The Past Christmas on TV

Christmastime: it’s all about family, food, presents, sweets, more food, alcohol, a bit more food, some kid who was born a while ago, and also food. But most of all, it’s about TV. Oh dear Lord, so much TV.

Is it just me and my insanely broad and forgiving interests, or has there been more TV to watch this Christmas than normal? Every day in our copy of the Radio Times’ “legendary” Christmas issue seems alight with highlighter markings, an endless parade of visual entertainment to… well, to add to the list of stuff to watch later on catch-up, mainly. But I did actually watch some of it, and here is what I thought.

Doctor Who The Return of Doctor Mysterio
Doctor Who: The Return of Doctor MysterioThe controversial Steven Moffat era of nuWho is headed towards its end, but before his final full series next year there’s this penultimate Christmas special. There have been 12 of them now and they’re always divisive: some people think they’re too Christmassy, some that they’re not Christmassy enough; some like that they’re standalone adventures suited to a broader audience, but other times they’re not standalone enough… Each year presents a different mix of these elements, pleasing some and alienating others.

This year, Doctor Who taps into the zeitgeist by finally tackling superheroes, with a riff off classic-styled Superman. Personally, I thought it was the best Christmas episode for years — a fun, exciting, witty, entertaining romp, that captured the tone of the superhero genre but gave it Doctor Who’s typical gently-irreverent spin. The tone was perfectly suited to Christmas day.

But was there too much or too little Christmas in it? Well, I’ve seen critics put it in their top five Who Christmasses purely because there wasn’t much Christmas, and Letterboxd fans write it off purely because there wasn’t enough Christmas. When you’re the showrunner of Doctor Who, you literally can’t win.

The Great Christmas Bake Off
The Great Christmas Bake Off“Proper Bake Off” came to an end with what felt a little like a joyous celebration of the series’ unique charms, as well as its highs and lows. Considering the two festive episodes were shot before the controversial move to Channel 4 took place, that’s almost impressive. It’s hard to imagine GBBO without the alchemical mix of Mel, Sue, Paul and Mary, and these episodes showed the format on fine form. And then the BBC went and snuck in that perfectly-edited 60-second tribute to the whole thing. Who knew a programme about baking cake could be so good? Or make some people so emotional

Bob Monkhouse: The Last Stand
A few months before his death in 2003, Bob Monkhouse gave a one-off gig to an invited audience of fellow comedians which has apparently gone down in comedy legend. I’d never heard of it before, but there you go (I had the same thing with the joke in The Aristocrats and its alleged notoriety, so I won’t say I’m surprised). This was the first time that gig has been televised in a full form, and I confess I’d paid it no heed until it was trending on Twitter. Thanks for that recommendation, Twittersphere, because it’s a very good show: Bob tells jokes, tells stories, and interviews Mike Yarwood in front of an admiring audience who aren’t aware it’s probably his last gig — but, with that hindsight, the themes of sharing a lifetime of wisdom and finding contentment are obvious.

Grantchester
GrantchesterThe problem with Christmas specials of on-going shows is you’re sometimes left with on-going plots that must be acknowledged, and Grantchester has a particularly major one with its hero’s life-long love leaving her husband while pregnant. If you don’t watch, it’s set in the ’50s, so this kind of behaviour is the greatest scandal known to man. The special leaps into this without even the by-your-leave of a “previously on”, so I pity any non-regular viewers made to sit down in front of it on Christmas Eve. But it’s an immensely popular show with big ratings, apparently, so who can blame ITV for wanting it in their always-underpowered Christmas schedule? I imagine it fared better than Maigret did the next night…

Revolting Rhymes
Revolting RhymesThe team behind previous Christmas specials The Gruffalo, Room on the Broom, and Stick Man returned this year with a two-part adaptation of Roald Dahl’s retold fairy tales. Dahl’s individual tales have been intelligently remixed into a pair of stories (one per part, of course), with a framing narrative that actually contains a neat cliffhanger twist at the end of part one. Maybe it just caught me unawares because I wasn’t expecting it, but I thought it was very effective. Anyway, Dahl’s witty rhyming couplets are retained, delivered by a well-chosen cast, not least Dominic West as a smooth, charming, suspicious Wolf. The claymation-ish visual style of the CG animation is familiar from the makers’ previous films, but as polished and well-applied as ever, with some beautiful details. It makes for a visual treat to equal the excellent words they have to work with.

