Guardians of the Galaxy Vol. 2 (2017)

2017 #59
James Gunn | 136 mins | cinema | 2.35:1 | USA / English | 12A / PG-13

Guardians of the Galaxy Vol. 2

The franchise that some thought might kill the Marvel Cinematic Universe, but which actually turned out to be one of its most popular successes, is back for the difficult second album. And difficult it is, because Guardians 2 takes a lot of what made that first movie work and ramps it up to 11, consequently slipping over into bouts of self-indulgence.

The story picks up on a thread left conspicuously hanging at the end of the first movie: who is Peter’s father, and why did he have the Ravagers kidnap Peter from Earth? Vol. 2 digs into those answers pretty quickly, because it has somewhere else to go with them… but that would be spoiler territory. So while Peter (Chris Pratt), Gamora (Zoe Saldana), and the ever-hilarious Drax (Dave Bautista) toddle off to learn about daddy-o, the rest of the gang — Rocket (motion capture of Sean Gunn, voice of Bradley Cooper) and Baby Groot (still voiced by Vin Diesel, allegedly) — get caught up in a mutiny involving Yondu (Michael Rooker) and Nebula (Karen Gillan). All while the lot of them are being chased by a race of gold-skinned perfectionists led by the priestess Ayesha (Elizabeth Debicki) who the Guardians conned.

Returning writer-director James Gunn gets things off to a strong start, diving straight into answers, humour, an entertaining title sequence, a couple of action scenes, more humour, and more answers. But after this strong and pacy opening salvo, the film seems to flounder a little. Not fatally so, but it gradually becomes apparent that the middle is going on far too long. Your mileage will vary on how draggy this is — some people seem to have absolutely hated it; I thought much of it was amiable enough, but it goes nowhere fast and that eventually becomes wearing.

You've got the power to know you're indestructible...

Part of the problem lies in splitting our heroes up into two groups with two stories. It may have been inspired by The Empire Strikes Back (or that may just have been a parallel some critics have spotted, I’m not sure), and it’s not a fundamentally flawed structural choice, but here it doesn’t really work. Part of the problem is that the gang works best when sparking off each other. Heck, the film even goes to pains to set up a joshing rivalry between Peter and Rocket, then splits them up! Story-wise, the issue is twofold: the A plot is a slow one that spins its wheels because it has too little story-fuel to drive the whole movie; but the B plot feels grafted on to give half the cast something to do, as well as provide a little action and humour while the other plot is tackling the emotional heft.

That said, uncommonly for a modern blockbuster, it’s the emotional side the film gets most right. While the plot dawdles, the action is adequate, and the comedy is hit and miss (more the former than the latter, to be fair, but there’s a definite case of “throw everything and see what sticks”), there are several characters who get strong, believable, rounded emotional arcs. The obvious one is Peter finding out about his parentage, but my favourite was where the film goes with Nebula and the relationship with her adopted sister, Gamora. There’s also a comparatively meaty subplot for Yondu, meaning it’s mostly the supporting characters who fare best with the material rather than the heroes — aside from Peter and (to a lesser extent) Gamora, the primary function of Drax, Rocket, and Baby Groot is to be humour generators. They are funny, though.

Funny.

In the director’s chair, Gunn continues to dole out even more of what people praised about the first movie. You liked the retro-cool soundtrack? OK, how about a new track every time there’s a lull in the action! The use of the music feels sloppy, often just plonked there to cover a gap, with no discernible thematic relevance. It’s doubling down on something people latched onto the first time, but it feels slapdash. The one instance that almost works is Fleetwood Mac’s The Chain, which has a setup and a pay-off, but they’re not quite properly connected.

Also overdone is the slow motion walking. Remember that shot in the first film of the Guardians walking into battle in slow-mo looking badass, that was then humorously undercut when they started, like, yawning and stuff? James Gunn does, and he liked it so much that he uses it again several times here. Apart from he seems to have forgotten the second part of the scene that made it funny rather than cheesy. Cool people walking in slow motion seems to be one of those cinematic devices that doesn’t really date, especially when used sparingly, so I could let it go once, but here it reaches the point of “oh my God, another slow-mo walking shot?!”

This indulgence in everything people liked before extends right to the very end of the movie — literally. The end credits are a lively affair in and of themselves, but they’re further interrupted by a total of five additional scenes. Five. They’re mostly inconsequential (don’t go expecting any hints towards Infinity War), but they’re worth sticking around for because a couple are quite amusing.

More guardians, more... galaxy? I dunno.

