The Equalizer 2 (2018)

2020 #25
Antoine Fuqua | 116 mins | digital (HD) | 2.39:1 | USA / English, Turkish & French | 15 / R

The Equalizer 2

Now we’re equalised, bitch.

Sadly, that is not a line Denzel actually says in this movie. The film would be about 50% better if he did. Instead, what we get is an action-thriller where both the action and thrills are, literally, few and far between.

For those who skipped the first film, Denzel is playing Robert McCall, a former Marine and intelligence agent who retired to a life of inconspicuous normality, but has been tempted back into righting some of the wrongs of the world — or “equalizing” them, I guess. This time, an array of subplots eventually gives way to a story in which McCall sets out to avenge the murder of a friend.

I mention the subplots there because they’re the film’s biggest problem. As a result of them, it’s… so… slow… To start with, the subplots are a couple of small ‘cases’ introduced in the first half-hour, presumably to try to liven the film up because the main storyline is crawling along. Neither works. I’m not here for a pleasant drama about a Lyft driver who does kindly things for others — I want to see Denzel Washington kicking the asses of nasty buggers. The first film was noteworthy for investing more time in its supporting characters than is typical for the action-thriller genre, but this one takes that notion to extremes.

Even when the main plot does get moving, it takes over an hour to get to a ‘twist’ that’s obvious just from reading the cast list. At least it doesn’t try to save it for the end, I guess. That reveal leads to a wannabe-Taken-phone-speech declaration from Denzel, which should’ve come a lot earlier. It’s not as memorable as the Taken one (though the final line lands), but at least it’s a moment of drama and the film perks up after it — but by then we’re well over an hour in to a less-than-two-hours movie.

A rare moment of almost-action

From there it’s a short hop, skip and jump to a climax set amidst a horrendous storm in an abandoned seaside town. It’s a nice concept and it’s solidly executed, but it’s an at-most 20-minute sequence and it’s not exceptional, just a lot more engaging than the film’s other 100 minutes, so it doesn’t really justify sitting through the rest of the movie. However, I did not realise that flour could be explosive, but turns out it can, so in that sense at least this was educational for me.

(FYI, the film was cut in the UK to get a 15 certificate, removing some of the more extreme gore (insides hanging out, a spine being severed, etc). The 4K Blu-ray release is uncut and rated 18 (presumably so they could just port the disc rather than having to faff with edits/a new transfer). On Netflix it has an 18 icon, so I guess it’s also the uncut version, should that concern you either way.)

The Equalizer 2 isn’t a terrible film, but it is quite a boring one. Not just slow paced — genuinely boring. A raft of subplots don’t really go anywhere or serve any purpose, the main story is incredibly thin, and the limited action sequences do little to balance the books.

2 out of 5

The Equalizer 2 is available on Netflix in the UK from today.

The Equalizer (2014)

2016 #37
Antoine Fuqua | 127 mins | streaming (HD) | 2.35:1 | USA / English, Russian & Spanish | 15 / R

Back in the ’80s, everyone’s favourite actor whose name is also the punchline to a joke (“what do you call a man with three planks on his head?”), Edward Woodward, starred in a US TV drama about a former secret agent who uses those skills to exact vigilante justice for innocents who can’t help themselves. I’ve never seen it, but I guess it was popular back in the day because, 25 years after it ended, it was rebooted on the big screen. Or maybe they’ve just run out of popular stuff and are now rebooting anything and everything they can get their hands on. Either way, it’s a decent enough IP to fashion into a contemporary action-thriller, and indeed director Antoine Fuqua has made a decent-enough contemporary action-thriller.

In this iteration, Robert McCall (Denzel Washington) is, by day, a mild-mannered member of staff at whatever the US equivalent of B&Q is; but by night, memories of his former life as some kind of special agent keep him awake, so he hangs out at a diner where he regularly bumps into working girl Teri (Chloë Grace Moretz). After she’s hospitalised by a client, McCall feels he can’t sit on the sidelines anymore, and applies his Very Special Skills to her pimps — just to, you know, equalise things. Unfortunately, turns out those pimps were Russian gangsters, and now McCall has a bigger fight on his hands…

The Equalizer is a decently-made, well-performed, pretty entertaining action-thriller for fans of the genre. There’s nothing fundamental to complain about if you take it for what it is, and anyone who enjoys inventive deaths will be tickled by some sequences. Otherwise, it lacks originality, remixing familiar tropes and plot points into a passably-new shape.

Viewers who as a rule don’t enjoy this kind of movie will find nothing remarkable. Equally, fans of the genre will be perfectly entertained for a couple of hours.

3 out of 5