The Witness for the Prosecution
The Witness for the ProsecutionI thought And Then There Were None was one of the highlights of last year’s Christmas schedule, turning Agatha Christie’s most popular novel into a dark, slasher-movie-esque thriller, the first English-language adaptation to remain faithful to the original’s glum ending. I don’t know if this year’s Christie is faithful to her original short story, but it isn’t to the play adaptation (at least as I know it from the excellent film version). It seems to have deliberately followed in And Then There Were None’s tonal footsteps, shooting for a bleak tale about the fundamental darkness of human nature. Instead it’s diluted the satisfying mystery and removed the tension, with a two-hour running time feeling ponderous and its cinematography trying for atmospheric but instead hitting murky. Some people don’t approve of Christie-esque narratives that make a guessing game out of murder, but if you want you can always write your own gloomily realistic meditation on the nature of evil rather than co-opting her work into a grim treatise.

Comedy round-up
WILTYThere’s always a lot of special episodes of comedy shows on over Christmas, with varying degrees of success. I thought this year’s Live at the Apollo was woeful, with Romesh Ranganathan the only truly bright spot in 45 minutes of flat observations and unfunny daftness. Conversely, Would I Lie To You? proved to be as good value as it always is, thanks to the quick wit of the regulars plus Tom Courtenay’s affected (I presume) dodderiness. Mock the Week’s clip show format was perhaps improved by the fact I didn’t watch the most recent series, while the imperfect Insert Name Here makes a nonetheless welcome return. In the comedy gameshow sub-genre, Alan Carr’s 12 Stars of Christmas was the kind of trash I’d never watch at any other time of year yet stuck with for all five hours and kind of enjoyed (helped by watching on catch-up and fast-forwarding the really repetitious bits), while the David Walliams-fronted Blankety Blank revival provided as much charm as the format ever has. And normally it wouldn’t count as comedy, but this year’s run of Celebrity Mastermind began with CBBC puppet Hacker T. Dog as a contestant. At least he didn’t win.

Also watched… (stuff that wasn’t Christmassy)
  • Castle Season 7 Episodes 22-23 — the last episode feels very much like someone thought they might get cancelled. After the quality of this season, I don’t blame them.
  • Class Series 1 Episode 8 — it’s been an uneven series, but the tease for season two’s big plot is very intriguing. Fingers crossed for a recommission.
  • The Grand Tour Season 1 Episode 3 — in which they actually do a version of the Grand Tour.

    Things to Catch Up On
    OutnumberedMy list of Christmas TV to get round to remains pretty extensive. There are all those regular series that insert a seasonal episode — The Grand Tour (that’d be the episode with Richard Hammond’s ice cream comments that you might’ve heard about), Paul O’Grady: For the Love of Dogs, Yonderland (not that I’ve watched any of the latest series), QI, Inside No.9 (which I’ve never watched before, but the special sounds good)… And there are series coming back for one-offs too, like Outnumbered and Jonathan Creek (which I loved during its original run but have been surprisingly lax about watching in the last few years). I’ve also not yet caught a couple of this year’s animated adaptations, Michael Rosen’s We’re Going on a Bear Hunt and Raymond Briggs’ Ethel & Ernest (which I figure will count as a film). Documentaries like Lego’s Big Christmas and West Side Stories also sit on my list, likely to get forgotten. There’s Sky1’s big Christmas Day drama, The Last Dragonslayer (which I wager I’ll also count as a film); Eric Idle’s comedy musical science thing, The Entire Universe; and Charlie Brooker’s 2016 Wipe, which apparently manages to make 2016 funny (I’ll believe it when I see it). Finally, I always save Channel 4’s The Big Fat Quiz of the Year for either New Year’s Eve or New Year’s Day, because that just seems more appropriate.

    Whew!

    (And to think: this doesn’t even mention all the big specials for things I don’t watch.)

    Still To Come
    Sherlock series 4Things are beginning to wind down now… but as far as TV schedulers are concerned “Christmas” lasts until at least January 1st, so there are a couple of big hitters left. The biggest of all is a new, potentially final, run of Sherlock. No idea what the quality will be like, but expect lots of handwringing on social media and huge ratings either way. On New Year’s Eve there’s stage adaptation Peter Pan Goes Wrong, which I’ve heard such good stuff about it’s probably going to be a disappointment, and a Winnie-the-Pooh documentary that I’m going to watch even though it’s presented by Alan Titchmarsh. Next week (which you could argue is still part of Christmas if you have very forgiving holiday leave) sees lots of police shows kicking off, if that’s your thing: Death in Paradise, Endeavour, Midsomer Murders, No Offence, Silent Witness, Unforgotten… even Brooklyn Nine-Nine. And in the sphere of movies on TV, tonight you can choose between the network premiere of Captain America: The Winter Soldier on BBC One at 8:30pm and the subscription premiere of Captain America: Civil War on Sky Cinema at 8pm, an almost-double-bill (I mean, you can’t watch them both live) that I only note because of the “huh, well there you go” factor.

