The Festive Monthly Review of November 2019

Regular readers will no doubt have cottoned on to the fact this year has been rather turbulent in my life away from the blogosphere — nothing terrible or tragic, thank goodness, but time- and attention-consuming nonetheless. Well, it’s hopefully the (beginning of the) end for that now, as November ends and December begins with me finally moving into a new permanent home.

I know people have “moving day”, but geez, it’s a process, isn’t it? One I’m in the middle of — and has affected my blogging once again at the end of November, as I missed another TV review (which would’ve covered the likes of His Dark Materials, Watchmen, The Mandalorian (even though I’m in the UK), and the BBC’s long-awaited take on War of the Worlds), and didn’t post reviews of major new releases like The Irishman and The Report (both of which I’ve seen, neither of which I’ve had time to write about in full).

My film viewing has suffered once again as well. I’m way behind on both Blindspot and WDYMYHS, not to mention various new releases — not only on the big screen but also stuff I missed earlier in the year that’s now on disc / streaming.

On the bright side, earlier in November was the 2019 FilmBath Festival, and that’s almost single-handedly responsible for this being my highest-totalling month since the summer.

But I’m getting ahead of myself slightly. Here are the films I watched last month…


#135 The Report (2019)
#136 The Personal History of David Copperfield (2019)
#137 Portrait of a Lady on Fire (2019), aka Portrait de la jeune fille en feu
#138 Little Monsters (2019)
#139 Harriet (2019)
#140 La Belle Époque (2019)
#140a My Theatre (2019)
#141 Filmfarsi (2019)
#141a Terra (2019)
#141b Spooning (2019)
#142 And Then We Danced (2019)
#142a Woman in Stall (2018)
#143 Judy & Punch (2019)
#144 Making Waves: The Art of Cinematic Sound (2019)
#145 Jojo Rabbit (2019)
#145a Hey You (2019)
#145b Gladiators on Wheels (2019)
#145c Tight Spot (2018)
#145d When Voices Unite (2017)
#145e Facing It (2018)
#146 The Irishman (2019)


  • So, I watched 12 new feature films in November.
  • I also watched 9 short films, which is more than I’ve seen in entire years before now.
  • The latter were all thanks to FilmBath Festival, as were 92% of the features — as I said at the start, it almost single-handedly rescued this month from being another disappointment.
  • Talking of disappointment, I didn’t watch any of last month’s “failures” either.
  • Comparisons of averages are hardly “not disappointing”, but they’re also not a total disaster. 12 is above the November average (previously 10.3, now 10.4), though it is slightly below the average for 2019 to date, which even with all those ‘bad’ months was still 13.4. It’s now 13.3, and the rolling average of the last 12 months also comes down to the same (it was previously 14.4).
  • One final positive worth mentioning: I passed #137 this month, which puts 2019 into my top five highest-totalling years. So much for all those “terrible” months, eh? Getting any higher than 5th place is unlikely, because for that I’d have to watch 29 films in December… but I have watched more than that in a single month on a handful of previous occasions — so, literally speaking, it’s not impossible.



The 54th Monthly Arbitrary Awards

Favourite Film of the Month
It’s a closely-fought field this month, with about four 5-star films and a couple of highly likeable 4-star-ers too. For the surprise factor — because I hoped I’d like it but ended up absolutely loving it — I’m going to give this to La Belle Époque, but I fully expect a certain other French film to end up above it in my end-of-year rankings.

Least Favourite Film of the Month
I hate to dunk on what’s probably the smallest, most obscure, least-likely-to-get-seen-anyway (feature) film I saw this month, but I’m afraid to say this has to be Filmfarsi. It’s not that I thought it was bad, just a bit rough around the edges, for various reasons. But if its subject sounds interesting to you, I’d still encourage you to see it if you can.

Favourite Short Film of the Month
Last month I watched so many short films that I gave them a category. This month I watched almost twice as many, so it’s back. There are several great ones among the nine I watched, but for being an incredibly impressive technical achievement — all in aid of conveying real emotions and experiences, not showing off for the sake of it — my pick is Facing It.

Best Film Festival of the Month
Okay, I only attended one film festival this month, and I may be a little biased, but FilmBath was a great experience — a nice atmosphere and I saw some fantastic films.

The Audience Award for Most-Viewed New Post of the Month
Two posts were closely vying for this award in November, but in the end… it was a tie! I’m not sure I’ve ever had a tie in this category before. (There are 53 previous editions of these awards and I can’t be bothered to check them all right now, sorry.) So the joint winners were my coverage of FilmBath Festival’s opening night and my review of Judy & Punch. (If you really wanted to break the tie, the latter was online for 8 days vs the former’s 23, so therefore amassed a higher average of views per day.)



We begin this month with a Rewatchathon first: a rewatched short.

