Jon Favreau | 125 mins | Blu-ray | 12 / PG-13
With Thor out a couple of weeks ago and Pirates of the Caribbean 4 just hitting cinemas, 2011’s blockbuster season is well and truly underway. While you all head out to the cinema and enjoy this year’s delights (or disasters), I intend to do some catching up on the tonne of stuff I’ve missed from the last year or two (or three, or more).
Starting, naturally, here…
I’ve always contended that the first Iron Man film was overrated. That’s not to say it was a bad film — I gave it four stars and, having re-watched recently, I liked it even more — but I think it took critics and audiences by surprise and that led to a level of praise from both sets that was unduly high. It’s not unreasonable: who would’ve expected anything special from the movie adaptation of a B-list superhero, helmed by a low-recognition director, starring a one-time leading man just about on his comeback? When it turned out to be both fun and funny, I think people overreacted. I saw it later, after hearing all that praise, so I think (without wishing to sound immodest) my view was slightly more tempered.
It’s for similar reasons I think Iron Man 2 has been underrated — I would contend that it is, more or less, as good as the first film. That didn’t seem to be the consensus at the time of release, which ranged from mediocre to rubbish. I don’t agree at all — and, again, I think this is in part due to viewers’ expectations. When one thinks a first film is better than it is, expectations for the sequel are heightened; when said sequel is only as good as the first film really was, it looks a lot worse by comparison — it fails to reach the audience’s over-raised expectations.
That’s my take, anyway. This being a review, I shall now offer more thoughts on why I think it’s a good action-adventure flick.
For starters, it relies on the story rather than the action. There are certainly some good sequences of the latter (more about those later), but there’s also a lot of story in between them — it’s not wall-to-wall explosions and punch-ups. Neither was the first, if you remember, and so it fits in that respect. It’s helped along by the ending of the first film, in which Tony Stark revealed he was Iron Man. That’s not something you do in superhero movies, which immediately lends this one a few new plot devices to play around with. Considering the burgeoning critical assessment that all superhero movies ever only tell the same two or three stories (an argument I think has a lot of validity), it’s nice to see anything to challenge the norm.
So does the reliance on technology. Yes, Batman uses kit rather than powers gifted via supernatural or ‘scientific’ means, but even Christopher Nolan’s real-world version of that character takes the tech as read and gets on with some moral-based superhero antics. Iron Man does less of the hero stuff (see again: fewer action sequences; also, Stark’s self-centred character) and indulges a little more in arms-race tech-development, a very plausible side effect of this superset being unveiled to the world. The development of the technology is as much part of this story as the genre-typical mental anguish of the hero(es) and/or villain(s), which, again, makes it a little different.
This time, Iron Man faces two enemies. A recipe for disaster, some would say — look at Batman & Robin or Spider-Man 3. That conveniently ignores Batman Returns or The Dark Knight though, doesn’t it. Here it works because they’re two notably different characters and they complement each other — it’s the Penguin and whover-Christopher-Walken’s-character-was rather than Mr Freeze and Poison Ivy, if you will. They play to different sides of the hero: one is fighting Stark, one Iron Man (though there is naturally crossover); though they’re both intelligent, one functions as the brains and the other as the brawn. Mickey Rourke may go slightly underused, but it’s also part of the character, a quiet, thoughtful, intelligent hulk partnered with Sam Rockwell’s jabbering wannabe-Stark.
Turning to the action sequences, I think they’re better all round than the first film’s efforts. Iron Man comes up against things that are his match, rather than just the occasional virtually-unopposed rescue of a third-world village or what have you. The climax is certainly better than that in the original. Iron Man 1‘s climax was a brief encounter lacking punch, literally; here we have a more advanced villain with some variety in his weapons — it makes for a more visually interesting affair. Both films have been criticised for being just robot-on-robot fights, the same fault that riddled Transformers. I disagree. In Transformers you couldn’t tell who was who; in both Iron Mans, you can — that’s kinda important. Sure, a non-robot-suited villain would make even more of a change, but I don’t think it hampers this finale too much.
I also wonder if some negative reaction stemmed from being shown too much in the trailers. I distinctly remember how underwhelming I found Wanted at the cinema because I felt like I’d seen it all; watched again later on Blu-ray, I enjoyed it a lot more. With Iron Man 2 I’m obviously distanced from trailers by a good year or so, and though one of their best moments is missing from the final cut, and the suitcase-suit is unavoidably spoilt by being so thoroughly screened during the promotion, watching now doesn’t have all the trailer-generated expectation to live up to. That famous Onion spoof about the first film’s trailer is, perhaps, even more applicable to the sequel.
Despite that cut I mentioned (the whole little sequence where Pepper throws Iron Man’s helmet out of the plane, for the interested; which, actually, would make a nice counterpoint to one of the final scenes — maybe that cut is a fail after all), other nice moments abound — Rhodey’s opening line, for instance, which acknowledges the change in cast member without harping on about it. Admittedly, however, there’s no comic highlight quite as memorable as the best bits from the first film, though I did laugh out loud plenty often throughout (when I was meant to, I hasten to add).
The greatest negative reaction, however, seemed to be reserved for one subplot: some called the film little more than a two-hour trailer for The Avengers. That’s unfair. Aside from one unnecessary scene featuring Captain America’s shield and Agent Coulson leaving for New Mexico, and the fact that the film assumes everyone will know who Nick Fury is despite him being introduced fleetingly after the credits of the last film, the whole S.H.I.E.L.D./Avengers Initiative thing is worked into the plot well. If we didn’t know it was the beginning of the build-up to The Avengers, I think it would have sat much better with viewers. Even if it does end up blatantly laying the foundation for further stories, that’s hardly uncommon in franchise films of all kinds these days — at least we know this series will definitely pay it off, unlike so many franchise-wannabes that don’t make it past their first film. Plus, the film’s primary plot has its own villains and comes complete with a resolution; Fury, S.H.I.E.L.D. and co are a subplot that feed other subplots.
Naturally the film isn’t perfect — it’s a bit slow in the middle and some bits could stand to be chopped — but overall I think it stands up much better than the critical and audience consensus implied. While watching I kept waiting for it to turn sour; to suddenly see what everyone had moaned about. Halfway through the screen fades to black, then fades back up to introduce Nick Fury — “oh, here we go,” I thought, “everyone moaned about the Avengers stuff; this must be where the whole film goes south; and handily marked by that fade too” — but no, I kept on enjoying it. The clock kept ticking, it kept not getting bad.
I enjoyed Iron Man 2 more or less as much as I enjoyed Iron Man, and that’s rather a lot.
Iron Man 2 begins on Sky Movies Premiere today at 3:45pm and 8pm, and is on every day at various times until Thursday 26th May.