Toy Story 4 (2019)

2019 #101
Josh Cooley | 100 mins | cinema | 2.39:1 | USA / English | U / G

Toy Story 4

Last weekend, with dull inevitability, Toy Story 4 won Best Animated Feature at the Oscars. Of course it did — in the last decade, the award has gone to a Disney or Pixar movie eight times out of ten. I’ve not seen any of the four other nominees, but I strongly suspect at least one of them deserved it more, because Toy Story 4 is… fine. Heck, it’s good, even. But when the three films that precede it are all-time classics that formed a perfectly complete trilogy, just being “good” is not enough.

Its first mistake is that it doesn’t need to exist. The filmmakers have self-mythologised that Woody’s story wasn’t complete and so needed this final chapter, or some such gumph, but anyone who’s actually seen Toy Story 3 knows that’s not true. No, this is someone at Disney or Pixar hoping they can mine one of their most popular franchises for more gold. Whether or not they also believed lightning could strike for a fourth time, or they didn’t care so long as it made bank, I’ll leave up to your own levels of cynicism.

So rather than feeling like an equal part of a four-film series, Toy Story 4 feels like an afterthought; an addendum; a “here’s another one because you liked the others”. And at times it delivers on that — we like these characters, so they’re fun to be with; some of their antics are amusing or exciting; there’s a positive moral message or two about acceptance and seeing worth in yourself. There are attempts at emotional resonance too, particularly when the film tries to feel like an ending and a farewell; but 3 already did that, and did it extremely well. 4 has an uphill climb trying to match that, and even if it did (which it doesn’t), why should we believe it? It’ll only last until someone decides there’s a narrative for Toy Story 5 that simply has to be told (see you for that c.2026, I guess).

In search of a new story

Of course, there’s no doubting the film is well made. It’s easy to disregard that as just Pixar being Pixar, but there’s an ever-impressive technical skill on display here. Maybe on that level it does deserve award wins — although, while Pixar are undoubtedly frontrunners in such a race, there are other animation houses who can and do produce work that’s just as beautiful. (Besides, the Best Animation category is a funny one in that regard — is it rewarding the artistic/technical accomplishment of the animation itself, or is it “best film that happens to be animated”? A debate for another time.)

Toy Story 4 is the kind of film I enjoyed well enough while it was on. Whenever I get round to rewatching the series, I’ll happily include it. But, while it doesn’t tarnish the series’ legacy, it does blight its unbroken record. If it had never existed, I’d’ve been fine with that.

4 out of 5

Toy Story 4 is available on Sky Cinema as of this weekend.

The Eleventy-First Monthly Review of July 2019

I’ve been writing 100 Films for 151 months now, but I only instituted these monthly progress reports in May 2010 — and that makes this the 111th one! I think that’s worthy of a Hobbity celebration…

I don't know half of you half as well as I should like, and I like less than half of you half as well as you deserve.

Coincidentally, it’s also the 50th month of these “new look” monthly updates (the ones with the funny titles and all the formal sections), which means it’s also the 50th iteration of my Arbie Awards. You can see how I’ve honoured that special occasion when you reach the relevant section.

But before that, there’s this…


#99 Zatoichi Meets the One-Armed Swordsman (1971), aka Shin Zatôichi: Yabure! Tôjinken
#100 The Killer (1989), aka Dip huet seung hung
#101 Toy Story 4 (2019)
#102 Sherlock Jr. (1924)
#103 The Lion King (2019)
The Killer
.