#24a Pleased to Eat You! (2019)
#25 What We Did on Our Holiday (2014)
#26 Easy Virtue (2008)

I first saw Pleased to Eat You last month as part of the prep for FilmBath Festival, then saw it again before the screening of Little Monsters. It merits revisiting, though, because it’s such great fun.

As for the two features rewatched, they’re both movies I feel have been somewhat undervalued. My original reviews of both are linked above, as always. Sometimes I re-read old reviews and am pleasantly surprised by the quality of my own writing (which sounds rather smug and self-gratifying, but I’m talking about very old reviews re-read with some distance, not going back over something I just wrote, which I think makes it different). Sometimes, however, I’m less impressed (which hopefully shows I’m not simply uncritical of my own work). Unfortunately, my review of Easy Virtue from 2011 is one of the underwhelming ones. I stand by its sentiment, but I don’t think I expressed that sentiment very well.

My piece about What We Did on Our Holiday is better, though still not totally clear. I also think it’s a film that improves with rewatching — any faults fade into the background behind the bits that are hilarious, heartfelt, humanist, and sometimes quite beautiful.


Unsurprisingly, there’s plenty to mention here — more than normal, in fact. I say that because there are usually three or four cinema releases I name, but November brought loads. From high-profile releases such as Frozen II, Knives Out, Last Christmas, and Le Mans ’66 (that’s Ford v Ferrari to some of you); to films that were surprises, either because they were hits, or flopped, or provoked controversy, or just seemed to come out of nowhere, like Midway, The Good Liar, Charlie’s Angels, and Blue Story (you can match up which of those is which); to smaller releases of note, like The Nightingale (the new one from Jennifer “The Babadook” Kent) and Greener Grass; to ones that probably fit into one or more of those other categories, though I’m not sure which, like The Aeronauts and 21 Bridges. Sure, some of those are films I never would’ve made the effort to see in the cinema anyway, but they’re all ones I’ll look out for in the future nonetheless.

It was also an uncommonly productive month for Netflix — they release new series all the damn time nowadays, but it feels like their original films that are worthy of note congregate at the end of the year. As well as the obvious one (see #146) there was The King, Earthquake Bird, and Christmas movie Klaus (which I’ve saved for December, because duh). Talking of the incoming season, there were a bunch more tacky-looking Christmas originals, foremost among which is surely The Knight Before Christmas — a film where they definitely came up with the title first and worked backwards. It looks and sounds terrible, obviously, and yet there’s something about its reputed awfulness (and that marvellous pun) that’s tempting me to watch it… Back on the sensible end of the spectrum, festival winners like Atlantics and I Lost My Body also popped on in the last couple of days.

Also added in the past month was Dragon Ball Super: Broly. That’s a franchise that’s never otherwise interested me, but I’m tempted to see what all the fuss was about for this particular entry: it was the highest-grossing anime film of 2018 and one of the highest of all time, including in the UK, where it became the second highest-grossing anime ever (behind only Spirited Away) and an advance screening sold out in just 23 seconds. Is its success thanks to a dedicated fanbase and limited number of screenings, or is it actually something special? There’s one way to find out… Lastly on Netflix, not a film but a series about films: The Movies That Made Us, a spin-off from their successful series about toys that, as far as I can tell, basically trades in ’80s nostalgia. Of course, the making of movies is a lot better documented than the making of toys, so whether it has anything new to say about the likes of Die Hard or Ghostbusters seems doubtful.

Amazon didn’t have too many originals to offer — or perhaps any, besides one (see #135). But there were a few catalogue additions I want to see, like Magic Mike and Umberto D (not two films you’d normally see mentioned side-by-side…), and a few oddities that caught my eye, among them Tsui Hark’s directorial debut, Butterfly Murders, and Too Late, which is billed as “a sexy, smart noir detective thriller… told in non-linear fashion, in a series of five true long takes… with stunning 35mm cinematography.” They also say the latter is “a cinephile’s dream” and, yeah, it does sound a bit like that. They also have a bunch of reduced price rentals for Prime members, in which I recently hoovered up Missing Link, Booksmart, Brightburn, and Eighth Grade — now I’ve just got to make sure to make time for them before the rentals expire.

Finally, there’s the new stuff I bought on disc, like Apollo 11 in 4K, and in 3D Spider-Man: Far from Home, Aladdin, and Pokémon: Detective Pikachu (the latter two only thanks to sale prices). Then there were new catalogue releases, like Masters of Cinema editions of The African Queen and Der Golem, and Arrow’s release of RoboCop; a sale purchase of Candymen: Farewell to the Flesh (I enjoyed the first one a lot so figured this sequel was worth a punt); and the HD box set of Batman Beyond… which, for its UK release, replaced the Blu-ray disc of spin-off movie Return of the Joker with a censored DVD copy. WTF, Warner?

And all that without even dipping into any Black Friday deals! Which, actually, are mostly still ongoing. Hmm…


It’s been a very up and down kind of year here at 100 Films — will December end it on another higher, or in another dip? There’s only one place to find out: right here, in 31 days’ time.

