Jung Byung-gil | 124 mins | streaming (HD) | 2.35:1 | South Korea / Korean | 18
After taking bloody revenge on the people who killed her father, skilled combatant Sook-hee (Kim Ok-vin) is arrested and then forcibly recruited into a secret government agency who want her murderous skills. In exchange for ten years of her life and abilities, she’ll get a new identity and her freedom. As Sook-hee adapts to her new situation, flashbacks fill us in on her past — and the role it still has to play in her future.
There are obvious similarities to Luc Besson’s Nikita in that setup, but, frankly, I haven’t seen that movie in a long time, so I’m afraid you’ll have to look elsewhere for a more in-depth comparison than “hey, this is a bit like that!” The Villainess isn’t selling itself on the freshness of its premise, anyway — to most potential viewers, the primary attraction is the freshness of its action sequences. On that, it delivers, and then some.
It starts as it means to go on, opening with an eight-minute tightly-choreographed (fake-)single-take mostly-first-person killing spree. It’s a giddy display of violence that’s sure to entertain those of us who are so inclined. Many more hyper-kinetic, just-as-awesome action sequences follow over the next couple of hours. A motorbike chase that is also a sword fight (!) was a particularly memorable one for me (as I mentioned in last month’s Arbies). That’s also done in a ‘single take’ — if there’s one thing director Jung Byung-gil loves, it’s a fake single-take action sequence. If there’s another, it’s spurting blood — apparently if you strike anyone anywhere you’ll hit an artery and the red stuff will be squirting all over the place.
While the action scenes will be the focus for many viewers, there’s also a surprisingly effective emotional story at the film’s core. It even stops being an action movie for a bit in the middle to become a kind of romantic drama, which sounds ridiculous, but it works. There are plenty of twists and revelations involved in the storyline, so no spoilers here, but I will say it’s ultimately a pretty bleak film — it goes places I don’t think many straight-up action movies would dare. Well, certainly not Hollywood ones, anyway.
And none of that is to say it betrays its action roots — this isn’t one of those films that’s trailed like an action movie but, actually, only has a couple of stunts and is mostly something else. No, this really, really pays off just as a two-hour adrenaline kick; but it’s also, simultaneously, something more complicated. Put both sides together and I think there’s a good chance this will, deservedly, become regarded as a genre classic.
The Villainess is available on Netflix UK from today.