Josh Cooley | 100 mins | cinema | 2.39:1 | USA / English | U / G
Last weekend, with dull inevitability, Toy Story 4 won Best Animated Feature at the Oscars. Of course it did — in the last decade, the award has gone to a Disney or Pixar movie eight times out of ten. I’ve not seen any of the four other nominees, but I strongly suspect at least one of them deserved it more, because Toy Story 4 is… fine. Heck, it’s good, even. But when the three films that precede it are all-time classics that formed a perfectly complete trilogy, just being “good” is not enough.
Its first mistake is that it doesn’t need to exist. The filmmakers have self-mythologised that Woody’s story wasn’t complete and so needed this final chapter, or some such gumph, but anyone who’s actually seen Toy Story 3 knows that’s not true. No, this is someone at Disney or Pixar hoping they can mine one of their most popular franchises for more gold. Whether or not they also believed lightning could strike for a fourth time, or they didn’t care so long as it made bank, I’ll leave up to your own levels of cynicism.
So rather than feeling like an equal part of a four-film series, Toy Story 4 feels like an afterthought; an addendum; a “here’s another one because you liked the others”. And at times it delivers on that — we like these characters, so they’re fun to be with; some of their antics are amusing or exciting; there’s a positive moral message or two about acceptance and seeing worth in yourself. There are attempts at emotional resonance too, particularly when the film tries to feel like an ending and a farewell; but 3 already did that, and did it extremely well. 4 has an uphill climb trying to match that, and even if it did (which it doesn’t), why should we believe it? It’ll only last until someone decides there’s a narrative for Toy Story 5 that simply has to be told (see you for that c.2026, I guess).
Of course, there’s no doubting the film is well made. It’s easy to disregard that as just Pixar being Pixar, but there’s an ever-impressive technical skill on display here. Maybe on that level it does deserve award wins — although, while Pixar are undoubtedly frontrunners in such a race, there are other animation houses who can and do produce work that’s just as beautiful. (Besides, the Best Animation category is a funny one in that regard — is it rewarding the artistic/technical accomplishment of the animation itself, or is it “best film that happens to be animated”? A debate for another time.)
Toy Story 4 is the kind of film I enjoyed well enough while it was on. Whenever I get round to rewatching the series, I’ll happily include it. But, while it doesn’t tarnish the series’ legacy, it does blight its unbroken record. If it had never existed, I’d’ve been fine with that.
Toy Story 4 is available on Sky Cinema as of this weekend.