(Unless I also mention it on Twitter.)

(Or Instagram.)

(Or Letterboxd.)

(So… yeah.)

The Knockout Monthly Update for November 2018

When Rocky snuck its way onto my “What Do You Mean You Haven’t Seen” list back in January, I didn’t have particularly high hopes — I’ve never liked boxing movies, and I was only going to watch it because I ‘should’. Well, in the eight months since I watched it I’ve gone on to watch all six sequels, ending this month when I gave Creed full marks precisely because of how much it was a Rocky movie. And that’s why this month is a knockout.

Also, because I watched a tonne of films.


#223 Their Finest (2016)
#224 Going for Golden Eye (2017)
#225 Jurassic World: Fallen Kingdom 3D (2018)
#226 The Other Side of the Wind (2018)
#227 Batman & Mr. Freeze: SubZero (1998)
#228 Jodorowsky’s Dune (2013)
#229 Have a Good Funeral, My Friend… Sartana Will Pay (1970), aka Buon funerale amigos!… paga Sartana
#230 Bohemian Rhapsody (2018)
#231 Attack the Block (2011)
#232 Outlaw King (2018)
#233 Incredibles 2 3D (2018)
#233a Bao 3D (2018)
#234 They Shall Not Grow Old (2018)
#235 Paper Moon (1973)
#236 Hitchcock/Truffaut (2015)
#237 The Greatest Showman (2017)
#238 The Ballad of Buster Scruggs (2018)
#239 The Tale of the Princess Kaguya (2013), aka Kaguyahime no monogatari
#240 Redline (2009)
#241 Zatoichi’s Cane Sword (1967), aka Zatôichi tekka-tabi
#242 Creed (2015)
#243 Danger: Diabolik (1968), aka Diabolik
#244 Boy (2010)
#245 Dad’s Army (2016)
#246 Teen Titans Go! To the Movies (2018)
#247 Ant-Man and the Wasp 3D (2018)
Bohemian Rhapsody

Paper Moon

Creed

Teen Titans Go! To the Movies

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  • With 25 new films watched, November is the fourth best month of 2018. That’s not particularly impressive — it’s only just inside the year’s top third — but on an all-time scale…
  • That number makes November 2018 my joint fifth best month of all time (tied with August 2007), putting it in the top 5% of all months. Sounds a lot more impressive put like that, doesn’t it?
  • It’s the best November ever by some margin (the previous was 2016’s 14), in the process dragging the month’s average from 8.8 to 10.3. That leaves just July with an average below 10.0 (but it’s on 9.9, so hopefully I’ll get it over the line next year).
  • Also, as this is the first November with over 20 films, that leaves just December as the only month never to have reached the 20s. Will next month be the first? Only time will tell.
  • This month’s Blindspot film: aliens invade a London council estate in Attack the Block. The aliens may be violent, feral monsters, but they didn’t count on chavs…



The 42nd Monthly Arbitrary Awards

Favourite Film of the Month
There were many films I really liked this month, including a couple that surprised me, and ending with two colourful superhero movies that I enjoyed as much or more than the genre’s more serious-minded efforts earlier in the year. But, as the introduction to this post probably made clear, the victor has to be Creed.

Least Favourite Film of the Month
Where Creed worked because it had respect for its legacy, this month’s loser is a film that puts on the surface sheen of caring about its forebear, but doesn’t demonstrate that reverence — because it’s pretty rubbish. The film in question is 2016’s Dad’s Army remake.

Most Listened-to Song from a Movie of the Month
I thought this was going to be Last Breath by Future from the Creed soundtrack, which makes nice use of the famous Rocky theme to give that inspirational anthem a modern spin. But iTunes informs me the actual winner is the number I highlighted in my Greatest Showman review, the almost-titular The Greatest Show. Well, I did bung it on loop while I was writing that review…

Most Surprising Male Nudity of the Month
Sure, everyone was talking about Chris Pine’s penis in Outlaw King, but did you know Teen Titans Go! To the Movies features baby Superman’s naked, wiggling arse? Okay, he’s just a cartoon, but still.

The Audience Award for Most-Viewed New Post of the Month
November 2018 was my second largest month ever for views and visitors, much of that powered by the continued popularity of my Bodyguard review (which has now entered my top ten of all time). As for new posts, regular readers may know that the winner of this award is often a review of a just-released film posted while that film is still brand spanking new. So when I posted my review of Bohemian Rhapsody a whole 18 days after its UK debut and 9 days after its US release, I didn’t expect much hit-wise. But, lo and behold, a mega-popular film is a mega-popular film, and Bo Rhap bested the likes of Outlaw King (a review I posted the day after it popped up on Netflix) and They Shall Not Grow Old (a review I posted the morning after it was on TV) to be November’s most-viewed new post.



