Guardians of the Galaxy 3D (2014)

Rewatchathon 2017 #8
James Gunn | 121 mins | download (HD) | 2.40:1 + 1.78:1 | USA & UK / English | 12 / PG-13

Guardians of the Galaxy 3D

So, I just got a 3D TV. Well, it’s a 4K TV, but we’re interested in the fact it does 3D right now. And, to cut a long story short (literally — I wrote a 1,200-word post about this before deciding it was rambling and pointless), the impetus to get one now came from the fact that all TV manufacturers are ditching 3D from this year and I always kinda wanted it. (As to why I got a 4K one, apparently it makes for better quality 3D; plus it’s future proof — “future” being the operative word because I’m not replacing my Blu-ray player, I don’t keep a regular Netflix subscription, and Amazon Prime’s UHD selection (found on an otherwise-secret menu when you access it from a 4K device!) is quite pitiful.)

The first thing I watched was… the opening seven minutes of Doctor Who’s 50th anniversary episode, actually (which has superb 3D). But the first thing I watched in full was Guardians of the Galaxy, because I’d been meaning to rewatch it before the sequel lands at the end of the month, and because I’ve long been curious about the 3D version’s shifting aspect ratio.

Regular readers may remember that I love a good shifting aspect ratio, and Guardians does not disappoint. As usual for these things, most of the film is at 2.40:1, opening up to 1.78:1 for selected sequences. Director James Gunn uses it in a similar way to Christopher Nolan, with a scattering of expanded shots here and there alongside some whole sequences, mainly used for action scenes and epic establishing shots. (That’s as opposed to something like The Hunger Games: Catching Fire, which has more-or-less half the film in one ratio and the second half in the other.) Even on a TV the effect is immense, the screen-filling interludes feeling genuinely larger and more impactful. This was helped no small amount by my new TV being 12″ larger, which doesn’t sound like much but actually makes a huge difference (as the actress said to the bishop). That said, pausing a moment to do the maths, it’s nearly a whole third bigger than my old TV, so no wonder the difference is noticeable. But I digress…

Knowhere's better in 3D

As with so many 3D blockbusters nowadays, Guardians was a post-conversion. Nonetheless, I commented in my original review that some sequences seemed to have been designed with 3D in mind — specifically the chase through Knowhere, which I described as “little more than a blur.” I feel like past-me was correct, because I had no such issues with the sequence this time out. Even though I enjoy it, I’m still one of those people who regard 3D as fundamentally little more than a gimmick (though I’ve yet to see Hugo, so I guess there’s still room for my own conversion to considering it a Serious Filmmaking Tool), but it does lend a scope, scale, and pizzazz throughout the movie that’s a lot of fun, especially during the big action sequences. Indeed, particularly when combined with the shifting aspect ratio, it makes for some very striking moments.

I’d hesitate to say the 3D improved my opinion of the film as a whole, but I think the second viewing certainly did. My aforementioned original review was pretty darn positive, though I think I’d remembered enjoying it less than I did because the praise it received in some other quarters went into overkill. On this viewing I didn’t feel the problems with pace that bothered me before; and while I continue to think Nova City could do with more development before the climax (I still can’t even remember its proper name), I found said climax to be less overlong and more structured. Obviously the film itself hasn’t changed (well, other than that extra visual dimension), but my perspective on it clearly has (in addition to that extra visual dimension).

Badasses of the Galaxy

For all the benefits of bigger screen sizes, extra dimensions, and an adjusted appreciation of its pacing, Guardians’ greatest asset remains its characters and how much fun they are to be around. They are primarily what make it a mighty entertaining movie, whether in two dimensions or three.

4 out of 5

The UK TV premiere of Guardians of the Galaxy is on BBC One tonight at 8:30pm — in 2D, of course.

The Ghostly Monthly Update for March 2017

If there’s something strange in your neighbourhood, who ya gonna call?

