100 Films’ 100 Favourites #93
The toys are back!
Runtime: 92 minutes
Original Release: 24th November 1999 (USA)
UK Release: 11th February 2000
First Seen: cinema, 2000
Tom Hanks (Apollo 13, The Da Vinci Code)
Tim Allen (Jungle 2 Jungle, Wild Hogs)
Joan Cusack (Addams Family Values, School of Rock)
Kelsey Grammer (Anastasia, X-Men: The Last Stand)
John Lasseter (Toy Story, Cars 2)
Ash Brannon (Surf’s Up, Rock Dog)
Lee Unkrich (Finding Nemo, Toy Story 3)
Andrew Stanton (Monsters, Inc., WALL·E)
Rita Hsiao (Mulan, My Little Pony: The Movie)
Doug Chamberlin (Bruno the Kid: The Animated Movie)
Chris Webb (Bruno the Kid: The Animated Movie)
John Lasseter (A Bug’s Life, Tinker Bell and the Pirate Fairy)
Pete Docter (Toy Story, Inside Out)
Ash Brannon (Surf’s Up, Rock Dog)
Andrew Stanton (Toy Story, Finding Dory)
After Woody is stolen by a nefarious toy collector, the rest of the toys set out to rescue him — but, tempted by the idea of spending eternity in a museum with friends from his TV show, does Woody want to be saved?
Buzz and Woody are back, and now the best of friends. This time, Woody is confronted with his past when he meets a gang of other toys from the TV series he starred in, but will he stay with them or return to Andy? Meanwhile, Buzz sets out to rescue Woody, but has issues of his own to tackle when he comes face to face with his nemesis, Emperor Zurg.
Al McWhiggin, the owner of Al’s Toy Barn and serious toy collector, who steals Woody when he’s accidentally put in a yard sale box.
Best Supporting Character
Jessie, a cowgirl from Woody’s TV show. Fundamentally an excitable and chipper character, she was left distraught after being abandoned by her owner, and is now scared of being put back in storage — which will happen if Woody isn’t part of Al’s collection.
“You never forget kids like Emily, or Andy, but they forget you.” — Jessie
On their hunt for Woody, the other toys explore a giant toy emporium, in which Buzz comes across an aisle filled with fellow Buzzes. Spotting one with a new utility belt, he tries to acquire the accessory, only to awaken his double…
Toy Story 2 was originally commissioned by Disney as a direct-to-video sequel, because they did that a lot back then, and went into production without Pixar’s primary staff, who were already busy creating A Bug’s Life. When early work looked promising, Disney bumped the project’s status up to a full theatrical release. Conversely, Pixar were unhappy with the quality of what they were seeing. The main team took charge, redeveloping the film’s entire story in a single weekend, but still had to meet the release date Disney had already set. Although most Pixar films take years to produce, the production of Toy Story 2 was compressed into just nine months. The pressure got to people: at one point someone accidentally deleted 90% of the film’s files, representing two years work. Fortunately, another crew member working at home had back-ups of all but the last few days’ work.
The original Toy Story was the first computer-animated feature film.
Toy Story 3 followed 11 years later, with Toy Story 4 set to come 9 years after that. Also shorts, TV specials, and the Buzz Lightyear spin-off (see last time).
1 Oscar nomination (Song)
7 Annie Awards (Animated Feature, Directing, Writing, Female Voice Acting (Joan Cusack), Male Voice Acting (Tim Allen), Music, Storyboarding)
2 Annie Awards nominations (Character Animation, Production Design)
2 Saturn nominations (Fantasy Film, Music)
1 Teen Choice Awards nomination (Choice Hissy Fit)
What the Critics Said
“Toy Story 2 is a brilliant example of that rarest of Hollywood phenomena — a sequel to a major hit film that’s as good, if not better, than the original. This is mainly the result of a perfect mixture of two essential elements. First, there’s an excellent script by Andrew Stanton and his team of writers […] Second, there’s the remarkable technology developed by Pixar for the film A Bug’s Life. It’s this approach they’ve now taken to even greater heights […] These filmmakers have taken the 1995 characters and given them more depth, creating a new story that lets the toys interact in a larger world. It all comes down to amazing visuals and basic storytelling — and this is one heck of a good tale.” — Paul Clinton, CNN
What the Public Say
“Toy Story 2 is considered, by most, to be a perfect film. The characters are amazing. The stakes are higher than the first film. And the emotional beats hit harder than before. With two successes under their belt, it’s hard to believe that Pixar could not only be consistent with that quality, but somehow also manage to pull off something even more amazing than we thought possible. Expanding the mythology of this world and really making us feel for the toys that we forgot as children, Toy Story 2 is, in the words of Mary Poppins, practically perfect in every way.” — Jaysen Headley, Jaysen Headley Writes
Sequels are notorious for not being as good as their progenitor. I feel like this is a trend that is increasingly being bucked — with everything Hollywood makes designed to be a franchise, Film 1 is often about setup and Film 2 is where the makers are allowed to do what they really wanted to do in the first place. But when you strike gold first time out, it’s still hard to do it justice second time round. Pixar do that and more here, with a sequel that is slicker, funnier, more exciting, and more emotional than its forebear. Even if it’s happening more often now, good sequels are still hard to do — trust Pixar to have got there ahead of the pack.
#94 will be… transportive.