This month, a few recent blockbusters I watched for the first time in 3D…

#42 Jurassic World 3D (2015)
#43 Dodgeball: A True Underdog Story (2004)
#44 Thor: Ragnarok 3D (2017)
#45 Justice League 3D (2017)

People seem to have become increasingly sour towards Jurassic World in the years since it came out, but I still think it’s pretty great, a blockbuster ride with sufficient spectacle. In 3D, the extra dimension is superb, really adding to the film’s scale.

The same can be said of Thor: Ragnarok, which also benefited from a shifting IMAX aspect ratio. I enjoyed it even more on a second viewing — having been reminded of what a ‘normal’ Marvel movie is like tonally by Black Panther and Infinity War, Taika Waititi’s influence was much more pronounced.

Conversely, I was a bit more attuned to Justice League’s flaws this time around. Not that I was unaware of them before, and I still mostly enjoyed it, but it’s so clearly a compromised movie. Its 3D is fine, but rarely as spectacular as a film of this scope should be.


2018’s record-obliterating total.

Plus, could the combined final tallies of the main list and Rewatchathon result in— no, shh, it’s a secret…

The Global Monthly Update for November 2017

Multiple helpings of Eastern action, French sci-fi, German horror, South American-themed Disney, a double-dose of Batman and, appropriately, a 3D trio all feature in my viewing for the penultimate month of 2017.


#152 Candyman (1992)
#153 Batman vs. Two-Face (2017)
#154 Awakenings (1990)
#155 Rurouni Kenshin 3: The Legend Ends (2014), aka Rurōni Kenshin: Densetsu no Saigo-hen
#156 Passengers 3D (2016)
#157 Justice League (2017)
#158 The Great Wall 3D (2016)
#159 Zatoichi the Fugitive (1963), aka Zatôichi kyôjô-tabi
#160 Valerian and the City of a Thousand Planets 3D (2017)
#161 Saludos Amigos (1942)
#162 Tea for Two (1950)
#163 The Cabinet of Dr. Caligari (1920), aka Das Cabinet des Dr. Caligari
The Great Wall

Valerian and the City of a Thousand Planets

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  • 12 new films this month mean that November isn’t 2017’s worst (a dishonour retained by September’s 10), but it’s far from its best (it’s 9th out of 11).
  • That’s below the 2017 average (previously 15.1, now 14.8) and the rolling average for the last 12 months (previously 14.58, now 14.42). Oh well.
  • On the bright side, it beats my November average, in the process raising it from 8.44 to 8.8. That means it’s still one of three months with an all-time average below 10, but if I watch 11 films in November 2018 then that’ll change.
  • Also, further to what I was saying in July about dates on which I’ve never watched a film, November 4th is now also struck off the list. Hurrah!
  • Zatoichi the Fugitive is my second Zatoichi film this year. That means that since I started watching the 25-film series in 2013 I’ve averaged… 0.8 films a year. Oh dear. If I maintain that rate I won’t finish until 2044.
  • This month’s Blindspot film: supposedly the first true horror film and the most famous example of German expressionism, The Cabinet of Dr. Caligari. While it’s very atmospheric, I don’t think it entirely holds up.
  • No WDYMYHS film this month. There’s only one left though, so next month it is.



The 30th Monthly Arbitrary Awards

Favourite Film of the Month
This month wasn’t an all-timer for quality — while I did enjoy most of the films I watched, very little jumps forward as a solid gold favourite. It comes down to a toss-up between two 2017 releases that each met with critical indifference but which I was pleasantly surprised to enjoy very much, especially with 3D really showing off their spectacle. On balance, I think the more interesting was Valerian and the City of a Thousand Planets.

Least Favourite Film of the Month
In a mirror image to the above, there was nothing truly terrible. This category is considerably easier to decide on, though, because I was so thoroughly disappointed by Batman vs. Two-Face.

Most Underrated ’90s Film of the Month
Sure, not enough people talk about Awakenings (as I wrote in my review), but I was even more surprised to find that Candyman is a highly atmospheric horror movie that deserves to be better remembered.

Biggest Missed Obvious Solution of the Month
Considering they reshot almost all of his scenes anyway, they should’ve just had Superman be reborn with Henry Cavill’s silly moustache in Justice League. I mean, maybe it wouldn’t’ve been a good idea, but it’d’ve been a laugh.

The Audience Award for Most-Viewed New Post of the Month
For the fifth time this year, this award goes to the TV roundup. The headliner, and undoubtedly what attracted the most views, was Stranger Things 2. Also in the post was Peaky Blinders series three — another series that I know draws a lot of hits. It was further bolstered by covering Red Dwarf XII and an episode of Rick and Morty, plus Arrow, Bounty Hunters, Castle, Detectorists, The Flash, The Good Place, and Upstart Crow. (The highest new film review was Justice League at 9th.)