How about Scarlett Johansson in a skintight bodysuit? I’m sure plenty of people wouldn’t need something strange going on to want to make that call…


#30 Logan (2017)
#31 Robin Hood: Men in Tights (1993)
#32 Demolition (2015)
#32a Deadpool: No Good Deed (2017)
#33 Long Way North (2015), aka Tout en haut du monde
#34 Florence Foster Jenkins (2016)
#34a Hotel Chevalier (2007)
#35 The Darjeeling Limited (2007)
#36 Money Monster (2016)
#37 Room (2015)
#38 Warcraft (2016), aka Warcraft: The Beginning
#39 Kong: Skull Island (2017)
#40 13 Hours: The Secret Soldiers of Benghazi (2016)
#41 Ghostbusters (2016), aka Ghostbusters: Answer the Call
#42 Babe: Pig in the City (1998)
#43 The Monster Squad (1987)
#44 Ghost in the Shell 2: Innocence (2004), aka Kôkaku Kidôtai Inosensu
#45 Big Game (2014)
#46 Young Frankenstein (1974)
#47 Black Dynamite (2009)
#48 Ghost in the Shell (2017)
#49 Jackie Brown (1997)
Long Way North

Kong: Skull Island

Black Dynamite

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  • I watched 20 new films this March, making it my largest month for nearly a year, since last April’s 21.
  • It’s far head of the March average (previously 12.3, now 13.1) and also passes the average of the last 12 months (previously 15, now 14.75).
  • In terms of my yearly goal, it’s behind where I was last year (two-thirds there at #67) but ahead of every other year (including 2015 — aka The Year of 200 Films — when March ended at #44).
  • This month’s Blindspot film: plugging one of the few gaps in my Tarantino viewing with Jackie Brown.
  • This month’s WDYMYHS film: Room. Normally I’d offer a brief comment, but I already reviewed it in full here.
  • I watched three films starring Samuel L. Jackson this month. Even for a fella as prolific as he is, that’s still quite a number.



The 22nd Monthly Arbitrary Awards

Favourite Film of the Month
A tough contest this month between a couple of films I enjoyed an awful lot, but however much I was entertained by a giant ape beating up other giant monsters, the beautiful artistry of Long Way North just edges it today.

Least Favourite Film of the Month
Not such a tricky choice here: easily the worst film I watched this month was the disappointing mess that was Warcraft.

Best Dialogue of the Month
You’d think any month with a Quentin Tarantino film in it would have this award sewn up, but not when in the presence of the genius that is Black Dynamite. I’d throw in a quote, but half of the magic is in the delivery.

Most Gratuitous Arse of the Month
Plenty of derrières on display this month, between Natalie Portman’s much-discussed bare behind in Hotel Chevalier, Scarlett Johansson’s extremely figure-hugging costumes in Ghost in the Shell, Bridget Fonda’s post-coital stroll in Jackie Brown, and Kong stomping around the place with nary a stitch on as well. But the fact someone bothered to draw the intimation of an arsehole on the dog in Ghost in the Shell 2: Innocence takes the biscuit.

The Audience Award for Most-Viewed New Post of the Month
Following a tip from Caz at Let’s Go to the Movies, I’ve been adding my reviews to IMDb of late. That paid dividends this month, with an extraordinary (for me) number of hits flowing towards Logan



This blog’s 10th birthday celebrations continued (and concluded) this month by counting down my 100 favourite movies I’ve seen for the first time in the past ten years. If you missed it, you can read all about it here:


Things are beginning to look up for my Rewatchathon, as I actually rewatched more than one film this month…

#3 Gattaca (1997)
#4 The Nice Guys (2016)
#5 Mighty Morphin Power Rangers: The Movie (1995)
#6 Ghost in the Shell (1995)
#7 Hook (1991)

I think I was too young to properly appreciate Gattaca when I first saw it. Now, I think it’s a five-star sci-fi drama/thriller, and it would’ve contended for a place on my 100 Favourites if I’d got this rewatch in a couple of years ago.

