Godzilla: City on the Edge of Battle (2018)

aka Gojira: Kessen Kidō Zōshoku Toshi

2018 #156
Hiroyuki Seshita & Kôbun Shizuno | 101 mins | streaming (HD) | 16:9 | Japan / English | PG

Godzilla: City on the Edge of Battle

The 31st official Godzilla film from Japan’s Toho studio is the second part of their anime trilogy. Released theatrically in Japan, it’s a Netflix exclusive in the rest of the world — which is probably for the best, because it means we don’t have to pay money specifically for this shite.

Picking up where the previous film left off, City of the Edge of Battle is set on Earth 20,000 years in the future, where a 300-metre-tall Godzilla (the largest ever, fact fans) rules the planet. I could go into the rest of the backstory, but we’ll be here for a paragraph or two — you can either watch the first film or, better yet, save yourself a couple of hours and just don’t bother with any of it. But anyway: in this instalment, the party that have landed on Earth to defeat Godzilla discover a tribe of humans (or, possibly, just a human-like species) who have somehow survived Godzilla’s reign. They in turn lead them to the remains of Mechagodzilla, a failed project by alien chums to help defeat Godzilla. Left alone for 20 millennia, the mech’s “nanometal” has grown into an entire city, which they now hope to use to defeat Godzilla.

There are some neat sci-fi ideas in this trilogy — aside from the Battlestar Galactica-esque stuff I talked about last time, there’s some interesting notions about how the planet might’ve changed and evolved over 20,000 years without us, and a city that’s grown itself has potential — but promising concepts alone are not enough to overcome the clunky dialogue, dull visuals, unmemorable characters, turgid philosophising, and sauntering plot. And if you’re here for the eponymous big guy, once again he doesn’t even get involved until over an hour in, just in time for the final big action sequence. That’s so badly done, it requires constant narration from the human command centre to explain what’s supposed to be going on. It would make as much sense as an audio drama as it does as a film.

Look, Godzilla is in this film! (Eventually.)

Another way this second film suffers is that many actions are built on motivations that were established and explained in the first film, but which aren’t restated here — and they were easy to miss in the first one anyway, because it was overloaded with exposition and jargon. It should be no surprise that this sequel is no better in that regard, justifying my decision to watch it in English this time. It did seem weird to switch language part way through a trilogy, but it’s not like any of the characters were memorable enough that I associated their voices with them, so why not? Well, I always feel I should watch anime in its original Japanese, for purism’s sake, but English is just easier — especially when the amount of made-up jargon flying around made the first film something of a chore to read.

I didn’t really enjoy the first film, but generously gave it 3 stars on the basis that it wasn’t completely terrible and had some ideas with potential. This sequel squanders most of that. I still like the mythology they’ve loaded into this universe — the conflicting ideologies of the different species on the spaceship; the situation on Earth when they return (the human-like tribe; the self-built city-with-a-brain) — but it’s all bungled in the execution, coming out as gloop that is, at best, barely intelligible, and, at worst, flat out boring. And if there wasn’t already more than enough backstory, mystery, and potential conflict to be going on with (which there was), City on the Edge of Battle throws a ton more into the mix. But hey, maybe the third film will actually generate some excitement if it has to rush to wrap all that up?

2 out of 5

Godzilla: City on the Edge of Battle is available on Netflix now. The final film is scheduled for release in Japan in November, and worldwide in early 2019.

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2 thoughts on “Godzilla: City on the Edge of Battle (2018)

  1. Well, I think as a stand alone film, this has more dosappointing factors for sure. But like Superman in DC Comics, in modern time of cinematography, Godzilla is a hard one to make everyone pleased.
    I personally loved this series because it portrays Godzilla as the ultimate horror and the hope-breaker. Yet it mentions the another threat at the end. Also the question of what it means to beat this uptimate horror as a human being. Human cannot abondon its home, the Earth, even though the home has chose Godzilla, not the humanity. Still human wants to come home and fight back its due course.
    When you start focusing on actions, the movie becomes cheap predictable plots. But I can see they really try throwing difficult choices and trials for human.
    I think the director is trying to ask the audience what it means to be human. Besides other races of the universe, evolved or not, we as human struggle but get through in the end. I want more desparate situations and more desparity from this series.
    Others may not agree, but I think this is by far the most intersting and intense Godzilla series that were ever made.

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    • I definitely agree that there are some good ideas underpinning this trilogy, but I don’t think they’ve executed them as well as they could have, sadly. I’m glad you’re enjoying it, though — it’s always better to be the person who enjoyed something than the person who didn’t!

      Like

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