#41 Batman: Mask of the Phantasm (1993)
#42 Baby Driver (2017)
#43 Spider-Man: Homecoming 3D (2017)
#44 Men in Black (1997)
#45 Men in Black II (2002)

I hadn’t intended to embark on the Men in Black trilogy, particularly, but at a loss one night I settled on rewatching the first because why not? That led to the sequel, but not the third as yet. I’ve never seen it, so maybe next month.


I’ve written a list, I’m checking it twice — not of who’s been naughty or nice, but of films I intended to watch in 2017 and haven’t got round to yet. La La Land, Your Name, the new Beauty and the Beast… it goes on much longer than that. How many will I get through?

Plus: thirteen days to go ’til a galaxy far, far away…

The Up-to-Date Monthly Update for November 2016

The penultimate monthly update for 2016 has a higher-than-usual compliment of films from 2016. How up-to-date of me.


#172 Bridesmaids (2011)
#173 Love & Friendship (2016)
#174 Batman: Return of the Caped Crusaders (2016)
#175 The Pianist (2002)
#176 Kung Fu Panda 3 (2016)
#177 Swiss Army Man (2016)
#178 Suicide Squad (2016)
#179 Arrival (2016)
#180 10 Cloverfield Lane (2016)
#181 The Deer Hunter (1978)
#182 Fantastic Beasts and Where to Find Them (2016)
#183 Star Trek Beyond (2016)
#184 Napoleon (1927), aka Napoléon vu par Abel Gance
#185 Jason Bourne (2016)
Arrival

Fantastic Beasts and Where to Find Them

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  • I watched 14 new films again this month (same as last). That makes this my 30th consecutive month with 10 or more new films.
  • As I mentioned, there were quite a few films from 2016. The total is ten, to be precise, or 71.4% of this month’s viewing. I’ll rate them when I review them, but scroll down to the Arbies for more about which I liked and disliked.
  • I spent three nights watching the 5½ hours of Abel Gance’s Napoleon, which made its hotly-anticipated Blu-ray debut this month. Still only counts as one film, though.
  • Making up for last month, I found time for two WDYMYHS films. Both are excoriating depictions of wartime: Roman Polanski’s story of life in the Warsaw ghettoes during World War 2, The Pianist; and Michael Cimino’s controversial take on the Vietnam war and its effect on (American) combatants, The Deer Hunter.



The 18th Monthly Arbitrary Awards

Favourite Film of the Month
Quite a few enjoyable films this month, particularly among all those 2016 ones, but the one of the highest quality was definitely Denis Villeneuve’s venture into science-fiction drama, Arrival.

Least Favourite Film of the Month
Conversely, the weakest film this month also comes from 2016. I wanted to find the critics were wrong and side with the audiences who boosted it into the top 75 highest grossing films of all time, but no, Suicide Squad is a disappointing mess.

Longest Film of the Year (So Far)
I watched the ’59 Ben-Hur back in September, a film whose notoriously epic running time — 222 minutes, or 3¾ hours — would, most years, stand as unlikely to be surpassed. Thanks to the BFI, however, it has: Abel Gance’s silent epic Napoleon is a full 111 minutes longer at 333 minutes, aka 5½ hours.

Most Consistent Use of a Song
They’re back again: after 14 years and five films, Jason Bourne still ends with Moby’s Extreme Ways, just like every other film in the series. Never may it end.

The Audience Award for Most-Viewed New Post of the Month
I confess to being slightly surprised by this month’s most-seen post. Besting several new releases (Batman: Return of the Caped Crusaders was 2nd) and all-time favourites (Star Wars was 3rd), this month’s victor was my review of Denis Villeneuve’s arty psychological thriller Enemy.



Films that broke new ground rub shoulders with ones that settled into comfortable grooves, with everything from children’s movies about toys to adult movies about puppets.


As regular readers may have ascertained from the occasional reference I’ve made, I’m going to be away for a chunk of December. It’s not actually some big secret, it just wasn’t especially pertinent ’til now. We’re off on a family holiday to Hogwarts… in sunny Orlando, Florida. And all the other stuff, like Disney World and the Kennedy Space Center, all that jazz; but it was inspired by, as grown-up adult human beings, wanting to go to the Harry Potter theme parks. Something something for all ages, something something young at heart, etc.

So as this is posted, I’m currently… sat at home in the UK, because we fly tomorrow. Anyway, that means this blog will be quieter than normal for a bit — and as I’m away for 72% of the time it would cover, no advent calendar this year. I know I’m severely damaging your enjoyment of the holiday season, but it can’t be helped. Sorry. I’d love to tell you that I nonetheless have a mass of reviews scheduled to post so it’ll be like I’m not even gone, but I don’t. However, my 100 Favourites will continue as advertised (next up: #95 on Sunday), and there will be a couple of other reviews scattered in between, too. I may check in on comments from time to time as well, what with the connectivity of our modern world — so don’t be a stranger, y’hear?

It’ll undoubtedly have an effect on how many films I watch, though — will December destroy the 30-month run of 10+ films?!

