Ben Wheatley | 91 mins | Blu-ray | 2.39:1 | UK & France / English | 15 / R
The latest film from director Ben Wheatley (he of Kill List, Sightseers, A Field in England, High-Rise, and the rest) is by far his most accessible movie yet. Set in Boston in the ’70s, it sees two IRA fellas (Cillian Murphy and Michael Smiley) arranging through a pair of black market brokers (Brie Larson and Armie Hammer) to purchase guns from some arms dealers (Sharlto Copley and Babou Ceesay), with each side bringing along a couple of chaps to carry boxes (Sam Riley, Jack Reynor, Noah Taylor, and Enzo Cilenti). But things go sideways when a couple of those minor participants have a falling out, leading to a protracted shoot-out. “Protracted” as in “two-thirds of the movie”.
If an hour-long gunfight doesn’t sound like your cup of tea, maybe Free Fire isn’t the movie for you. Conversely, this isn’t a Jason Statham flick: instead of an hour of highly-choreographed gunplay, most of the participants get injured early on and end up seeking cover around the rubble-strewn floor of an abandoned factory, occasionally taking potshots at each other. Most action movies are defined by their characters sprinting about — in this one, they crawl. The screenplay was partly inspired by FBI ballistics reports from real gunfights, so there’s actually some veracity to how things go down.
So, on the one hand, it has a definite grit and reality. Bullet wounds actually hurt, leaving characters dragging themselves around in the dirt. Although there are occasional bullet-flying free-for-alls, just as often every shot counts. Similarly, their guns run out of bullets — frequently. Sometimes, permanently. On the other hand, however, it’s a bit like something Quentin Tarantino or Guy Ritchie might once have made, although thankfully without slavishly duplicating either of their overfamiliar styles. Without being an out-and-out comedy, it’s often pretty funny, thanks to the ludicrous situation and outrageous characters — all while remaining just this side of plausible, that is.
Unfortunately, the thin premise means it lags a bit in the middle. It feels in need of a clearer overall purpose and one or two more ideas. A better sense of space would help, too. We know who’s shooting at who, but for a long time we don’t really know where they all are in relation to each other. That’s not a deliberate choice to evoke the confusion of a gunfight or something — the characters all seem to know where they need to point their weapons. It’s a lack of filmmaking clarity, exposed in the Blu-ray’s behind-the-scenes featurette when it’s revealed how meticulously and thoroughly the whole thing was mapped out — it’s a real shame that doesn’t translate on screen.
These are flaws that hold Free Fire back from perfection, mind. It’s still a fitfully funny, sporadically tense, gleefully violent hour-long shoot-out. And events occur in real-time, too, which I always have a soft spot for. When all is eventually said and done, I doubt critics and scholars are going to hold it up as a key film of Wheatley’s career, but I’d wager it’s the one most people will get the most enjoyment from.
Free Fire is released on DVD and Blu-ray in the UK today.
She isn’t pictured in the review, so here’s a bonus one of Brie Larson being badass: