Runtime: 132 minutes
BBFC: 18 (1988) | 15 (2007)
Original Release: 15th July 1988
UK Release: 3rd February 1989
First Seen: DVD, 2003
Bruce Willis (Twelve Monkeys, The Sixth Sense)
Alan Rickman (Robin Hood: Prince of Thieves, Sense and Sensibility)
Reginald VelJohnson (Turner & Hooch, Die Hard 2)
Bonnie Bedelia (Die Hard 2, Presumed Innocent)
Nothing Lasts Forever, a novel by Roderick Thorp.
While off-duty cop John McClane is visiting his estranged wife at her office Christmas party, a gang of terrorists enter the building and take the guests hostage. McClane avoids capture, making him their only hope of rescue…
One of New York’s finest unfortunately caught in the wrong place at the wrong time… or, as it turns out, the right place at the right time. They’re currently working on an “origin story” movie for cop John McClane, which is daft because Die Hard is his origin story — he may’ve become an action hero in later movies (I wouldn’t know, I still haven’t got beyond the second), but here McClane is just an ordinary cop. Well, a very committed ordinary cop, anyway.
Smart, witty, and thoroughly ruthless, Alan Rickman’s big-screen debut is a flawless turn that defined thriller villains (British-accented terrorists with a secret plan) for at least the next half-decade. No one does it better, though.
Best Supporting Character
McClane’s only real friend, Sgt. Al Powell is a beat cop on the outside who just happens to pick up his signal. Fortunately, he’s much smarter and more helpful than a team of FBI agents. Well, aren’t we all?
Hans Gruber: “Do you really think you have a chance against us, Mr. Cowboy?”
John McClane: “Yippee-ki-yay, motherfucker.”
Quote Most Likely To Be Used in Everyday Conversation
As Gruber lectures the collected hostages on how the terrorists have planned for every eventuality, a nearby elevator door pings open. One of the hostages screams, Gruber and co rush over, to find one of their compatriots dead with a message scrawled on his sweatshirt: “Now I have a machine gun, ho-ho-ho.”
Truly Special Effect
When the bomb in the elevator shaft blows out the side of the building, the effect was accomplished by collecting virtually every camera flashbulb of a particularly powerful type and wiring them to the outside of the actual building to simulate the flash, then superimposing a shot of an actual explosive blowing a hole in an all-black miniature of the building.
The filmmakers struggled to find a way for McClane and Gruber to meet prior to the movie’s climax. The scene in which they do, where Gruber pretends to be one of the hostages, was dreamt up after it was discovered Alan Rickman could do a good American accent.
Die Hard is adapted from a novel, which is a sequel to one called The Detective, which was filmed in 1968 starring Frank Sinatra as the lead cop (called Joe Leland rather than John McClane). When production began on Die Hard, Fox were obligated to offer the lead to Sinatra. Fortunately for them, he turned it down.
Lightning struck twice for unlucky John McClane when he got embroiled in another Christmastime terrorist incident in Die Hard 2, aka Die Harder; then Gruber’s brother sought revenge in trilogy-forming Die Hard with a Vengeance. Years later, someone realised there was money to be made, leading to poorly-received cash-in sequels Live Free or Die Hard, aka Die Hard 4.0, and A Good Day to Die Hard. A sixth is in development.
4 Oscar nominations (Editing, Sound, Sound Effects Editing, Visual Effects — or, to put it another way: Sound, Effects, Editing, Sound Effects Editing)
What the Critics Said
“From its trailer, Die Hard looks like a typical action movie of the ’80s: a sweaty, bare-chested, all-American hero battles swarthy, heavily accented terrorist villains, accompanied by lots of high-tech explosions, vast sheets of breaking glass and enough sophisticated weaponry to account for the Pentagon’s budget overrun. As directed by John McTiernan, it turns out to be something more — the archetypical action movie of the ’80s, the perfection of the form. Sleekly engineered, impeccably staged and shrewdly dosed with humor and sentiment, Die Hard has everything but a personality.” — Dave Kehr, Chicago Tribune
What the Public Say
“Vulnerable but witty, McClane is a very well realised action hero who has set precedence as far as similar roles are concerned. […] Unlike Schwarzenegger and Stallone, Willis’ McClane is not the archetypal heroic figure that is invincible and untouchable. He gets his butt handed to him regularly and often finds himself panicking with frequent looks of nervousness and even fear.” — Billy’s Film Reviews
IMDb Top 250 #120
The action movie to end all action movies… or, y’know, spawn endless sequels and rip-offs. But Die Hard really did perfect the mix: a capable but not superhuman hero, a genuinely threatening but enjoyable-to-watch villain, plenty of thrills and tension, but also humour and eminently quotable dialogue. And it’s set at Christmas (though originally released in July — what?!), which makes it ideal for seasonal counter-programming. What more could you ask for?
Prepare thyself… for #24.