The Relatively Lacklustre Monthly Update for November 2015

It’s a busy old time on 100 Films as December starts: the advent calendar has begun, including its first review, with the second imminent, and this round-up of last month too. So let’s get cracking:


#173 Horns (2013)
#174 Force Majeure (2014), aka Turist
#175 The Thief of Bagdad (1924)
#176 Beverly Hills Cop (1984)
#177 The Lone Ranger (2013)
#178 Come Drink with Me (1966), aka Dà Zuì Xiá
#179 Inside Out (2015)
#179a Riley’s First Date? (2015)
#179b Lava (2014)
#180 Tank Girl (1995)
#180a The Hobbit: The Battle of the Five Armies – Extended Edition (2014/2015)
#181 Ant-Man (2015)
#182 Paddington (2014)


  • No WDYMYHS film this month. A whole third of them are left as I head into December. It’s not impossible to catch that up, but this isn’t how it’s meant to work.
  • You may’ve noticed the number of posted reviews slow down this month. Two reasons: 1) I finally exhausted my rolling backlog of ready-to-post reviews and have been tardy extending it again; 2) most of what I have been writing are stockpiled for the advent calendar. Oops.


This month was never going to be a record-breaker. After the extreme lengths I went to in the last two, and with some time-filling TV series arriving, it felt almost liberating to know I didn’t have to try as hard in November. A little too liberating, maybe, because I nearly ballsed it up…

Normally this analysis section is a list of the month’s achievements; at least, it has been so far this year. However, there’s very little to report in that field this month: 10 all-new feature films watched is the lowest of 2015. In fact, it’s the lowest-totalling month since July 2014. It’s also the first month this year not to beat its equivalent from the year before (November 2014 reached 13). Nonetheless, it beats the November average of 7.43 (raising it slightly to 7.75 in the process), and manages to maintain my ten-per-month goal (just). That makes it the 18th straight month to have ten or more films — only one month to go and I’ll have achieved an entire calendar year of it.

Before we look to the future, what has November’s relative shortfall done for 2015’s monthly average? Well, after the double whammy of best-ever-months in September and October skyrocketed the average to 17.2, November being the year’s worst month pulls it back down to 16.5. Still a good number, and higher than it was for most of the year, which just shows how extraordinary that September/October double was.

So with just a single month to go, where might 2015’s total lie? No lower than #192, that’s for sure. “For sure” in this case meaning “because if it doesn’t I’ll have failed my ten-per-month goal at the final hurdle and be inconsolable with self-disappointment.” Can I go even further, though? The December average is 10.86, so eleven new films would nudge me that little further to… #193, obviously. If I return to my last-year-beating ways, I’d watch 16 films and make it to #198; though if I can go that little further again and match the 2015 average — 16.5, remember, which rounds up to 17 — then I’ll get to #199.

None of which are #200, the magic number I considered last month. Damn close, though. Maybe… with a little stretch… who knows?



It’s the last hurrah of my repostathon! Everything I’m likely to bother reposting from previous iterations of this blog is now on WordPress.

To round things off, then, a pair of year-end summaries each for Years 1 to 4, aka 2007, 2008, 2009, and 2010. (Although the rest of 2011 was part of the repostathon, the year-end summaries were some of the first things I posted on WordPress.)



The 6th Monthly Arbitrary Awards

Favourite Film of the Month
It’s a little bit of a flat month for these first two categories. Well, that’s a mite unfair: I certainly enjoyed every film I watched this month, but nothing was a mind-blowing best-of-year-contender stand-out success. The nearest to such an achievement, however, was probably the sweet, loveable, joyous, ever-so-British Paddington.

Least Favourite Film of the Month
As I said above, I enjoyed every film I watched this month. Every last one. Well, situations like that are why this category is called “least favourite” rather than “worst”. Although it won’t be the lowest star rating awarded from this month’s viewing, the ‘victor’ here is Inside Out, because it underwhelmed me after all the hype.

Best Longwinded Storyteller
Oi, Peter Jackson — hands off! You can’t have this for The Hobbit! No, this goes to another verbose yarn-weaver: Michael Peña’s Luis from Ant-Man, whose stories may be just as filled with lengthy and pointless asides, but at least they’re highly amusing.

Best Action Climax on a Train
Most months, Ant-Man’s amusing tussle aboard a Thomas the Tank Engine playset would be a clear winner here. Did you ever think you’d see Thomas the Tank in a major Hollywood blockbuster? Thank you, Edgar Wright. But sadly it is not to be victorious, because by jiminy does the finale of The Lone Ranger justify the existence of the entire movie.

The Audience Award for Most-Viewed New Post of the Month
I’ve mentioned before how participating in a blogathon can often sway this category (understandably), and so it was to be in November: swashing his buckle all the way to the top of the pile was Douglas Fairbanks in The Thief of Bagdad.


