Runtime: 136 minutes
BBFC: 15 (cut, 1999) | 15 (uncut, 2006)
Original Release: 31st March 1999 (USA)
UK Release: 11th June 1999
First Seen: VHS, 2000
Keanu Reeves (Speed, John Wick)
Laurence Fishburne (Event Horizon, Predators)
Carrie-Anne Moss (Sabotage, Memento)
Hugo Weaving (The Adventures of Priscilla, Queen of the Desert, The Lord of the Rings)
Joe Pantoliano (Bound, Memento)
Thomas Anderson, aka hacker Neo, is searching for answers to questions he doesn’t know. This search brings him into contact with Morpheus, a mysterious individual who claims to show Neo the ‘real world’ — something the powerful Agents are keen to prevent…
By day, Thomas Anderson is an office drone computer programmer. By night, he’s renowned hacker Neo. After he meets Morpheus and gets some of the answers he’s been seeking, it turns out he may be something greater…
The forces of the controlling machines are represented by Men in Black-style suit-wearing sunglass-sporting agents, the foremost of whom is Agent Smith. I don’t know about you, but I can’t read about / hear of / meet anyone called Anderson without hearing Hugo Weaving’s syllable-emphasising delivery of “Mr Anderson”.
Best Supporting Character
Hardened PVC-and-leather-clad warrior Trinity — a kick-ass female action heroine 17 years ago, while we still seem to be desperately hunting for them today.
“Unfortunately, no one can be told what the Matrix is. You have to see it for yourself.” — Morpheus
Quote Most Likely To Be Used in Everyday Conversation
“There is no spoon.” — Spoon boy
Neo + Agent + rooftop + super-slow-motion + impossible leaning-over-backwards-ness = one of the most iconic scenes in the movies.
Hong Kong cinema has been using wirework to create kung fu action scenes for decades, but The Matrix brought it to the Western mainstream. The fights were choreographed by legendary action choreographer/director Yuen Woo-ping (Drunken Master, Once Upon a Time in China, Iron Monkey, etc).
Truly Special Effect
The much imitated and parodied bullet-time effect, where the action stops and rotates around the static scene before continuing. It was mind-blowing at the time, before it became overdone. And though it looked impressive, it was achieved with strikingly obvious simplicity: a rig of still cameras arranged around the subject, with a film camera at either end.
The character of Switch was originally intended to be played by two actors, an androgynous male in the real world and an androgynous female in the Matrix, hence the character’s name. According to IMDb, Warner Bros “refined” the idea (one wonders if “vetoed” might be a more accurate word), and Belinda McClory played the role in both locations. Maybe this signifies something, maybe it doesn’t, but given that both Wachowski siblings have since come out as transgender, it seemed a particularly interesting point.
Laurence Fishburne committed himself to two sequels before he even read the scripts. “Of course you would,” thought everyone who’d seen The Matrix. Then they came out. As well as the two films, there was: a series of anime shorts; a computer game so ‘significant’ that scenes from it are included on the film trilogy’s DVD/Blu-ray release; and an MMORPG that ended in 2009. Rumours persist of more in the future.
4 Oscars (Editing, Sound, Sound Effects Editing, Visual Effects)
2 BAFTAs (Sound, Visual Effects)
3 BAFTA nominations (Cinematography, Production Design, Editing)
2 Saturn Awards (Science Fiction Film, Director)
7 Saturn nominations (Actor (Keanu Reeves), Actress (Carrie-Anne Moss), Supporting Actor (Laurence Fishburne), Writer, Costumes, Make-Up, Special Effects (it lost to The Phantom Menace!))
Nominated for the Hugo for Best Dramatic Presentation (it lost to Galaxy Quest)
What the Critics Said
“In addition to resembling both in concept and content the worthwhile Dark City, there’s not much more to it than ideas about the subjectivity of reality reworked from Descartes, Philip K. Dick, and William Gibson and channeled into an operatic science-fiction metaphor about non-conformity (and drug use). But the Wachowskis do it so playfully well, keeping The Matrix’s potentially confusing plot intelligible, intelligent, and suspenseful, that it doesn’t matter. As far as sheer spectacle goes, it’s the most exciting thing to come along in quite a while. Where other films are done in by the freedom offered by computer effects, The Matrix integrates them beautifully” — Keith Phipps, A.V. Club
What the Public Say
“The degrees to which The Matrix changed our cinematic landscape are inescapable. This is one of those rare cultural landmarks that overcame its cult status and truly became a part of our shared existence. It helps that The Matrix is a bit of a whole bunch of sci-fi, cyberpunk and dystopic fiction blended together with classic Hong Kong action film elements. Not bad for a film that stole much of Dark City’s thunder.” — The Hi-Fi Celluloid Monster
IMDb Top 250 #18
There are some movies where their significance almost outstrips the ability to judge them independently — Citizen Kane, for the most obvious example. I don’t know if The Matrix now appears that way to newcomers, but it could, because it’s hard to understate the impact it had on action/sci-fi movies (and other media) for the next decade or more. But I haven’t included films in this list just for the impact they had: The Matrix is an exciting, thought-provoking, and innovative sci-fi-actioner. Unsurprisingly, all the reasons it was so influential are the reasons it’s so good.
#61 will be… future crime.