Centurion (2010)

2011 #82
Neil Marshall | 97 mins | Blu-ray | 2.35:1 | UK / English | 15 / R

Last week, as I’m sure you’re aware, I posted the top ten films I’d watched in 2011. Among them were three I’ve yet to post a review for… so what better way to begin finishing off my 2011 reviews than with those. So here’s the lowest, #9…

CenturionThe fourth feature from writer/director Neil Marshall (despite owning his first three on DVD, this BD rental is the first I’ve actually watched — story of my life) is a bit of a departure: where the first three were horror (or at least horror-leaning) flicks, Centurion is an action-adventure crossed with something a little more artsy. Only a little, mind. Think Seraphim Falls.

The story involves a Roman legion (a real one, in fact — the story is based in historical fact) venturing into Scotland to take on the natives. They get massacred, the survivors try to get home alive. The story moves quickly, keeping the momentum up. Indeed, at times it moves so fast that some characters seem to be given short shrift. There’s a “who will survive?” element to the plot — Marshall’s horror roots showing through, perhaps — but you can largely guess which order they’ll be shuffled off in based on, a) how much screen time the character has, and b) the good old deciding factor of “which actors are most recognisable”. Predictability doesn’t really matter though, because there are (perhaps) a couple of surprises in store, and it’s only one element of the story.

Run, Fassbender, runRegular readers may know that I have an ever-growing dislike for films that begin at or near the end for no good reason (and most of those that do have no good reason to do so). Centurion’s opening line notes that “this is neither the beginning nor the end” of the lead character’s story. Oh dear, thought I; though perhaps “nor the end” signifies we might reach this point suitably distant from the credits, maybe. Not meaning to spoil it, but we’re there just 10 minutes later. Nice work Mr Marshall.

And with the mention of credits, allow me to note that both the opening and closing credits are wonderful, reminiscent of Panic Room’s much-exalted titles without being a clone.

The characters who do get screen time are well built. Most of them conform to regular men-on-a-mission types, but in the hands of actors like Michael Fassbender and David Morrissey that doesn’t matter. This seems like an appropriate enough point to note that Fassbender is fast becoming, if he isn’t already, an actor where it’s worth watching something with him in even if it doesn’t otherwise appeal. His mixed choices of blockbusters/mainstream-skewing movies and acclaimed artier fare suggest pretty impeccable taste. (Or, at least, tastes that match my own.) Olga the ScotThe cast is packed with people who, even if you don’t know their names, there’s a fair chance you’ll know the faces (assuming you watch your share of British drama): in addition to Fassbender and Morrissey there’s Dominic West, JJ Field, Lee Ross, Paul Freeman, Liam Cunningham, Noel Clarke, Riz Ahmed, Imogen Poots, Rachael Stirling, Peter Guinness… not to mention Film Star Olga Kurylenko. Recognisability doesn’t guarantee quality, of course, but that’s a pretty good list.

On the action side, there’s a selection of excellently choreographed fights. Lots of blood and gore, but surprisingly not gratuitous considering we have all manner of limbs being lopped off, decapitations, heads being shorn in two, and so on. It’s unquestionably graphic, but it doesn’t linger — the battles are hectic, fast, a blur… but in a good way: you can see what’s going on, but it feels appropriately chaotic.

On the artsy side, the Scottish scenery is extraordinarily stunning. Helicopter shots are put to marvellous use. Think Lord of the Rings, only this was shot on our own fair island. The filmmakers went to extremes to achieve this — it’s entirely real location work, beyond the back of beyond in the depths of a snow-covered Scottish winter; no green screen, no CG enhancement — and their effort has paid off. It looks thoroughly gorgeous. I fear I’m overemphasising the point, but… nah.

Stunning sceneryI really enjoyed Centurion, appreciating its mix between brutally real action and stunning scenery, with a slightly more thoughtful side emerging in the final act. It’s also always pleasant to see a film that runs the length it wants to at a reasonable speed, rather than padding itself to reach two or even two-and-a-half hours. Splendid.

4 out of 5

Centurion placed 9th on my list of The Ten Best Films I Saw For the First Time in 2011, which can be read in full here.

My Quantum of Solace Film Season

In case you’ve somehow failed to notice, Quantum of Solace, the 22nd official James Bond film, hits UK cinemas this Friday. I’m more than a tad excited (and considerably annoyed that I won’t be able to make it to the first screening in my area thanks to a seminar), and to celebrate I’m having myself a sort-of mini-ish film season-thing. Which I have dubbed My Quantum of Solace Film Season. You might’ve guessed that from the post’s title.

The selection process is quite simple: one film a day, each representing a different key member of QoS’s cast, plus one for director Marc Forster; and, to comply with this blog’s normal rules, all films I’ve never seen before. Well, that was the idea, but as with any good plan some changes have had to be made — there’s no film for Judi Dench, for example (well, other than a certain already-seen previous entry in the franchise), and I initially forgot Daniel Craig. Ha! Luckily I could switch him in for Jeffrey Wright by virtue of the fact they both appeared in The Invasion. Then there’s a double bill to try to get (almost) everyone in, and a film I’ve seen before too. “Oops.” (It was also entirely unintentional that all but the first and last films are from 2007.) Naturally, things come to a close with QoS itself on Friday, so thanks to only having thought of this plan yesterday my time to watch things is rather limited.

Anyway, you don’t really care about all that. Here’s the schedule:

  • Sunday 26th October: The Director
    Marc Forster’s Stay.

  • Monday 27th October: The Villain
    Mathieu Amalric (‘Dominic Greene’) stars in The Diving Bell and the Butterfly.

  • Tuesday 28th October: The Girls
    A double bill for Bond’s two new women. Gemma Arterton (‘Agent Fields’) stars in St. Trinian’s, followed by Olga Kurylenko (‘Camille’) in Hitman.

  • Wednesday 29th October: The Spies
    Daniel Craig (‘James Bond’, donchaknow) stars — with support from Jeffrey Wright (‘Felix Leiter’) — in The Invasion.

  • Thursday 30th October: The First Part
    As has been (very) widely reported, QoS is the first Bond-sequel, starting within an hour of Casino Royale’s climax. As such, it seems only appropriate to watch the preceding film the night before. (I’ve seen CR several times but will be reviewing it anyway, in light of having seen QoS, if that makes any difference.)

  • Friday 31st October: The Point
    Ba-da, dum… ba-da, dum… ba-da ba-da-da! Phonetic renderings of iconic theme tunes aside, Bond is back! Hurray!
  • The exact order is subject to change depending on how readily I can get hold of the films (I only own two of the six), but that’s the plan. Last time I tried to watch a film a day I failed miserably, so we’ll see how this goes. (Incidentally, reviews won’t appear on the said days, or even follow shortly behind — check out my ‘coming soon’ page to see how backed up I am with reviews.)