Truth be told, I only watched the first 15 minutes of Power Rangers (then my NOW TV subscription ended and it cut me off), so I probably shouldn’t count it… but I would’ve found another way to finish it if those 15 minutes hadn’t been utterly terrible, so I say it still counts because I’d clearly seen enough.

This was the first time I’d watched Hook since childhood and, a few moments and images aside, I barely remembered it at all. It has things going for it (the sets are incredible and many of the special effects are fantastic), but it’s definitely the worst Spielberg movie I’ve seen (1941 still awaits…)


A big year for the MCU kicks off: I’ll be reviewing Iron Fist, and Guardians of the Galaxy Vol. 2 comes to the big screen (over here, at least).

The Interruptive Monthly Update for February 2017

And the award for Most Recent Month goes to… January!

I’m sorry, no, there’s a mistake. February, you guys won Most Recent Month. This is not a joke. This is not a joke, I’m afraid they read the wrong thing. This is not a joke. February has won Most Recent Month. February, Most Recent Month.


#16 Miss Peregrine’s Home for Peculiar Children (2016)
#17 It Follows (2014)
#18 Elstree 1976 (2015)
#19 Hell or High Water (2016)
#19a Mad Max: Fury Road – Black & Chrome Edition (2015/2016)
#20 In a Valley of Violence (2016)
#21 Don’t Breathe (2016)
#22 Fandango (1985)
#23 Hail, Caesar! (2016)
#24 San Andreas (2015)
#25 Snoopy and Charlie Brown: The Peanuts Movie (2015)
#26 Dances with Wolves: Special Edition (1990/1991)
#27 Police Academy (1984)
#28 The Girl with All the Gifts (2016)
#29 Teenage Mutant Ninja Turtles: Out of the Shadows (2016)
Miss Peregrine's Home for Peculiar Children

Fandango

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  • I watched 14 new films in February, plus one alternate version.
  • That’s now my 33rd consecutive month with ten or more films.
  • It easily passes the February average (11.22; now 11.5), but isn’t even close to the highest February (last year’s 24).
  • It also falls just short of the last 12 months’ average (15.83; now 15 exactly).
  • It’s also behind where I was this time last year (#44!), but it’s equal to this time in 2015 and ahead of every other year.
  • This month’s WDYMYHS viewing: the Coen brothers’ frothy ode to Hollywood (which may have deeper stuff going on that, frankly, I wish it didn’t try to bother with), Hail, Caesar!
  • I know some people like to schedule exactly which month they’ll watch each of their Blindspot films. Never quite understood why personally, and here’s a good argument for why not: suddenly finding myself with a weekend all to, er, myself, I was able to comfortably watch all four hours of Dances with Wolves.



The 21st Monthly Arbitrary Awards

Favourite Film of the Month
One of this year’s Best Picture nominees and a winner from the past may be among my viewing this month, but, while I liked them both very much, there were other films I enjoyed even more. Of those, I think I’m going to pick a coming-of-age comedy-drama I’d never even heard of ’til the ghost of 82 recommended it to me last year, Fandango. It’s definitely worth seeking out.

Least Favourite Film of the Month
There were no outright stinkers this month — and considering I watched things like San Andreas, Police Academy, and Teenage Mutant Michael Bay Turtles 2, I’m surprised. I nearly gave this award to Don’t Breathe, because the hyper-praised horror-thriller isn’t quite deserving of the extreme love it attracted, but I’ll probably give it a higher star rating than those three I already mentioned. Instead I’ll plump for Police Academy, which isn’t bad but isn’t all that great either.

Best Cover Version of a Classic Song of the Month
After getting an oriental-tinged version of While My Guitar Gently Weeps in Kubo last month, this month it’s California Dreamin’ given a hyper-dramatic do-over by Sia for San Andreas.

Best Dog of the Month
Could it be the talented Abby from In a Valley of Violence? (Very much so.) Could it be the vicious guard dog from Don’t Breathe? (Not really.) Could it be Snoopy? (Eh…) No, the actual winner is the cute little scruffy dog that gets chased by zombies but runs away and totally survives (yes he does) from The Girl with All the Gifts.

