James DeMonaco | 85 mins | streaming (HD) | 2.35:1 | USA & France / English | 15 / R
When The Purge first came out, I ignored it because its premise was inherently daft. Then they made some sequels, which I ignored because the premise was still inherently daft. Then two things happened: one, some people who I think are worth listening to said some decent things about it; and two, Trump came to power, and suddenly that daft premise doesn’t feel so far outside the confines of what’s possible.
The aforementioned premise (for those that don’t know) is that, for one 12-hour period each year, all crime is legal. There’s some gumpf about how this was a policy designed to alleviate crime the rest of the year, blah, blah, blah, but really it’s just an excuse for a horror movie — a kind of home invasion action-thriller, essentially, but with twists and some effective moments. Although it has plenty of lump-headed, convenient-for-the-plot moments too, but I shan’t delve into spoiler territory here. Let’s just say some of the bigger twists are achingly predictable.
I think writer-director James DeMonaco was hoping to land some kind of political commentary, possibly even satire — I mean, it’s inherent in the concept, right? And the film leans into it, mostly in a race-related way, with a black guy on the run and antagonistic prep school kids. But it’s maybe not as clever as it’d like to be, and I’m not sure it’s actually got anything to say — again, it’s a violent thrill-ride with some window-dressing.
The other thing about the premise is… they’ve made four of these movies now, plus a TV series, and from what I can ascertain they’ve all focused on “murder and violence is allowed” — but if all crime is legal, well, wouldn’t people be stealing company secrets, breaking NDAs, filing their tax returns…? Crimes against the government aren’t allowed or something, so I guess that’d probably cover the last one. But still, I feel like there’s potential to produce more variety than just “12-hour murder spree!” again and again.
Anyway, it is what it is. I generally liked it enough while watching it, but it certainly doesn’t stand up to post-viewing intellectual scrutiny.