Evan Goldberg & Seth Rogen | 112 mins | download (HD) | 2.35:1 | USA / English & Korean | 15 / R
Six months on from all the kerfuffle, the storm-in-a-teacup (as it turned out) controversy of The Interview’s initial release has been consigned to the (film-)history books, leaving us with a movie to be judged on its own merits… albeit a movie being judged by a lot of people who probably wouldn’t’ve bothered with it otherwise, just because of the aforementioned controversy.
The story — lest you need reminding — sees James Franco as a trashy TV interviewer and Seth Rogen as his producer who’d hoped for a more high-brow career. When they find out North Korean dictator Kim Jong-un (Randall Park) is a fan of the show, they set out to land the interview that everyone wants. Much to their surprise, they get it… but before they travel to Pyongyang, CIA agent Lizzy Caplan turns up with a request: assassinate Kim. So the pair set off to a brutally oppressed country in order to murder someone — hilarity ensues!
As with so many comedies, your mileage will vary on whether what follows is indeed hilarity or merely inanity. For me, it contained a weight of obvious ‘gags’ and crass ‘humour’, but also enough genuinely amusing bits to keep it ticking over. Park is excellent as the affable Kim, a misunderstood social outcast who bonds with Franco over basketball, tanks, margaritas, and Katy Perry songs. The latter in particular has a great pay-off at the climax.
Some plot beats may feel over-familiar (the nasty guy is actually nice! It leads to our best-mates heroes falling out!), but then you’re not going to get much comedy out of them turning up to find out that no, really, he’s definitely as evil as everyone thought. On the bright side, co-writer/directors Rogen and Evan Goldberg also pull off a surprisingly well-constructed through-line about honeypotting/honeydicking, even if it doesn’t wholly hang together if you think about it too much (if Kim was just honeydicking Dave, would those things really make him cry?)
The real-world incidents that dogged The Interview mean it gained far more scrutiny than it ever would have normally, and the final result proves that such faff wasn’t necessary: it’s a Seth Rogen comedy, not some biting political indictment of the North Korean regime — anyone who expected it would be is clearly deluded in some way. Perhaps it’s a shame it wasn’t secretly a genius satire that deserved the extra attention, but at least it’s not bad.