGM’s rundown backlot.

    Nonetheless, it creates a marvellous tribute to a golden era. And I guess it must’ve done alright, because it spawned two sequels, a spin-off, and MGM are still going (more or less) today.

    4 out of 5

    ’71
    (2014)

    2017 #95
    Yann Demange | 99 mins | streaming (HD) | 2.35:1 | UK / English | 15 / R

    ’71

    Set in Belfast in (you guessed it) 1971, ’71 is a thriller that sees an Army recruit become separated from his unit during a riot at the height of the Troubles, leaving him trying to survive the night “behind enemy lines”.

    The film’s best stuff is early on: a brewing riot as police perform a door-to-door search; a tense foot chase through the backstreets; a single-take bombing and its aftermath. The immediacy of all this is well-conveyed, suitably tense and exciting, but also plausible. Then the film decides it needs some sort of plot to bring itself to a close, and so it kicks off some IRA infighting and British Army skullduggery. The added complications don’t exactly bring it off the rails — it’s still a fine and tense thriller — but it lacks that extra oomph that the hair-raising sequences of the first half deliver.

    Still, it’s a promising big screen debut for director Yann Demange, who was reportedly among the frontrunners to helm Bond 25 before that got diverted into Danny Boyle and John Hodge’s idea. His second feature, another period movie, this time a crime drama, White Boy Rick, is out later this year.

    4 out of 5

    Guardians
    (2017)

    aka Zashchitniki

    2017 #122
    Sarik Andreasyan | 89 mins | streaming (HD) | 2.35:1 | Russia / Russian | 12

    Guardians

    You may remember this film from when its trailer went viral a couple of years ago: it’s the “Russian answer to The Avengers” that featured a machine-gun-wielding bear. Naturally, that kind of attention assured it got an international release eventually (I paid to rent it, then it later popped up on Prime Video. You never know how these things are going to go, do you?)

    It’s about a bunch of old Soviet superheroes being reactivated to stop a villain. If that sounds vague, well, I can’t remember the details. Frankly, they don’t matter — Guardians is the kind of film a 6-year-old would write after a diet of Saturday morning cartoons, with the same attention to character development and plot structure you’d expect from such an endeavour. The story is semi-nonsensical: the villain’s plan is never clear (beyond “rule the world”); it flits about between subplots; characters appear and disappear from locations… There’s a litany of “things that don’t quite make sense” — too many to remember without making obsessive notes while rewatching, which I have no intention of doing.

    But if you can ignore all that — or, even better, laugh at it — then it’s fairly watchable, in a brain-off entirely-undemanding so-bad-it’s-good kind of way. There’s some decent CGI (given its budget), some half-decent action, and it’s mercifully brief at under 90 minutes.

    2 out of 5

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  • The Duological Monthly Update for September 2017

    Well, I don’t know about you, but September flew by — it doesn’t feel like we can be in the last quarter of the year already. But here we are.

    Two weeks ago I posted a mid-month update that noted September was behind average and asked the question, “could this be the first month in over three years to not reach the ten-film threshold?” Well…


    #119 Antz (1998)
    #120 Vintage Tomorrows (2015)
    #121 Lions for Lambs (2007)
    #122 Guardians (2017), aka Zashchitniki
    #123 Life (2017)
    #124 T2 Trainspotting (2017)
    #125 Kingsman: The Golden Circle (2017)
    #126 Yojimbo (1961), aka Yôjinbô
    #127 Drew: The Man Behind the Poster (2013)
    #128 Black Swan (2010)
    Kingsman: The Golden Circle
    .


    • So, the answer to the mid-month question: no. I watched exactly ten new films this month, maintaining that double-figure minimum for the 40th consecutive month.
    • However, that does make it the lowest month of 2017. It also failed to reach the September average (previously 11.78, now 11.6), the rolling average for the last 12 months (previously 14.25, now 13.83), and the average for 2017 to date (previously 14.75, now 14.2).
    • Part of the reason for this shortfall is I’ve been making more of an effort with my Rewatchathon. More on that later.
    • This month’s Blindspot film: Akira Kurosawa’s pre-make of A Fistful of Dollars, the superb samurai movie Yojimbo.
    • This month’s WDYMYHS film: with everyone getting in a tizzy about mother!, I thought it was a good time to finally get round to Black Swan. No idea what I’ll make of Aronofsky’s new one (I’ll catch it on Blu-ray or something), but I thought Black Swan was fantastic.
    • This month’s titular adjective comes from the fact I watched Trainspotting 1 and 2, Kingsman 1 and 2, and Wayne’s World 1 and 2. Just a coincidence, that. Shame I didn’t watch Sanjuro ‘n’ all, really.



    The 28th Monthly Arbitrary Awards

    Favourite Film of the Month
    When I eventually get round to reviewing them, there’s a couple of films this month that will likely get the full five stars. Neither of those were the most enjoyable experience I had in front of a screen this month, though. That honour goes to Kingsman: The Golden Circle.

    Least Favourite Film of the Month
    I don’t know what I expected, but it turns out a Russian superhero movie whose trailer went viral purely because it featured a bear wielding a machine-gun wasn’t actually the basis for a great film. Sorry, Guardians.

    Best Poster of the Month
    Eh, sod any of these films’ posters — documentary Drew: The Man Behind the Poster is stuffed full with some of the greatest movie posters of all time, all painted by Drew Struzan, of course. For me, his three posters for the Back to the Future trilogy take some beating.

    Best Dance Scene of the Month
    Natalie Portman may have undergone a tonne of personally-funded training so she could do 80% of Black Swan’s ballet sequences for real, but she’s got nothing on Channing Tatum’s poison-induced moves in Kingsman.

    The Audience Award for Most-Viewed New Post of the Month
    For whatever reason, this is by the far the lowest-ranked most-viewed new post of the year so far: previous ones have all been in the top ten most-viewed posts for their month (surrounded by posts that weren’t new, obviously), but September’s victor was down at 16th. And for the fourth time this year, it was a TV review; specifically, my thoughts on the Twin Peaks season 3 finale. (The highest new film review was Kingsman: The Golden Circle, in 23rd overall.)



    As I mentioned above, this was a good month for my Rewatchathon; in fact, it’s tied with May as the best so far.

    #29 Jumanji (1995)
    #30 Godzilla (1998)
    #31 Trainspotting (1996)
    #32 Kingsman: The Secret Service (2015)
    #33 A Fistful of Dollars (1964)
    #34 Wayne’s World (1992)
    #35 Wayne’s World 2 (1993)

    Lots of films I’ve been meaning to re-watch since my childhood this month — Jumanji, Godzilla, Wayne’s World — all films I watched on or close to their original release but haven’t seen since.

    Godzilla was also my latest attempt at watching something in 4K. I’m beginning to come to the opinion that 4K does actually look better than 1080p, but, Jesus, it’s hard to tell. When I switched from SD to HD the difference was like night and day (that’s not the case for everyone, I know — some people either can’t tell or don’t care enough to notice), but from HD to UHD it’s like, “Is it better? It might be… I think…?” Maybe a side-by-side comparison would make this clear, but I’ve not been arsed to set one up. I think I’ll continue to get the 4K option when I subscribe to Netflix in the future, but I certainly have no plans to invest in a new Blu-ray player or start re-purchasing (or even initial-purchasing) my collection on 4K discs.


    Party like it’s 2049.