    Next month… Sherlock returns.

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  • 10 thoughts on “The Past Christmas on TV

    1. Thought the tv was pretty poor this year. Fell asleep during Dr Who (thats possibly Eddie’s fault wearing me out), that Eric Idle’s Universe thing was painfully bad, Outnumbered was very good, that Witness For the Prosecution seemed okay but not living up to the talent involved. The films over the holiday were an uninspired choice (its a perfect time at Christmas for themed movie seasons, but they don’t do it anymore, such a wasted opportunity). So I didn’t watch much telly at all. Feel a bit like Scrooge- “Christmas telly, bah! Humbug!”

      Liked by 1 person

      • Shame about the Eric Idle thing, I was a little bit looking forward to it, but at least I can keep my entertainment hopes pinned on Outnumbered.

        It’s a shame how little effort the channels put into movies in general these days, but I guess they probably see that as the purview of Netflix & co now. Wrong-headed thinking, because none of those services offer anything particularly comprehensive, but I bet it’s still part of it.

        Like

    2. Missed much of it this year – it no longer holds the interest that it used to, but a lot of that is no doubt down to the easy availability of everything these days. I did like DR WHO and agree that there is absolutely no pleasing everyone when it comes to DW. I think the Moffatt ones have been rather good on the whole – I liked the one with Gambon that riffed on A Christmas Carol, and the one that had Nick Frost as Father Christmas battling the face huggers from ALIEN.

      I’m gutted to have missed the Bob Monkhouse show – no chance of letting me know where and when it was on…?

      Liked by 1 person

      • The Christmas Carol one is my favourite of all the Xmas specials, but I wasn’t as keen on the Nick Frost one. I think that may’ve been one of several recent Christmas Days where I had a rotten cold (same thing on Christmas Carol’s year, funnily enough), so it probably deserves a second chance.

        Bob Monkhouse was on BBC4 on Boxing Day, so it’s still on iPlayer, or there’s a repeat tonight at 12:35am.

        Liked by 1 person

        • Thanks for the Bob update – loved it ❤

          I'm steadily rewatching all the Whos and caught the Nick Frost episode again yesterday – personally I think it's great, very creepy (surprisingly so for a family teatime show on Christmas Day) and in places rather poignant. It helps if you think Jenna Coleman works as a companion – personally I thought she knocked the sadness of her character out of the park and the new one has a lot to live up to in the upcoming series. As for The Christmas Carol, it just about hit all the right notes for me – very much like a fairy tale, science fiction elements that were never inserted heavy handedly, Michael Gambon as a perfect Scrooge character, Matt Smith at his most warm hearted. It remains the one to beat for me, though as always there are plenty who see it very differently.

          Some great posts on 100 FILMS this year by the way. I've really enjoyed following it – keep up the good work, mate 🙂

          Liked by 1 person

          • Thanks! On a related note, I’ve been saving your big Bond post until I can get stuck into it properly, but haven’t found the time yet (busy time of year, this!)

            Coleman grew on me a lot as she went on — not so much her performance, actually, which was always decent, but the writing made her more of an actual character later in her time.

            I know everyone has their own opinions ‘n’ all, but I’m honestly baffled by people who don’t rate Christmas Carol. Like you say, it hits every note perfectly; it’s bang-on target as a Christmas special; and I particularly like the clever twist on which character is which ‘ghost’ at the end.

            Liked by 1 person

          • It seems clear, don’t you think, that Coleman wasn’t especially written for Matt Smith’s Doctor and so instead of being a character she was just a mystery waiting to be solved. Once the Ponds story was over, so was the companion as what the companion ought to be i.e. our point of view of what it’s like to travel with the Doctor and trying to square those experiences with a normal life… Once Capaldi took over, they gave her a job and a boyfriend and off she soared. A really well acted role, especially when she had to be shown to grieve, and while I haven’t watched her in anything else (didn’t fancy that Queen Victoria programme) I’m sure she will do well.

            Liked by 1 person

          • Yeah, I think they bungled her first run. As you say, she’s not a proper character, just a mystery, which means she could be a threat, so we can’t warm to her. It felt like it took them ages to realise that problem and rectify it at the time, but I guess that’s just because things were so bitty around then (with the half seasons and whatnot) because it’s quite soon that Capaldi comes along and they ‘fixed’ her.

            But yes, she definitely deserves the success she’s getting off the back of it, though it’s perhaps a shame she’ll be tied up with Victoria for years now, as it was such a hit.

            Like

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