Busy busy busy, as I race towards my definitely-record-breaking final tally.

November 2014

Before the 2014 advent calendar kicks off, let’s pause to look back at the month just gone.


What Do You Mean You Haven’t Seen…?

After a little break last month, WDYMYHS returns with one new film: one of the many movies in contention to be crowned Alfred Hitchcock’s greatest, Rear Window. A tense thriller with something more to say about voyeurism and the suspicious mind, it’s a great film. Incredible set, too.

That means I go in to December with two films left to watch — specifically, Requiem for a Dream and the original Oldboy. We’ll see how that goes, but it would be nice if I didn’t repeat last year and end with one film left over.


X-Men Days of Future PastNovember’s films in full

#109 Captain America: The Winter Soldier (2014)
#110 Show Boat (1951)
#111 The Woman in Green (1945)
#112 Flirting with Disaster (1996)
#113 X-Men: Days of Future Past (2014)
#114 Machete (2010)
Dawn of the Planet of the Apes#115 Chronicle (Extended Edition) (2012)
#116 The Running Man (1987)
#117 The Green Hornet (2011)
#118 Guardians of the Galaxy (2014)
#119 Rear Window (1954)
#120 The Thin Man (1934)
#121 Dawn of the Planet of the Apes (2014)


Analysis

It’s been a belated summer here at 100 Films (only without downsides like “noisy kids” and “heat”) thanks to the big Hollywood studios’ Blu-ray release windows. Starting with Edge of Tomorrow last month, my delayed viewing of this year’s big-hitters continued with Captain America: The Winter Soldier, Dawn of the Planet of the Apes, Guardians of the Galaxy, and X-Men: Days of Future Past — only 60% superhero-y! (And Guardians only counts because it’s produced by Marvel — not really a superhero movie, is it?) Noteworthy not-yets from the summer include Godzilla, How to Train Your Dragon 2, Teenage Mutant Ninja Turtles and Transformers: Age of Extinction, most of which haven’t found a space in my Blu-ray collection thanks to the sheer volume of stuff that’s been coming out. Also because the latter two Michael Bay-related productions look godawful. (And Turtles isn’t out ’til February anyway.) I’m actually quite curious to see the first two, though, so I imagine they’ll turn up before long.

Anyway, how do November’s numbers stack up? The above list totals 13 new films, which is the second best November ever (to 2009’s, which only reached one higher). It far outstrips the November average of 6.5, though — indeed, all by itself November 2014 drags said average up almost a whole point, to 7.4. It’s also slightly above 2014’s monthly average of 11, and ranks as the third largest month of the year, behind August’s 15 and September’s 17.

Having made it to #121 this month is also significant: that’s the second furthest I’ve reached by the end of November, and is only one behind 2010’s final total. If I watch just two films in December, 2014 will become my second-best year ever; to go all the way and top the pile, I only require nine more films. That’s close to the average I should be hitting every month, but I’ve nonetheless fallen short of it in many a month before — including January and February this year.

Predictions? Well, the December average is 10.2, which would have me at #131 — but that’s skewed by abnormally high tallies in 2008 and 2009 (indeed, December 2008 is my best month ever). The past four Decembers give an average of just seven, which is less promising… but also only one shy of sharing the Best Year Ever title, and most months this year have outperformed their averages.

For 2014 itself, the monthly average is (as I said before) precisely 11 — if December conforms, that’s #132. Some lowly early months drag that down, though, and the average for the past six months is 12.8 — if December hews to that pattern, I could see the year end on #134. Either is well clear of 2007’s #129.

Final point: with ‘bonus’ reviews thrown in (director’s cuts that don’t get a number, that kind of thing), 2007 is also an all-time best, with 135. I’ve had just two such extra reviews this year (the first Hobbit extended and The 10th Kingdom), so I would need to reach #134 for 2014 to become unquestionably the blog’s biggest year so far. A goal too far? We’ll see…


This month’s archive reviews

Enough about the future: let’s look to the past, with the 16 archive reviews I’ve reposted this month.


Next month on 100 Films in a Year…

It’ll be all guns blazing here in December: a review a day thanks to the advent calendar, and no doubt some archive reposts buoying that number further; and in my little world of actually watching films, a push to what might be a triumphant best-ever finish.

Or will it? Only the next 31 days can tell…

November 2011

It’s the final countdown! Do-do-doodoo, dododododoo, do-do—

sorry.


The final countd— oh, did that already…

This year’s 100 Films is turning into a race for the finish line — always kinda fun, if not record-breaking. Back in June I reached a high for this year of 20 ahead of target (‘target’ being my running total for Where I Should Have Reached To Make Exactly 100 By December 31st… I probably don’t need to explain that every time I mention it at this point, do I?), after which it’s gradually slipped back, so that now — as I enter the final stretch — I find myself just one ahead.

