Gavin Hood | 102 mins | streaming (HD) | 2.35:1 | UK & South Africa / English & Somali | 15 / R
Drone warfare is a fairly hot and contentious issue of our times, though as it seems to have “just kinda happened” I’m not sure how much significant public debate there’s been around it. It’s certainly provided fodder for moviemakers, however, with multiple productions seeking to be “the one about drones”. I’ve heard the best of these is Good Kill (though IMDb ratings disagree), but that’ll have to wait for another day (I’ve been sitting on this review since frickin’ January because I’ve still not got round to Good Kill!) Even if Eye in the Sky is the inferior film, it’s no slouch.
After a multinational mission is launched to capture wanted terrorists in Kenya, surveillance observes them prepping suicide bombers. The mission objective is changed to “kill”, but commanders watching from afar via drone are forced to reconsider their options due to a civilian presence near the target. It’s a tense thriller driven by a compelling moral dilemma — in fact, the dilemma is an old one: would you sacrifice one innocent life to potentially save dozens more? It’s just that it’s now framed in the super-modern context of using drones to dispatch death from the other side of the world.
Getting ahead of myself a little now, but events build to a very tense climax. That’s how you want your thrillers to end, isn’t it? It also pays off the sometimes slow, borderline stagey “people talking in rooms” film that precedes it. Maybe that’s unfair — yes, it’s people talking in rooms, but there’s dynamism in what they’re debating and, er, the number of different rooms it takes place in… It also has a very plausible line in the passing of the decision-making buck, up the chain through the military, then through politicians. I guess for this to work the operation depicted had to be British-led because, as the film reveals, the American military machine would’ve had no such compunction about possibly killing a little girl.
Much of the film lets you make up your own mind about its ethical conundrums, which is a strong point; but then, after all the actual debating is done and decisions have been made, it uses its final scene to show an outcome it could’ve left open-ended. This makes it seem to come down quite heavily in one direction. There’s not necessarily anything wrong with having a position and advocating it in art, but for a film which seems designed to tackle a contentious issue and put it up for genuine debate, it ends up feeling a tad one-sided. That said, there’s a long and well-liked screed on Letterboxd about how “it’s a film with an agenda that pretends to have none”, that agenda being to “have you rooting for the bombing of a little girl” — which is funny because I felt that, if anything, it came down a little too heavily the other way.
One thing that distracted me to an inordinate degree was the agents on the ground using cameras disguised as birds and bugs — not just models with cameras in them, but imitation creatures that have the ability to fly around, reposition, etc. Even if such tech is possible nowadays, would Kenyan forces have access to it? And even if it’d been provided to them by their US/UK allies, would the equipment produce results of such good quality, or be capable of sending the images across such distances? Surely real-life drones are the size and shape they are (i.e. pretty big) for a reason? I guess the applicable point about this is: if you’re trying to make a serious modern-day moral thriller, don’t throw James Bond tech in there.
Nonetheless, Eye in the Sky manages to put a very-present moral issue up for debate, framing it as a kind of case study so that it also serves as a tense thriller. Thought-provoking and nail-biting.