The Audience Award for Most-Viewed New Post of the Month
My stats went through the roof this month thanks to being linked to in an article on Cracked.com — just those hits alone would make February 2017 my fourth highest month ever. But it was an old review (Wizardhood) so has nothing to do with this award. Two posts vied neck and neck all month, but in the end It Follows was bested by my review of “Tim Burton’s X-Men”, Miss Peregrine’s Home for Peculiar Children.

Special Award for Best Pun of the Month
This is a bit “patting myself on the back” (possibly undeservedly) but, honestly, I don’t think I’ll ever get tired of referring to In a Valley of Violence as “John Wick-y wicky wild wild West”.



You may have noticed there were fewer reviews this month than normal. That’s because (in case you missed it) I marked the blog’s 10th anniversary by posting ten top tens about the last ten years. Plus the customary statistics post, of course.


Despite its aim, my rewatchathon has thus far done very little to halt my focus on watching stuff I’ve never seen before — instead of one a week, I’m averaging one a month. Oops.

#2 21 Jump Street (2012)

I suppose you could also count Fury Road: Black & Chrome down here, but the decolourisation has such a profound effect on the feel of the film that I think it belongs in my main list, albeit as an unnumbered aside, like most alternate versions. And it can’t really be in both lists, can it?

It’s OK though, there are still ten months to go…


So, I said I was going to post 100 Favourites II on consecutive days for the rest of this week. I’ve decided that’s not going to work out, so instead I’ll post the four parts weekly, starting this Sunday.

Other than that, after spending ages celebrating the blog’s anniversary, regular service will be resumed.

The Riddle of the Monthly Update for January 2017

How is it February already?!

OK, how about we stave off the inevitable just a little longer and take a look back at January…


#1 Green Room (2015)
#2 Anomalisa (2015)
#3 Ninja Scroll (1993), Jūbē Ninpūchō
#4 Hunt for the Wilderpeople (2016)
#5 Kubo and the Two Strings (2016)
#6 Donald Trump’s The Art of the Deal: The Movie (2016)
#7 Into the Wild (2007)
#8 Eye in the Sky (2015)
#9 Charlie Bartlett (2007)
#10 The Conversation (1974)
#11 iBoy (2017)
#12 Under the Shadow (2016)
#13 Sing Street (2016)
#14 London Has Fallen (2016)
#15 Another Earth (2011)
Hunt for the Wilderpeople

Kubo and the Two Strings

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  • 2017 gets underway with 15 new films. (I’ll talk about my Rewatchathon in a bit.)
  • That’s the 32nd consecutive month with ten or more films.
  • It’s just shy of the 2016 average (16.25), and makes the average for the last 12 months 15.83.
  • It does beat the January average of 11, though. However, it’s the lowest January since 2014; but it’s also the third largest January ever. Swings and roundabouts, eh?
  • This month’s Blindspot viewing: Francis Ford Coppola’s great ’70s paranoid surveillance thriller, The Conversation.
  • This month’s WDYMYHS viewing: getting the film I had least interest in out of the way, Sean Penn’s Into the Wild. And I was right, it was a mess.



The 20th Monthly Arbitrary Awards

Favourite Film of the Month
Multiple films snagged full marks this month, and several I’d say are already hot favourites for my best-of-year list in 11 months’ time, which makes this a particularly tricky choice. On balance, however, I’m going to say charming Kiwi comedy is trumped (on this occasion) by the fantastical world conjured through the incredible artistry of Kubo and the Two Strings.

Least Favourite Film of the Month
For all its faults, London Has Fallen was pretty much what I expected it to be. Into the Wild, on the other hand, is misguided and overrated.

Best Original Song of the Month
I’m sure La La Land is great ‘n’ all, but the lack of Oscar recognition for Sing Street’s music is disappointing. My personal pick would be The Riddle of the Model, but there’s a lot to be said for Drive It Like You Stole It too — especially considering…

Best Dance Routine of the Month
You haven’t lived until you’ve seen Littlefinger do a steering wheel-inspired dance move to Drive It Like You Stole It.