To put it more plainly: there’s eight films to go to my goal. If I made that exactly, I’d equal my second-worst year… or, if you look at it another way, third best. Getting to 101 or higher (“higher” meaning “below 122”, which, c’mon, I’m not gonna get close to) will leave this year as both the third worst and third best. Right in the middle — somehow apt for a fifth year celebration. Not that apt, but shush, I want it to be.


Anyway, here’s the exiguous (thank you thesaurus) list of films that have got me to this point…

#89 Gambit (1966)
#90 Cars (2006)
#91 Beyond the Pole (2009)
#92 Cruise of the Gods (2002)


Stepping up

It’s not just film watching I need to push up a bit, but review posting too. You may have noticed this happen in the last three weeks or so… not as much as I’d’ve liked, mind, so maybe not. I’m currently thinking I’ll aim to post a review every other day, in an attempt to clear some of my large 2011 backlog before 2012 kicks in. Even at that rate I won’t get all the way through, but hopefully there shouldn’t be too many left as we go into the new year.


Next time on the all-new 100 Films in a Year monthly update…

Next time I post one of these it’ll be the very eve of 2012! Will I have made it to 100?

Try not to ruin your nails biting them…

November 2010

Merry Christmas! Almost!

But before that, here’s the handful of films I watched in November…


Oh dear.

After doing so well for most of the year — including last month, where I made appropriate headway toward my new goal of 130 films — it’s rather slipped in November. Just four new films (and a couple of others I’ll review, but that don’t count in the slightest).

I blame TV. I’ve been watching repeat runs of Colditz and Due South, which between them add around 9 hours a week to my already significant TV viewing. 9 hours out of a whole week doesn’t sound much in isolation, but nonetheless those are the hours I usually use to watch films.

As we head into December, that leaves me with exactly 15 to get through to hit my new target. A not unachievable goal — I made it to 16 in May and August this year — but more of a push than I’d’ve hoped for. On the other hand, makes it a bit more exciting, eh?


#112 The Spiral Staircase (1947)
#113 Solaris (1972)
#114 Toy Story 3 (2010)
#115 Odd Man Out (1947)
#115a The Special Edition of Beauty and the Beast (1991/2002)
#115b The Lord of the Rings: The Fellowship of the Ring (2001)
#115c The Lord of the Rings: The Two Towers (2002)

(I’ll give you one guess what the first film of December is going to be.)


Next time on the all-new 100 Films in a Year monthly update…

It’s the final countdown! The big push! A couple of other clichés!

31 days ’til the end of the year. (At least) 15 more films to watch. It always looks so much easier on paper…

The end is nigh…

No, this isn’t a review of 2012, or any of the numerous other apocalyptic blockbusters that are foisted on us every year. Nor the Watchmen Ultimate Cut, which has that famous phrase of doom and gloom plastered over its back cover. No, this is simply an observation (and little more than that, I’m afraid) that there are a mere 31 days of 2009 left. Indeed, 31 days of this decade.

Cripes.

So, with such limited time remaining, my yearly goal is once again under threat. Long gone are the days of reaching 100 films in September, t’would seem. But fear not, faithful reader, for this time last year I’d only made it to 81, meaning I’m just one behind myself (#80 was Transformers 2. Look, there’s a review already! Isn’t it impressive that I reviewed it on Blu-ray before it was even in the shops? … What do you mean “no”?) — and last year I did indeed make it to 100… just.

20 films, 31 days. Considering my average so far (7.3 films per month) I should only make it to 87. Well, 87.3. But, what was that? Yes, I’m only one behind last year and I did it then (did I say that already?)

Heck, maybe I’ll even push it to 101 this year.

[I didn’t.]

2009’s summary posts will be republished in November.

2007 | Weeks 46-48

Welcome to the second most film-packed entry ever! Why has this come to be so?

I’ve had a little bit of a theme season (one might say) these past few weeks, so I’ve been waiting for those films to appear in a single entry; plus there are other films watched in between, making the list even longer.

So, what was the theme? Well, being the dedicated student that I am, I’ve watched all the suggested viewing for a seminar in which my group had to pose the questions. The seminar was on “Urban Rhythms”… but in film-viewing terms that translates to four Scorseses, four Woody Allens, and an anthology featuring shorts by both of them and Francis Ford Coppola (plus a fifth Scorsese that wasn’t on the list but was on TV). Such respectable viewing!

Throw in another four films and this is the most film-packed entry since the seven-week, fifteen-film behemoth that was the first entry! And it makes it to only one film less in under half the time. Well blimey. Best get on with it then…


#113 On the Town

#114 Bringing Out the Dead

#115 Annie Hall

#116 Wild at Heart

#117 New York Stories

#118 Play Time

#119 Manhattan

#120 Hellboy: Director’s Cut

#121 The King of Comedy

#122 Taxi Driver

#123 Goodfellas

#124 Manhattan Murder Mystery

#125 Bullets Over Broadway

#126 Mean Streets