100 Films’ 100 Favourites #17
They had a date with fate in Casablanca.
Runtime: 102 minutes
MPAA: PG (1992)
Original Release: 7th December 1942 (Brazil)
US Release: 23rd January 1943
UK Release: December 1942 (BBFC)
First Seen: DVD, 2006
Humphrey Bogart (The Maltese Falcon, The Big Sleep)
Ingrid Bergman (Notorious, Autumn Sonata)
Paul Henreid (Now, Voyager, Deception)
Claude Rains (The Invisible Man, Notorious)
Conrad Veidt (The Cabinet of Dr. Caligari, The Thief of Bagdad)
Michael Curtiz (The Adventures of Robin Hood, Mildred Pierce)
Julius J. Epstein (Arsenic and Old Lace, Cross of Iron)
Philip G. Epstein (Arsenic and Old Lace, The Last Time I Saw Paris)
Howard Koch (The Letter, Letter from an Unknown Woman)
Everybody Comes to Rick’s, an unproduced play by Murray Burnett and Joan Alison. (Despite the film’s popularity, a legal dispute between the playwrights and Warner Bros meant it wasn’t staged until 1991.)
Controlled by the German-subservient French government, Morocco in 1941 is a congregation point for German officials, collaborating French, and refugees attempting to get to neutral America. When letters of transit allowing that passage come into the possession of nightclub owner Rick Blaine at the same time as the love of his life, Ilsa Lund, walks into his joint with her husband, Resistance leader Victor Laszlo, Rick has some tough decisions to make — and quickly, with corrupt police captain Renault hunting for the letters and German Major Strasser gunning for Laszlo…
Of all the gin joints in all the towns in all the world, everybody comes to Rick’s. That’s because Rick is Humphrey Bogart. You’d go to a bar run by Humphrey Bogart, wouldn’t you?
The most beautiful woman to ever visit Casablanca (a gross understatement), here’s looking at you, Ingrid Bergman. (Yes, I added this section pretty much just to say that.)
It’s set during World War 2 so, I mean, who do you think?
Best Supporting Character
Claude Rains was the Invisible Man, but here he’s Captain Louis Renault, a corrupt copper who — despite being fourth-billed in a film packed with memorable dialogue — still gets a good many of the best lines.
“Of all the gin joints in all the towns in all the world, she walks into mine.” — Rick
Quote Most Likely To Be Used in Everyday Conversation
“Louie, I think this is the beginning of a beautiful friendship.” — Rick
The Most Famous Misquote in Movie History
“Play it again, Sam.” — Rick
(Ilsa says “Play it once, Sam,” and “Play it, Sam.” Rick says, “You played it for her, you can play it for me. If she can take it, I can take it, so play it!”)
As Laszlo boards the plane out of Casablanca, Ilsa thinks she’s staying with Rick… until he convinces her to go. Standing in the doorway of an aircraft hanger, it’s probably the film’s most iconic scene — if you’ve not seen it, you’ve certainly seen it parodied.
You must remember this: a kiss is just a kiss, a sigh is just a sigh. The fundamental things apply, As Time Goes By. Play it
Casey Robinson re-wrote the film’s romantic scenes and was offered a credit, but turned it down because he only took credit for screenplays he wrote entirely himself. Of course, with that decision he missed out on winning an Oscar.
3 Oscars (Picture, Director, Screenplay)
5 Oscar nominations (Actor (Humphrey Bogart), Supporting Actor (Claude Rains), Black-and-White Cinematography, Editing, Score)
What the Critics Said
“bear in mind that it goes heavy on the love theme. Although the title and Humphrey Bogart’s name convey the impression of high adventure rather than romance, there’s plenty of the latter for the femme trade. Adventure is there, too, but it’s more as exciting background to the Bogart-Bergman heart department. Bogart, incidentally, as a tender lover (in addition to being a cold-as-ice nitery operator) is a novel characterization” — Variety
What the Public Say
“the script’s greatest strength is not quotability. It’s character development. Rick, Ilsa, Renault and Laszlo are complex individuals, about whom we care, no matter their flaws. Sam (Dooley Wilson), an African American pianist, is layered by loyalty to Rick and emotional acuity, while Major Strasser, the antagonist, is not a comic book villain. Because he’s a Nazi, we do not like the Major, but director Michael Curtiz and his writers are smart enough not to make him stereotypically evil, instead opting to develop him as determined and efficient. Because all of the characters are so genuine, the filmmakers earn our emotional investment” — Josh, Cinema Parrot Disco
Casablanca is remembered now as much for its selection of ever-quotable lines as for anything else — you don’t have to have seen the film to know that if you go walking into all the gin joints in all the towns in all the world and someone’s looking at you, kid, then maybe not today, maybe not tomorrow, but soon you should round up all the usual suspects again, Sam, for the beginning of a beautiful friendship. Or something. It’s much more than that, though: an engaging romantic drama, with enough overtones of noir to keep it snappy, set in perhaps a ’40s equivalent of the Wild West. It may be three-quarters of a century old next year, but it still merits playing again.
#18 will see… Bond begin.