Guardians of the Galaxy Vol. 2 is an uneven film, which manages to be entertaining as a whole thanks to its likeable and funny characters — even if the best gags have all been played in the trailers (and some of them played better in trailers, too), it’s trying so hard (so, so hard) to be a good time that much of it works. It’s strongest at the beginning and the end, which almost makes you overlook that it gets a bit thumb-twiddly in the middle, with one plot more of a short story than a movie and the other feeling a little like a waste of time. However, the surprising focus on and awareness of the characters’ psychological lives makes up for that somewhat — oddly, Marvel’s most comedy-driven and alien-starring movie may also feature their most effective understanding and representation of characters’ emotions.

But don’t worry, there are still jokes about poo and penises.

4 out of 5

Guardians of the Galaxy Vol. 2 is in cinemas pretty much everywhere now. Except Japan. Sorry, Japan.

I am Baby Groot.

Advertisements

Guardians of the Galaxy 3D (2014)

Rewatchathon 2017 #8
James Gunn | 121 mins | download (HD) | 2.40:1 + 1.78:1 | USA & UK / English | 12 / PG-13

Guardians of the Galaxy 3D

So, I just got a 3D TV. Well, it’s a 4K TV, but we’re interested in the fact it does 3D right now. And, to cut a long story short (literally — I wrote a 1,200-word post about this before deciding it was rambling and pointless), the impetus to get one now came from the fact that all TV manufacturers are ditching 3D from this year and I always kinda wanted it. (As to why I got a 4K one, apparently it makes for better quality 3D; plus it’s future proof — “future” being the operative word because I’m not replacing my Blu-ray player, I don’t keep a regular Netflix subscription, and Amazon Prime’s UHD selection (found on an otherwise-secret menu when you access it from a 4K device!) is quite pitiful.)

The first thing I watched was… the opening seven minutes of Doctor Who’s 50th anniversary episode, actually (which has superb 3D). But the first thing I watched in full was Guardians of the Galaxy, because I’d been meaning to rewatch it before the sequel lands at the end of the month, and because I’ve long been curious about the 3D version’s shifting aspect ratio.

Regular readers may remember that I love a good shifting aspect ratio, and Guardians does not disappoint. As usual for these things, most of the film is at 2.40:1, opening up to 1.78:1 for selected sequences. Director James Gunn uses it in a similar way to Christopher Nolan, with a scattering of expanded shots here and there alongside some whole sequences, mainly used for action scenes and epic establishing shots. (That’s as opposed to something like The Hunger Games: Catching Fire, which has more-or-less half the film in one ratio and the second half in the other.) Even on a TV the effect is immense, the screen-filling interludes feeling genuinely larger and more impactful. This was helped no small amount by my new TV being 12″ larger, which doesn’t sound like much but actually makes a huge difference (as the actress said to the bishop). That said, pausing a moment to do the maths, it’s nearly a whole third bigger than my old TV, so no wonder the difference is noticeable. But I digress…

Knowhere's better in 3D

As with so many 3D blockbusters nowadays, Guardians was a post-conversion. Nonetheless, I commented in my original review that some sequences seemed to have been designed with 3D in mind — specifically the chase through Knowhere, which I described as “little more than a blur.” I feel like past-me was correct, because I had no such issues with the sequence this time out. Even though I enjoy it, I’m still one of those people who regard 3D as fundamentally little more than a gimmick (though I’ve yet to see Hugo, so I guess there’s still room for my own conversion to considering it a Serious Filmmaking Tool), but it does lend a scope, scale, and pizzazz throughout the movie that’s a lot of fun, especially during the big action sequences. Indeed, particularly when combined with the shifting aspect ratio, it makes for some very striking moments.

I’d hesitate to say the 3D improved my opinion of the film as a whole, but I think the second viewing certainly did. My aforementioned original review was pretty darn positive, though I think I’d remembered enjoying it less than I did because the praise it received in some other quarters went into overkill. On this viewing I didn’t feel the problems with pace that bothered me before; and while I continue to think Nova City could do with more development before the climax (I still can’t even remember its proper name), I found said climax to be less overlong and more structured. Obviously the film itself hasn’t changed (well, other than that extra visual dimension), but my perspective on it clearly has (in addition to that extra visual dimension).

Badasses of the Galaxy

For all the benefits of bigger screen sizes, extra dimensions, and an adjusted appreciation of its pacing, Guardians’ greatest asset remains its characters and how much fun they are to be around. They are primarily what make it a mighty entertaining movie, whether in two dimensions or three.

4 out of 5

The UK TV premiere of Guardians of the Galaxy is on BBC One tonight at 8:30pm — in 2D, of course.