The Audience Award for Most-Viewed New Post of the Month
As we know, statistics are The Best Thing Ever, which surely explains why my 2016: The Full List post was by far the most-read in January. Lists are almost as good, which surely explains why my Best & Worst of 2016 came second.



My goal to rewatch 52 movies this year got off to a weak start, as you don’t have to scroll very far to see.

#1 Enemy of the State (1998)

Yeah, that’s it. I watched it after The Conversation, because of the theory about Gene Hackman’s characters being the same guy. I can see where the idea came from, but it does not hold up.

Anyway, only rewatching one thing is OK — although my goal of 52 films was inspired by the principle of watching one per week, I never intended to stick to that slavishly; especially as I had Netflix this month, which led me to focus on newer stuff available there while I had it. I’ll make it up later.


It’s about time for an update to my director’s page header image, which features the 20 directors who have the most films covered on this blog. My 100 Favourites series created a bit of a shake-up in this area, with the main beneficiary being Steven Spielberg. I also watched a fair few of his films that I hadn’t got round to in 2016, so all told he was catapulted from six films at the end of 2015, to 17 at the end of 2016. But he’d already made it onto the header last year, so his newfound abundance doesn’t actually affect that.

As for what has changed, then, six directors drop out: Danny Boyle, Marc Forster, Alfred Hitchcock, Fritz Lang, Vincente Minnelli, and George A. Romero. In their place we have (in descending order of number of movies): Peter Jackson, Bryan Singer, John Carpenter, Tony Scott, Robert Zemeckis, and Michael Bay.

Wait… Michael Bay? Yeah, I can’t stand for that. No Bay; Hitchcock stays.


It’s the official 10th birthday of 100 Films at the end of February, for which I’m working on a whole host o’ posts.

Rewatchathon 2017

When I started this whole shebang ten years ago, the point was to force my hand into not just watching more films, but specifically more films that I’d never seen (hence why watching stuff I’d seen before doesn’t count). Back then I felt like I wasn’t making enough time for films, especially as there were all sorts of great movies I’d yet to get round to, not to mention my massive pile of unwatched DVDs.

After ten years of doing it, I still have a massive pile of unwatched DVDs, and now Blu-rays too, and there are still plenty of great movies I’ve not got round to… but at least I’ve seen some of them, and a lot more besides. But one thing I’ve spent a decade not doing so much of is rewatching films, whether they be old favourites, new favourites, or things that deserve a second chance. I mean, why watch something I’ve already seen when I can spend that time on something that counts towards my tally? There have been years when just doing that was enough of a struggle, after all.

But it’s been four years since I last failed my eponymous goal (yay me!), and during those last four years I’ve watched an average of 160 new films each year. I have done some rewatching in that time, but only a small number of films — disappointingly small, I’d say — and that’s pretty much how it’s been for the past ten years…

Well no longer, dear readers!

This year I’m adding a new component to my annual goal: in addition to watching at least 100 films I’ve never seen before, I decided to set a target to rewatch more. So I thought, “what should the target be?” A second hundred is patently ridiculous (even if I have watched give-or-take that many films total in each of the last two years). So then I thought, “how about half?” All things considered, 50 seemed a plausible goal — it’s only about one per week. But then I thought, “well, if it’s about one per week, why not make it one per week?” So the goal is 52.

152 films in a year — am I mad?! Well, this is why I mentioned my track record: these days, that number seems feasible to me. I’m also making it easier on myself by not necessarily reviewing the rewatches — as the Ghost of 82 insightfully pointed out recently, it’s the writing that really takes the time.

So, by December 31st 2017 I’ll: watch at least 100 new films, including 10 WDYMYHSes and 12 Blindspots, plus at least 52 rewatches.

I feel like I’m making this once-simple concept a bit complicated now…