Musical Review Roundup

My blog is alive with the sound of music, courtesy of…

  • Sing Street (2016)
  • Jersey Boys (2014)
  • Sing (2016)
  • Into the Woods (2014)


    Sing Street
    (2016)

    2017 #13
    John Carney | 106 mins | streaming (HD) | 2.35:1 | Ireland, UK & USA / English | 12 / PG-13

    Sing Street

    A struggling busker — sorry, a failing record exec — no, sorry, a misfit teenage boy… sets out to impress a beautiful fellow busker — sorry, a promising singer-songwriter — no, sorry, a cool girl… by helping her record a record — sorry, by coercing her to record a record — no, sorry, by persuading her to star in the music video for the record he’s recorded. Except he hasn’t actually recorded that record yet. In fact, he doesn’t even have a band.

    Yes, the writer-director of Once and Begin Again has, in some respects, made the same film again. Yet somehow the formula keeps working. Here there’s extra charm by it being school kids dealing with first love and finding their place in the world. It’s something we all go through, so there’s a universality and nostalgia to it that perhaps isn’t present in the story of twenty/thirty-somethings who are still floundering around (especially Begin Again, which made them cool twenty/thirty-somethings living in cool New York).

    It’s fuelled by endearing performances, particularly from young leads Ferdia Walsh-Peelo and Lucy Boynton, and a soundtrack of era-aping toe-tappers — in an alternate (better) universe, The Riddle of the Model and Drive It Like You Stole It competed for the Best Original Song Oscar, and one of them won it too. And those are just the highlights — the rest of the soundtrack is fab as well. I imagine if you were a music-loving teenager in the ’80s, this movie is your childhood fantasy.

    5 out of 5

    Sing Street placed 7th on my list of The 17 Best Films I Saw For the First Time in 2017, which can be read in full here.

    Jersey Boys
    (2014)

    2017 #97
    Clint Eastwood | 134 mins | streaming (HD) | 2.35:1 | USA / English | 15 / R

    Jersey Boys

    A musical biopic about Frankie Valli and the Four Seasons doesn’t seem like a very Clint Eastwood film at first glance, but when it turns out to be kind of Goodfellas but with the music industry, it becomes at least a little more understandable.

    Based on the hit Broadway musical, it retains a staginess of structure — the four band members take turns narrating the story by speaking to camera — while also opening out the settings so it feels less “jukebox musical” and more “biopic with songs”. It takes some liberties with the chronology of events for dramatic effect, but that’s the movies for you.

    The shape of the story feels familiar and it feels leisurely in the time it takes to tell it, but the songs are good and most of it is perfectly likeable. It’s by no means a bad movie, just not one that’s likely to alight any passion.

    3 out of 5

    Sing
    (2016)

    2017 #107
    Garth Jennings | 108 mins | download (HD+3D) | 1.85:1 | USA / English | U / PG

    Sing

    The seventh feature from Illumination (aka the Minions people) comes across like a cut-price Zootopia: in a world where animals live side-by-side in cities like humans, a struggling theatre owner launches an X Factor-esque singing competition to revive his fortunes. Naturally there’s a motley cast of participants, all with celebrity voices, and hijinks ensue.

    Apparently the film features 65 pop songs, the rights to which cost 15% of the budget — if true, that’s over $11 million just in music rights. The big musical numbers (all covers, obviously) are fine, with the best bit ironically being the new Stevie Wonder song on the end credits, which is accompanied by Busby Berkeley-ing squid. Elsewhere, there are some moments of inventiveness, but it doesn’t feel as fully realised as Zootropolis. Perhaps that’s part and parcel of Illumination’s ethos: to make films that translate internationally, presumably by being quite homogeneous. And to make them cheaply (their budgets are typically half of a Pixar movie), which has its own pros and cons.

    Anyway, the end result is fine. Much like Jersey Boys, Sing is perfectly watchable without ever transcending into anything exceptional.

    3 out of 5

    Into the Woods
    (2014)

    2017 #118
    Rob Marshall | 125 mins | streaming (HD) | 2.39:1 | USA, UK & Canada / English | PG / PG

    Into the Woods

    Fairytales are combined and rejigged in Stephen Sondheim’s Broadway musical, here brought to the screen by the director of Chicago. The original is a work that definitely has its fans, but doesn’t seem to have crossed over in the way of, say, Phantom of the Opera or Les Mis — I confess, I’m not sure I’d even heard of it before the film was announced.

    The film adaptation readily suggests why that might be. For one, it’s light on hummable tunes. It’s almost sung through, with only a few bits seeming to stand out as discrete songs in their own right. For example, it takes the opening number a full 15 minutes to reach its culmination, having been diverted into a few asides. Said song culminates with most of the main characters going into the woods while singing about how they’re going into the woods, and yet the film doesn’t put its title card there. The placement of a title card is a dying art, I tell you.

    Performances are a mixed bag. Everyone can sing, at least (by no means guaranteed in a modern Hollywood musical adaptation), and the likes of Emily Blunt, James Corden, and Anna Kendrick are largely engaging, but then you’ve got Little Red Riding Hood and her incredibly irritating accent. Fortunately, she gets eaten. Unfortunately, she gets rescued. On the bright side there’s Chris Pine, his performance well judged to send up the romantic hero role. You may remember Meryl Streep got a few supporting actress nominations for this, which is ludicrous. It’s not that she’s bad, but she’s in no way of deserving of an Oscar.

    There are witty and clever bits, both of story and music, but in between these flashes it feels kind of nothingy. It’s also overlong — the plot wraps up at the halfway point, with the second half (presumably what comes after an interval on stage) feeling like a weak sequel to the decent first half. All in all, another one for the “fine, but could do better” pile.

    3 out of 5

  • Chicago (2002)

    2008 #96
    Rob Marshall | 108 mins | DVD | 12 / PG-13

    ChicagoI remember being distinctly unimpressed when Chicago took the Best Picture Oscar in 2003, especially as the alternatives included Gangs of New York and The Two Towers — not to mention Road to Perdition, an excellent film that was massively undervalued during award season.

    In its favour are a number of memorable songs, all performed with impressive routines. On the downside, they’re all quite stagey in their choreography, though this suits the daydream-fantasy style in which they come about. In fact, the ability of film to make clear the distinction between ‘real life’ and fantasy means the film is far easier to follow than the stage version.

    The story is passable enough, serving as a roadmap between the songs and offering the occasional bit of commentary/criticism on celebrity culture — it may be set in the ’20s and have been written in the ’70s, but the characters’ underhand tactics to keep their story on the front pages are as pertinent now as ever.

    Five years on, Chicago isn’t as poor as expected — it manages to be consistently entertaining — but nor is it superior to the alternatives. For a current comparison, it’s only marginally better than if Mamma Mia were to trot round winning Best Picture gongs this year.

    4 out of 5