  • So, I watched just five feature films in July.
  • That continues my new fewer-than-10-films-per-month streak. Once upon a time such numbers were my norm (from 2008-2013, 58% of months had 9 or fewer films), but for the past few years it, er, really wasn’t (in 2014-2018, 95% of months had 10 or more films).
  • My longest previous fewer-than-ten streak was 7 months, from June to December 2011. If 2019 continues the way it’s going, it could replicate that exactly. But, equally, a lot can change: at the end of July 2016 I was at #127 and went on to finish the year with 195, and in July 2017 I was at #107 and ended on 174; but July 2015 was lower than both of those, ending at #102, and I went on to reach 200. So while I’ll be very surprised if 2019 even comes close to last year’s 261, never say never.
  • In terms of averages, it’s distinctly less heartening. It takes the average for July down from 9.9 to 9.5, leaving it as the only month with an average lower than 10. It also brings the 2019-to-date average down from 16.3 to 14.7, and the rolling average of the last 12 months down from 17.8 to 15.9.
  • Of of the five films I did watch, one was #100 — later than I’d anticipated, because my underwhelming June tally didn’t get me there, but still the 3rd earliest #100 ever (behind 2018 (10th May) and 2016 (28th May), and ahead of 2017 (15th July)).
  • It was a double catch-up for last month, too: I missed my should-be-monthly Blindspot film in June, so made a selection from that list to be 2019’s illustrious #100. My pick was John Woo’s career-defining heroic bloodshot classic The Killer. Still holds up today, for my money. It’d be nice if we could get a quality Blu-ray release of it, though.
  • And this month’s WDYMYHS film was Buster Keaton’s slapstick classic Sherlock Jr. At 45 minutes, it’s just long enough to qualify as a feature rather than a short. As well as the comedy, it has madcap stunts Tom Cruise would be proud of, and technical effects that still hold up almost 100 years later.
  • Finally, from last month’s “failures” I watched only Toy Story 4. Well, one is better than none…



The 50th Monthly Arbitrary Awards

It’s the 50th Arbie Awards! In honour of that milestone, I’m… not doing anything special whatsoever. So let’s get on with this:

Favourite Film of the Month
Not much to choose from, though I did really enjoy almost all of the limited selection of films I did watch. The winner, though, is an action movie… and also a comedy: Buster Keaton’s Sherlock Jr., which (as I said above) is not only very funny but also technically audacious and full of daredevil stunts.

Least Favourite Film of the Month
This is an easy pick. I didn’t hate it, but I was certainly left underwhelmed by Jon Favreau’s too-faithful live-action animated remake of animation The Lion King.

Song That Should’ve Been Retitled of the Month
Can You Feel the Love Tonight This Afternoon?

Joke I Stole from Letterboxd of the Month
See above + here.

The Audience Award for Most-Viewed New Post of the Month
It was a relatively meagre month for new posts. Well, in fact, there were 10, and my average for the first six months of 2019 was 13, so maybe not so relatively low after all. Whatever, none of those new posts challenged archival ones for popularity: this month’s victor may’ve been a Netflix new release (outside the US) but it only came 39th overall. Perhaps Shaft isn’t the man after all.



I didn’t rewatch a single film last month, which means I’ve got a mountain to climb to get to my goal of 50 rewatches this year — and July is barely helping…

#21 Die Another Day (2002)

To stay on target I should be on about #28 by this point. Oh dear. And the one I did watch was a fluke: I happened across it on TV the other day and ended up sucked in. So, okay, I didn’t really watch it — certainly not all of it — but I did see a fair bit of it; probably a comparable amount to when I caught Skyfall on TV last year, and I counted that, so here it is. I’m still intending to re-watch all of Bond properly at some point (or at least pick up where I left off, which was with OHMSS); but then I’ve been meaning to do that ever since the Bond 50 Blu-ray set came out in 2012…


I made a couple of trips to the cinema this month, but I still missed some big titles — primarily, Spider-Man: Far from Home. There was also Richard Curtis/Danny Boyle/Beatles comedy Yesterday (which actually came out in June, but I didn’t mention it last month), and smaller releases (which therefore weren’t necessarily playing near me or at accessible times) like Midsommar and The Dead Don’t Die. (If you’re a US-based reader wondering why I haven’t mentioned Quentin Tarantino’s successful new film, it’s not out here for another two weeks.)

Last month I noted that some cinema misses from February had now made it to disc, where I’d missed them again. That’s also true this month, with the release of Alita: Battle Angel. The same was true of Dumbo, though that was from my April failures — the fact it and Alita have now reached disc at about the same time shows something about the vagaries of release windows, I guess. Finally on disc, a rewatch candidate: Captain Marvel (not that I’ve posted a review from when I saw it in the cinema yet).

The noisiest releases on streaming this month were TV series, but a couple of Amazon co-productions came to Prime Video: Mike Leigh’s Peterloo, and Beautiful Boy, with a BAFTA-nominated performance from Timothée Chalamet. As for Netflix, they offered doc The Great Hack, about the Cambridge Analytica scandal, which is the kind of thing that’s destined to sit on my watch list for ever and a day. They also threw up some stuff I missed from last year in the form of Paul Feig’s black-comedy mystery A Simple Favour and acclaimed comedy-drama Blindspotting.


So, in conclusion, July’s prospects were marred by my being away on holiday for almost half the month. Perhaps that means August will see things perk up again…