You may’ve noticed that it’s the 2010 Oscars this Sunday (technically Monday over here), finally bringing an end to the tale of movies from 2009 (Empire have their awards a while later, which is pushing into the pointless — OK, they’re never going to become an Oscar-predictor by moving up in the schedule, like the BAFTAs aimed for with their pre-Oscar move; but how many people still care about last year by the time we’re a quarter through the next?)
It seems appropriate timing, then, to finally publish this group of reviews for (most of) 2007’s Best Picture nominees (a ‘feature’ I’ve had in the planning for well over a year — oops). Yes, it’s two ceremonies ago, but it’s the best I’ve got.
“There’s underage sex, swearing, numerous displays of teen independence, divorce, love of rock music and horror films… All that’s missing from a Middle American Mom’s worst nightmare is drugs (there’s no violence either, but we know them there yankees love a bit of that).” – Read more…
“The obvious point of comparison is Damages, the excellent TV series that also concerns such high-profile big-business lawsuits, but… Damages sustains it for over 9 hours, replete with cliffhangers and plot twists so far beyond what Clayton’s straightforward story has to offer that Gilroy isn’t even dreaming of being that good.” – Read more…
There Will Be Blood
“not to say it’s a bad film, but it is at times a baffling one… I can’t help but wonder if I missed something crucial along the way because, even after two and a half hours, I had no real idea what the film was about.” – Read more…
No Country for Old Men
“it’s really about Fate, randomness, chance. Some clearly think this brilliant; I remain unconvinced. It lacks satisfaction. Maybe that’s real life — no, that is real life: random and lacking closure and satisfaction. But this isn’t real life, it’s a movie” – Read more…
Of the five Best Picture nominees from 2007, the only one I gave five stars was Atonement. As the only one I watched around the time, such a score may’ve been boosted by BAFTA hype and its Britishness, while perhaps the likes of No Country have, conversely, been ruined by their extended hype.
On balance, the film I most enjoyed from the line up was Juno; but does that make it best? Depends what you’re looking for, I suppose.